You are now at the second half of our 30 day creative challenge. It’s all uphill from here! Did you see the post with some of my favorites?
Today’s challenge builds on yesterday’s. You can use the same plant, or even the same drawing, if you wish. This time, instead of drawing continuous contour lines, focus on flattening and simplifying the shapes, so they create a composition across the page. Color in either the plant shapes or the spaces around the plant shapes, so there is stark contrast to the design. Below are a few of Ellsworth Kelly’s designs for inspiration. You can see he’s not just looking at the plant, he’s looking at all the shapes within the whole composition. Notice how parts of each shape overlap, touch, or almost touch the edges of the compositions. See how much energy is in those moments? I love seeing the tiny areas of adjustment in “Plant II” the one right below this text.
Ellsworth Kelly, “Plant II” (1949), oil on wood, 16 1/2 x 13 inchesEllsworth Kelly Study for Plant 1 1949 and Vaults/Flowers 1949
Share your drawing on Instagram with these tags: #30sal, #organiccomposition
Pouncing is a technique used for transferring an image from one surface to another. It is similar to tracing, and is useful for creating copies of a sketch outline to produce finished works.
League artist Siobhan Wilder’s work will be part of COCA’s Motherland show this month. Wilder paints mysterious scenes. She wants to give the viewer the sensation that there are messages all around us, and we might be able to clue into them with a little concentration. The scene above was one that she happened upon in real …
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
[image_with_animation image_url=”10166″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Max Ernst “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” – Max Ernst Max Ernst used texture rubbings to overcome his fear of the white canvas, igniting his imagination. He often put paper to the worn …
Day 16: Organic Composition #30SAL
You are now at the second half of our 30 day creative challenge. It’s all uphill from here! Did you see the post with some of my favorites?
Today’s challenge builds on yesterday’s. You can use the same plant, or even the same drawing, if you wish. This time, instead of drawing continuous contour lines, focus on flattening and simplifying the shapes, so they create a composition across the page. Color in either the plant shapes or the spaces around the plant shapes, so there is stark contrast to the design. Below are a few of Ellsworth Kelly’s designs for inspiration. You can see he’s not just looking at the plant, he’s looking at all the shapes within the whole composition. Notice how parts of each shape overlap, touch, or almost touch the edges of the compositions. See how much energy is in those moments? I love seeing the tiny areas of adjustment in “Plant II” the one right below this text.
Share your drawing on Instagram with these tags: #30sal, #organiccomposition
Or post to today’s Padlet page.
Related Posts
Pouncing
Pouncing is a technique used for transferring an image from one surface to another. It is similar to tracing, and is useful for creating copies of a sketch outline to produce finished works.
Siobhan Wilder at COCA
League artist Siobhan Wilder’s work will be part of COCA’s Motherland show this month. Wilder paints mysterious scenes. She wants to give the viewer the sensation that there are messages all around us, and we might be able to clue into them with a little concentration. The scene above was one that she happened upon in real …
Online Anniversary Show: The Quiet Ones
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
SAL Challenge: Frottage
[image_with_animation image_url=”10166″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Max Ernst “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” – Max Ernst Max Ernst used texture rubbings to overcome his fear of the white canvas, igniting his imagination. He often put paper to the worn …