I never stop being inspired by art and ideas—they’re always there, bouncing around on my desk, waiting to be shared. After a long pause of wishing I were publishing, I’m tentatively restarting. V. Notes will be different this time: smaller, more in-the-moment—little ideas pulled straight from my desk, shared when time and energy allow. A brief reflection on a painting, a sculpture, or the underlying connections in what we see. Whether it’s a brushstroke or a surprising combination of colors that feels alive, I hope these notes bring a small spark to your day.
[image_with_animation image_url=”9399″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Francis Bacon’s studio Where do you make art? I find looking at artist’s spaces just as interesting as looking at the artwork made there. In part, what I’m looking at when I look at art spaces is how people adapt their space to suit their needs (how the studio …
Take a class with SAL – anywhere! If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would: Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats. Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint …
I’m sending this stuff because I’m watching this stuff, and I’m watching this stuff because I want to do this stuff. I’m gonna make some heads in clay! Sounds like fun, and if they work, they’ll be good subjects for drawings and paintings when live models aren’t available. The wonderful secondary benefit is that studying …
A Fresh Start: V. Notes Returns
I never stop being inspired by art and ideas—they’re always there, bouncing around on my desk, waiting to be shared. After a long pause of wishing I were publishing, I’m tentatively restarting. V. Notes will be different this time: smaller, more in-the-moment—little ideas pulled straight from my desk, shared when time and energy allow. A brief reflection on a painting, a sculpture, or the underlying connections in what we see. Whether it’s a brushstroke or a surprising combination of colors that feels alive, I hope these notes bring a small spark to your day.
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[image_with_animation image_url=”9399″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Francis Bacon’s studio Where do you make art? I find looking at artist’s spaces just as interesting as looking at the artwork made there. In part, what I’m looking at when I look at art spaces is how people adapt their space to suit their needs (how the studio …
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Take a class with SAL – anywhere! If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would: Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats. Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint …
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I’m sending this stuff because I’m watching this stuff, and I’m watching this stuff because I want to do this stuff. I’m gonna make some heads in clay! Sounds like fun, and if they work, they’ll be good subjects for drawings and paintings when live models aren’t available. The wonderful secondary benefit is that studying …