If you followed the 30SAL challenge last year, you may remember a series of posts about perspective. These perspectives include much more than the dominant Western standard of 1 point, 2 point, and 3 point linear perspective. These perspectives span the globe and include centuries of humans depicting space on a two dimensional surface. We’re going to revisit a few of those perspectives this year, starting with this:
Inverse Perspective
If you’ve taken a drawing class, you might have learned to draw with 1 point, 2 point, and 3 point linear perspective. With this perspective method, objects that are farther away are drawn smaller, and perpendicular lines recede to common vanishing points in the distance. In inverse perspective, objects that are farther away are drawn larger.
If you’ve become accustomed to Western or Renaissance style linear perspective, you might think inverse (or “reverse” or “divergent”) perspective looks naive and awkward, but about 50% of adults who haven’t learned Western perspective drawing, when told to draw a box, draw it using inverse perspective.
Trinity, a Russian Orthodox painting by Andrei Rublev. Tempera on board, 1411 or 1425-27, 56 x 45 inches
Inverse perspective is commonly seen in Byzantine and Russian Orthodox icons, Chinese and Japanese art, and sometimes in children’s drawings. In religious artworks, one reason behind drawing objects that are farther away larger in size is that they are growing closer in relationship to god. In contrast, the linear perspective method that started in the Renaissance put primary importance on the point of view of each individual, and on science and logic.
If a person was to stand still without moving and only look within a small area in front of them, Renaissance perspective might be similar to what we see, but as our bodies are built to move around and our minds are built to think about things from varying viewpoints, the argument could be made that showing multiple perspectives is inherently the more natural way to draw.
Artistically, inverse perspective allows us to convey the tops and sides of objects along with the front for multi-dimensional and narrative gain. Basically, unless you’re using your drawing as a blueprint for building, inverse perspective allows you to describe more of an object. Cubism also took advantage of this idea, and showed objects from various points of view.
There are other methods for linear perspective, such as isometric, axonometric or orthographic, oblique or parallel, and convergent perspective. All of them have different applications, are interesting, and are visually useful to communicate objects in space. With all the different ways to draw things, I wonder how Renaissance perspective became the only one taught in most art classes?
Day 21: Inverse Perspective #30SAL Challenge
Today’s Challenge: Create something using inverse perspective, in which the objects get bigger as they get farther away. #inverseperspective #30sal
Share your drawing on Instagram with these tags: #30sal, #inverseperspective
[image_with_animation image_url=”8555″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Yesterday I talked about Joseph Cornell, and how he didn’t consider himself an artist, but felt he was a collector, and a maker of things. I like to think sometimes I make things. Contrary to my website, I avoid calling myself an artist. Doing so can be validating, but …
Announcing the 2nd annual Seattle Artist League Portrait Awards! 1st Prize: $1,000 cash2nd Prize: $500 SAL Gift Certificate3rd Prize: $300 SAL Gift CertificateHonorable Mentions: $100 SAL Gift Certificates Guest judge: Catherine Lepp Call ends 3/1/2022 @ midnight PST The Seattle Artist League Portrait Awards aim to encourage artists to focus on and develop the theme of portraiture in their work. The …
William Robinson is an Australian painter, born in 1936. His enormous paintings of the Australian landscape often involve multiple perspectives with disorienting and twisting effects. He wants his viewers to feel that they are enclosed within a landscape, having it unfold before them. “Living in the country everything moves—the seasons, the clouds, nothing is set. …
This is a new online glossary of painting terms. More to come! Alkyd (“Call me Al, kid”) Oil Painting Alkyds are synthetic resin replacements for slow drying natural oils. When added to oil paint they speed up the drying time. Examples: Liquin, Galkyd, and many more. Some paints like Quick Dry White, Gamblin FastMatte, and W&N Griffin Paints …
Day 21: Inverse Perspective #30SAL
If you followed the 30SAL challenge last year, you may remember a series of posts about perspective. These perspectives include much more than the dominant Western standard of 1 point, 2 point, and 3 point linear perspective. These perspectives span the globe and include centuries of humans depicting space on a two dimensional surface. We’re going to revisit a few of those perspectives this year, starting with this:
Inverse Perspective
If you’ve taken a drawing class, you might have learned to draw with 1 point, 2 point, and 3 point linear perspective. With this perspective method, objects that are farther away are drawn smaller, and perpendicular lines recede to common vanishing points in the distance. In inverse perspective, objects that are farther away are drawn larger.
If you’ve become accustomed to Western or Renaissance style linear perspective, you might think inverse (or “reverse” or “divergent”) perspective looks naive and awkward, but about 50% of adults who haven’t learned Western perspective drawing, when told to draw a box, draw it using inverse perspective.
Inverse perspective is commonly seen in Byzantine and Russian Orthodox icons, Chinese and Japanese art, and sometimes in children’s drawings. In religious artworks, one reason behind drawing objects that are farther away larger in size is that they are growing closer in relationship to god. In contrast, the linear perspective method that started in the Renaissance put primary importance on the point of view of each individual, and on science and logic.
If a person was to stand still without moving and only look within a small area in front of them, Renaissance perspective might be similar to what we see, but as our bodies are built to move around and our minds are built to think about things from varying viewpoints, the argument could be made that showing multiple perspectives is inherently the more natural way to draw.
Artistically, inverse perspective allows us to convey the tops and sides of objects along with the front for multi-dimensional and narrative gain. Basically, unless you’re using your drawing as a blueprint for building, inverse perspective allows you to describe more of an object. Cubism also took advantage of this idea, and showed objects from various points of view.
There are other methods for linear perspective, such as isometric, axonometric or orthographic, oblique or parallel, and convergent perspective. All of them have different applications, are interesting, and are visually useful to communicate objects in space. With all the different ways to draw things, I wonder how Renaissance perspective became the only one taught in most art classes?
Day 21: Inverse Perspective #30SAL Challenge
Today’s Challenge: Create something using inverse perspective, in which the objects get bigger as they get farther away. #inverseperspective #30sal
Share your drawing on Instagram with these tags: #30sal, #inverseperspective
Or post to this Padlet.
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[image_with_animation image_url=”8555″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Yesterday I talked about Joseph Cornell, and how he didn’t consider himself an artist, but felt he was a collector, and a maker of things. I like to think sometimes I make things. Contrary to my website, I avoid calling myself an artist. Doing so can be validating, but …
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Announcing the 2nd annual Seattle Artist League Portrait Awards! 1st Prize: $1,000 cash2nd Prize: $500 SAL Gift Certificate3rd Prize: $300 SAL Gift CertificateHonorable Mentions: $100 SAL Gift Certificates Guest judge: Catherine Lepp Call ends 3/1/2022 @ midnight PST The Seattle Artist League Portrait Awards aim to encourage artists to focus on and develop the theme of portraiture in their work. The …
William Robinson’s Perspectives
William Robinson is an Australian painter, born in 1936. His enormous paintings of the Australian landscape often involve multiple perspectives with disorienting and twisting effects. He wants his viewers to feel that they are enclosed within a landscape, having it unfold before them. “Living in the country everything moves—the seasons, the clouds, nothing is set. …
Glossary of Painting Terms
This is a new online glossary of painting terms. More to come! Alkyd (“Call me Al, kid”) Oil Painting Alkyds are synthetic resin replacements for slow drying natural oils. When added to oil paint they speed up the drying time. Examples: Liquin, Galkyd, and many more. Some paints like Quick Dry White, Gamblin FastMatte, and W&N Griffin Paints …