If you’ve taken a class with us recently, you’ve probably exchanged emails with Connie Pierson, a 7-year League member, and our magical admin helper. Known affectionately as the “Brushstroke Queen”, we’re thrilled to display some of Pierson’s still lifes and interiors.
“Internal Dialogue” is a selection of artworks that were mostly made during the pandemic, when the Seattle Artist League closed our little art studio in North Seattle, and moved to online classes. Many of my favorite paintings during that time were made by Connie Pierson. I’m proud to have a selection of her paintings and drawings on display. Given the private nature of her show title, I had to ask why.
untitled still life, oil on canvas, 11 x 14 inches
Interview with Connie Pierson
Ruthie: What inspired your show title “Internal Dialogue”?
Connie: As a child, growing up in a troubled household where I couldn’t ask anyone why things were the way they were, I began to ask myself why this and why that as a way to try to figure it out on my own. The internal dialogue became an extra voice that is always with me, shaping how I see and interact with the world. These paintings and drawings are a way of speaking with that voice so I named the show after that experience “Internal Dialogue”.
R: What was happening in the world when most of these paintings were made?
C: Most of these paintings were created during the pandemic, when everyone was just trying to stay connected in any way they could. For me, that connection came through the online courses with SAL, providing a path for my art.
“city scape” after Bonnard, oil on canvas, 12.25 x 19.25 inches
R: Your paint application seems more rich in this series. Can you talk about the thickest painting – the little square with a green thing?
C: It’s one of my favorite paintings in the show: “a little murder in winter”, where I used more paint than I typically would, past my usual limits. Sometimes wonderful things happen if boundaries are explored.
“little green vase” oil on canvas, 10.5 x 10.5 inches
R: Are there any other pieces in this show that hold particular personal significance to you?
C: The one with spinning tops, titled “out of balance.” These tops communicate how you can go on for so long thinking ‘it’s alright, it’s alright, we’re just spinning along fine in this world.’ Then for some reason, it all falls away and that balance is lost.
“out of balance” oil on canvas, 16 x 20 inches
R: Why is the round tondo drawing of the glass bell so precious to you?
C: The drawing of the glass bell cloche was drawn quickly, without overanalyzing, and yet it feels complete. I love how these shapes fit in this circle. I love circles. Circles hold things in ways rectangles can’t.
untitled, charcoal on cold press watercolor paper, 18.5 x 22 inches
R: Is there anything in this series of artworks that surprised you?
C: Reflecting on the paintings as a group, it surprised me to see each piece capture a certain sense of my state of mind, a common thread running through all the work, relating each piece to the whole.
“a little murder in winter” oil on canvas, 13 x 16 inches
R: What was a lesson or idea you got from your teachers that improved your work?
C: I’ve always felt that I was “being” what I was experiencing. Being the sunshine, or the breeze, or the snow, or the tears, all of that. They reminded me that I can also “be” the brush, or the charcoal, or the color too.
untitled, charcoal on cold press watercolor paper, 22 x 27 inches
“Internal Dialogue”
A solo show by Connie Pierson
Join us at the Seattle Artist League Gallery (SALGAL) for a peek into “Internal Dialogue”, showcasing an inspiring collection of paintings and drawings by League artist Connie Pierson.
Exhibition Dates: On display through March Reception: This Saturday, March 9th, 1:00 – 3:00pm
Location: Seattle Artist League Gallery (SALGAL) 5516 4th Ave South, Seattle, WA 98119 SALGAL is open 7 days a week. Contact us for hours.
Seattle Artist League is proud to be a part of Equinox Artist Studios. This opening is also a featured part of the Georgetown Art Attack!
For 30 years Stuart Shils painted urban skylines and tuscan landscapes, painting outside or by looking through the window. He simpliefied the landscape into bright, vague, and subtle studies of color. Now he’s at that same window, his view turned inward, making collage, camera and light projections. They’re called Window Collages. The titles are poetic/scientific documentations: night …
Last week Nikki Barber and I surprised my drawing classes with an unexpected session of printmaking. After a few weeks of drawing practice, Beginning and Figure Drawing students made monotypes for the first time, and LOVED IT. Yesterday I posted still life monoprints by the beginning drawing students. Today are figurative monoprints by the figure …
In 1960, pioneering American artists Sol LeWitt and Eva Hesse met for the first time and instantly clicked, quickly forming a strong, deep bond that would last for ten years and result in countless inspirational discussions and rich exchanges of ideas. Indeed, they remained incredibly close friends until May of 1970, at which point Hesse, …
[image_with_animation image_url=”6263″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Richard Tuttle Richard Tuttle is an American known for his small, odd, subtle, and intimate works. Sometimes, his art incites the viewer to decide what distinguishes art from trash. See “untitled” drawing above, and the gem below. Tuttle was a very close friend of minimalist painter Agnes Martin. ” …
“Internal Dialogue” with Connie Pierson
If you’ve taken a class with us recently, you’ve probably exchanged emails with Connie Pierson, a 7-year League member, and our magical admin helper. Known affectionately as the “Brushstroke Queen”, we’re thrilled to display some of Pierson’s still lifes and interiors.
“Internal Dialogue” is a selection of artworks that were mostly made during the pandemic, when the Seattle Artist League closed our little art studio in North Seattle, and moved to online classes. Many of my favorite paintings during that time were made by Connie Pierson. I’m proud to have a selection of her paintings and drawings on display. Given the private nature of her show title, I had to ask why.
Interview with Connie Pierson
Ruthie: What inspired your show title “Internal Dialogue”?
Connie: As a child, growing up in a troubled household where I couldn’t ask anyone why things were the way they were, I began to ask myself why this and why that as a way to try to figure it out on my own. The internal dialogue became an extra voice that is always with me, shaping how I see and interact with the world. These paintings and drawings are a way of speaking with that voice so I named the show after that experience “Internal Dialogue”.
R: What was happening in the world when most of these paintings were made?
C: Most of these paintings were created during the pandemic, when everyone was just trying to stay connected in any way they could. For me, that connection came through the online courses with SAL, providing a path for my art.
R: Your paint application seems more rich in this series. Can you talk about the thickest painting – the little square with a green thing?
C: It’s one of my favorite paintings in the show: “a little murder in winter”, where I used more paint than I typically would, past my usual limits. Sometimes wonderful things happen if boundaries are explored.
R: Are there any other pieces in this show that hold particular personal significance to you?
C: The one with spinning tops, titled “out of balance.” These tops communicate how you can go on for so long thinking ‘it’s alright, it’s alright, we’re just spinning along fine in this world.’ Then for some reason, it all falls away and that balance is lost.
R: Why is the round tondo drawing of the glass bell so precious to you?
C: The drawing of the glass bell cloche was drawn quickly, without overanalyzing, and yet it feels complete. I love how these shapes fit in this circle. I love circles. Circles hold things in ways rectangles can’t.
R: Is there anything in this series of artworks that surprised you?
C: Reflecting on the paintings as a group, it surprised me to see each piece capture a certain sense of my state of mind, a common thread running through all the work, relating each piece to the whole.
R: What was a lesson or idea you got from your teachers that improved your work?
C: I’ve always felt that I was “being” what I was experiencing. Being the sunshine, or the breeze, or the snow, or the tears, all of that. They reminded me that I can also “be” the brush, or the charcoal, or the color too.
“Internal Dialogue”
A solo show by Connie Pierson
Join us at the Seattle Artist League Gallery (SALGAL) for a peek into “Internal Dialogue”, showcasing an inspiring collection of paintings and drawings by League artist Connie Pierson.
Exhibition Dates: On display through March
Reception: This Saturday, March 9th, 1:00 – 3:00pm
Location:
Seattle Artist League Gallery (SALGAL)
5516 4th Ave South, Seattle, WA 98119
SALGAL is open 7 days a week. Contact us for hours.
Seattle Artist League is proud to be a part of Equinox Artist Studios.
This opening is also a featured part of the Georgetown Art Attack!
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Stuart Shils Window Collages (Part 3)
For 30 years Stuart Shils painted urban skylines and tuscan landscapes, painting outside or by looking through the window. He simpliefied the landscape into bright, vague, and subtle studies of color. Now he’s at that same window, his view turned inward, making collage, camera and light projections. They’re called Window Collages. The titles are poetic/scientific documentations: night …
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Last week Nikki Barber and I surprised my drawing classes with an unexpected session of printmaking. After a few weeks of drawing practice, Beginning and Figure Drawing students made monotypes for the first time, and LOVED IT. Yesterday I posted still life monoprints by the beginning drawing students. Today are figurative monoprints by the figure …
DO
In 1960, pioneering American artists Sol LeWitt and Eva Hesse met for the first time and instantly clicked, quickly forming a strong, deep bond that would last for ten years and result in countless inspirational discussions and rich exchanges of ideas. Indeed, they remained incredibly close friends until May of 1970, at which point Hesse, …
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