Congratulations! You are halfway through our 30 day creative challenge! How are you doing with the various approaches? Do you have favorites? Hopefully you’ve logged into Instagram or to the Padlets to “like” people’s artistic responses. Awards and prizes will be posted today. Here are links to all the Padlet pages so far:
Day 1: Haptic Self Portrait Day 2: a Cup, a Table, a Wall Day 3: Masaccio Study Day 4: Altarpiece Day 5: Cacoethes Day 6: Altdorfer Harunobu Day 7: Design a Chair Day 8: Jacket Study Day 9: Living Room Day 10: Body Language Day 11: Mayan Throne Day 12: Atramentous Day 13: Cardsharps Day 14: Roly Poly
Remember, you don’t have to complete all 30 out of 30 to participate, and the goal is not to make a masterpiece. The goal is 20 minutes of creative time, whenever you can. If you get to the end of the 20 minutes and you want to keep going for goodness sake don’t let me stop you, but 20 minutes of creative time is a win. To learn more about this 30SAL challenge, click here.
Ellsworth Kelly
TODAY’S CHALLENGE: Sunday the topic is drawing from observation. Today, make a contour line drawing of a plant. It can be a houseplant, something gathered from outside, or some fruit or veg from the fridge. As you draw, go slowly, keeping your eyes as much on the plant’s edge as possible, looking only occasionally at the paper, moving your pencil at the same speed as you move your eyes. Keep your pencil mostly on the paper, making a fairly continuous line around the outside edges. Focus on the specific shapes and spaces you see in the plant, as well as the shapes and spaces in between the stems and leaves. Do not go back to “fix” your lines, just make your best observations in each moment. We aren’t aiming for the perfect plant drawing, we’re aiming for good focus and attention. Your job is to look.
Share your drawing on Instagram with these tags: #30sal, #plantdrawing
Take a class with SAL – anywhere! Previously, I posted funerary art from the 3rd through the 6th centuries. This post veers far out of that time range, but the unfinished Atlas Slave came up in discussion during today’s figure sculpture class. I got excited to share, so here they are. In 1505, Michelangelo was …
Today’s TRANSCRIPTION Challenge: Manet’s Luncheon on the Grass. Media is artist’s choice. In recent V. Notes I talked about how artists learn and get inspired by studying works by other artists. In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not …
If you’ve taken a drawing class, you might have learned to draw with 1 point, 2 point, and 3 point linear perspective. With this perspective method, objects that are farther away are drawn smaller, and perpendicular lines recede to common vanishing points in the distance. In inverse perspective, objects that are farther away are drawn …
Day 15: Draw a Plant #30SAL
Congratulations! You are halfway through our 30 day creative challenge! How are you doing with the various approaches? Do you have favorites? Hopefully you’ve logged into Instagram or to the Padlets to “like” people’s artistic responses. Awards and prizes will be posted today. Here are links to all the Padlet pages so far:
Day 1: Haptic Self Portrait
Day 2: a Cup, a Table, a Wall
Day 3: Masaccio Study
Day 4: Altarpiece
Day 5: Cacoethes
Day 6: Altdorfer Harunobu
Day 7: Design a Chair
Day 8: Jacket Study
Day 9: Living Room
Day 10: Body Language
Day 11: Mayan Throne
Day 12: Atramentous
Day 13: Cardsharps
Day 14: Roly Poly
Remember, you don’t have to complete all 30 out of 30 to participate, and the goal is not to make a masterpiece. The goal is 20 minutes of creative time, whenever you can. If you get to the end of the 20 minutes and you want to keep going for goodness sake don’t let me stop you, but 20 minutes of creative time is a win. To learn more about this 30SAL challenge, click here.
TODAY’S CHALLENGE: Sunday the topic is drawing from observation. Today, make a contour line drawing of a plant. It can be a houseplant, something gathered from outside, or some fruit or veg from the fridge. As you draw, go slowly, keeping your eyes as much on the plant’s edge as possible, looking only occasionally at the paper, moving your pencil at the same speed as you move your eyes. Keep your pencil mostly on the paper, making a fairly continuous line around the outside edges. Focus on the specific shapes and spaces you see in the plant, as well as the shapes and spaces in between the stems and leaves. Do not go back to “fix” your lines, just make your best observations in each moment. We aren’t aiming for the perfect plant drawing, we’re aiming for good focus and attention. Your job is to look.
Share your drawing on Instagram with these tags: #30sal, #plantdrawing
Or post to today’s Padlet page.
Related Posts
Michelangelo’s unfinished slaves
Take a class with SAL – anywhere! Previously, I posted funerary art from the 3rd through the 6th centuries. This post veers far out of that time range, but the unfinished Atlas Slave came up in discussion during today’s figure sculpture class. I got excited to share, so here they are. In 1505, Michelangelo was …
Day 7: Luncheon on the Grass #30SAL
Today’s TRANSCRIPTION Challenge: Manet’s Luncheon on the Grass. Media is artist’s choice. In recent V. Notes I talked about how artists learn and get inspired by studying works by other artists. In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not …
Day 15: Inverse Perspective #30SAL
If you’ve taken a drawing class, you might have learned to draw with 1 point, 2 point, and 3 point linear perspective. With this perspective method, objects that are farther away are drawn smaller, and perpendicular lines recede to common vanishing points in the distance. In inverse perspective, objects that are farther away are drawn …
My painting “Sisters” is on display, unfinished