I never stop being inspired by art and ideas—they’re always there, bouncing around on my desk, waiting to be shared. After a long pause of wishing I were publishing, I’m tentatively restarting. V. Notes will be different this time: smaller, more in-the-moment—little ideas pulled straight from my desk, shared when time and energy allow. A brief reflection on a painting, a sculpture, or the underlying connections in what we see. Whether it’s a brushstroke or a surprising combination of colors that feels alive, I hope these notes bring a small spark to your day.
Not all sections of a surface are equal. Movement, space, and placement can be used to suggest time. Within the composition we can infer a sequence, a past, and a future. In part, this is due to how we read. Generally, we read top to bottom, and left to right. Within a scene in a …
I’m not really sure how I landed on these, but here they are: “Indian Composite Animal Paintings” from about 1750-1850. I don’t know much about them other than that they’re Hindu. I read that they’re about inter-relatedness of all beings. I’m not sure about the spiritual message, but it looks like people had fun making them. Occasionally I …
Tamami Shima (1937-1999) graduated from the the Women’s College of Fine Arts, Tokyo in 1958. Her woodblock designs use texture, often multiple woodgrain patterns within a single image. There are a few spots left in our Landscape Woodblock class this Saturday. Woodblock is a great skillbuilder for painters. …
William Kentridge is a South African artist best known for his prints, drawings, and animated films. These are constructed by filming a drawing, making erasures and changes, and filming it again. Below are several short videos by Kentridge with a focus on philosophy and his process. Click here for a selection of longer works. The first …
A Fresh Start: V. Notes Returns
I never stop being inspired by art and ideas—they’re always there, bouncing around on my desk, waiting to be shared. After a long pause of wishing I were publishing, I’m tentatively restarting. V. Notes will be different this time: smaller, more in-the-moment—little ideas pulled straight from my desk, shared when time and energy allow. A brief reflection on a painting, a sculpture, or the underlying connections in what we see. Whether it’s a brushstroke or a surprising combination of colors that feels alive, I hope these notes bring a small spark to your day.
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Left vs Right: sense of time in composition
Not all sections of a surface are equal. Movement, space, and placement can be used to suggest time. Within the composition we can infer a sequence, a past, and a future. In part, this is due to how we read. Generally, we read top to bottom, and left to right. Within a scene in a …
Indian Composite Animal Paintings
I’m not really sure how I landed on these, but here they are: “Indian Composite Animal Paintings” from about 1750-1850. I don’t know much about them other than that they’re Hindu. I read that they’re about inter-relatedness of all beings. I’m not sure about the spiritual message, but it looks like people had fun making them. Occasionally I …
Tamami Shima
Tamami Shima (1937-1999) graduated from the the Women’s College of Fine Arts, Tokyo in 1958. Her woodblock designs use texture, often multiple woodgrain patterns within a single image. There are a few spots left in our Landscape Woodblock class this Saturday. Woodblock is a great skillbuilder for painters. …
William Kentridge: A Drawing Lesson
William Kentridge is a South African artist best known for his prints, drawings, and animated films. These are constructed by filming a drawing, making erasures and changes, and filming it again. Below are several short videos by Kentridge with a focus on philosophy and his process. Click here for a selection of longer works. The first …