Recently I’ve posted several painters’ interviews from Painting Perceptions, so today I wanted to branch out a little. I was happy to find this Youtube painting demo with some helpful information about painting outside. When I dug a little deeper to see what else I could learn about this painter I found an interview: an interview …
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Marc Dalessio’s Winter Landscape Demo
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Painting Grass
This is the beginning of a collection: examples of painted grass. When I paint grass I usually start with large shapes first, light swathes of masses break the canvas into smaller segments. I use a rag sometimes to form the first shapes, then a bristle brush so the bristles scrape away the paint as much as …
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Sfumato
From the Latin (via Italian) fumare (“to smoke”), sfumato describes a painting technique with no harsh outlines. Areas blend into one another through tiny brushstrokes, which makes a hazy, atmospheric depiction of light and color. An early example of sfumato can be seen in Leonardo’s Mona Lisa. A more modern example is in Y.Z. Kami’s giant meditative portraits. Pronunciation: sfoo·mah·toe ” img_size=”full Xandy Peters : Sfumato …
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The “Wipe Out” Method
As difficult as it is to get painters to apply enough paint, it’s even harder to get them to take it back off again, unless they’re trying to rub out a mistake. The “Lift Up” or “Wipe Out” method is not for obliterating mistakes, it’s a fast way to shape light and dark values on the canvas. …
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Artisanal Pencil Sharpening
A practical and theoretical treatise on the artisanal craft of pencil sharpening. The number one #2 pencil sharpener in the world, David Rees takes viewers through the delicate process of sharpening a pencil by hand. For more information, or to order your own pencil, contact David Rees through his website: http://www.artisanalpencilsharpening.com
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Glaucous
of a dull grayish-green or blue color. covered with a powdery bloom like that on grapes. Origin The glaucous effect can be achieved by putting a lighter semi-opaque glaze over a darker color. Zinc or lead white mixed with glazing medium can be effective. The effect is intensified if the darker layers are transparent pigments.
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