In art school, our art history course included a section on German Expressionism, featuring some paintings by Ludwig Kirchner. They looked something like this:
Ludwig Kirchner, “Street, Berlin” (1913)
I remember not liking them at the time. Expressionism? Everyone’s squeezed in like bristling sardines! The darkness behind the colors, the acidic contrasts, the dampening black, and the sharp downward angles all felt overwhelming to me. After the mention in the books, I never looked him up on my own, and I groaned every time his name came up.
Not a Bonnard – it’s by Kirchner!
Today, though, I was searching for some happy landscape paintings. I’d recently revisited Bonnard’s work, whose colors always delight me, but I wanted to discover something new. That’s when I stumbled across these colorful landscapes by Kirchner—paintings I’d never seen before. Lots and lots of them! They surprised me. Some of the lines and spaces remind me of Cézanne, Van Gogh, or even Mondrian during his late tree phase. The colors feel closer to the French Fauvists—bold, bright, and slightly clashing, but undeniably eye candy.
Kirchner’s earlier works, with their sharp angles and jarring contrasts, described the fractured, anxious world he experienced in early 1900s Germany.
Kirchner’s Self-Portrait as a Soldier” (1915)
Most of his landscapes, however, came later, after his breakdown during World War I. He moved to Davos, Switzerland, in 1917, and in those works, it seems he found something lighter, maybe happiness.
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
Pouncing is a technique used for transferring an image from one surface to another. It is similar to tracing, and is useful for creating copies of a sketch outline to produce finished works.
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
[image_with_animation image_url=”14063″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] There was so much interesting material produced in day one of this two day workshop “Portraiture After Photography” I wanted to share it. The morning slideshow focused on photography as a tool for abstraction, launching from an in depth look at multi exposure photographs taken by John Deakin and …
Unexpected Happiness in Landscapes by Kirchner
In art school, our art history course included a section on German Expressionism, featuring some paintings by Ludwig Kirchner. They looked something like this:
Ludwig Kirchner, “Street, Berlin” (1913)
I remember not liking them at the time. Expressionism? Everyone’s squeezed in like bristling sardines! The darkness behind the colors, the acidic contrasts, the dampening black, and the sharp downward angles all felt overwhelming to me. After the mention in the books, I never looked him up on my own, and I groaned every time his name came up.
Today, though, I was searching for some happy landscape paintings. I’d recently revisited Bonnard’s work, whose colors always delight me, but I wanted to discover something new. That’s when I stumbled across these colorful landscapes by Kirchner—paintings I’d never seen before. Lots and lots of them! They surprised me. Some of the lines and spaces remind me of Cézanne, Van Gogh, or even Mondrian during his late tree phase. The colors feel closer to the French Fauvists—bold, bright, and slightly clashing, but undeniably eye candy.
Kirchner’s earlier works, with their sharp angles and jarring contrasts, described the fractured, anxious world he experienced in early 1900s Germany.
Kirchner’s Self-Portrait as a Soldier” (1915)
Most of his landscapes, however, came later, after his breakdown during World War I. He moved to Davos, Switzerland, in 1917, and in those works, it seems he found something lighter, maybe happiness.
Unexpected Happiness in Landscapes by Kirchner
Related Posts
Online Anniversary Show; Still Life
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
Pouncing
Pouncing is a technique used for transferring an image from one surface to another. It is similar to tracing, and is useful for creating copies of a sketch outline to produce finished works.
Online Anniversary Show: Bold Abstracts
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
Sketches from Portraiture after Photography
[image_with_animation image_url=”14063″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] There was so much interesting material produced in day one of this two day workshop “Portraiture After Photography” I wanted to share it. The morning slideshow focused on photography as a tool for abstraction, launching from an in depth look at multi exposure photographs taken by John Deakin and …