This is day 14 of our 30 day creative challenge! To learn more about this 30SAL challenge, click here.
We’ve got a playful challenge today, so put away your adult and get your little kid self ready!
Set something small and round like a glass marble or an egg on a piece of paper. Place your pencil next to the marble and begin to direct it around the page, making marks on the paper as you push it. Try not to lose contact with the marble or the piece of paper. Do not lift up your pencil. Make a continuous line as you push the marble across the surface of the paper, making varied little pathways across the expanse.
Variation: Try other small objects, different drawing tools, and different paper. See how the materials affect your experience, and your marks.
Explanation: With this exercise, the artist surrenders control of what the drawing will look like, and focuses their attention on moving the marble instead of making a picture. This kind of drawing can be called automatic drawing, in which the conscious mind is invited to take a back seat, allowing chance and the subconscious to play.
A question: Do you think your lines would be more or less interesting if you were to draw them purposefully?
Share your drawing on Instagram with these tags: #30sal, #rolypoly
You may recognize Morandi for his dusty still life bottles, carefully and quietly clustered in the center of the canvas. Recently, I’ve been revisiting his lesser-known but more personally inspiring collection of landscapes. In classes, we’ve been talking about simplifying a composition into shapes, and applying those shapes to pull you through the composition with …
As a young child, Pippin attended a segregated one-room school in Goshen, New York. When he was ten years old, he answered a magazine advertisement and received a box of crayon pencils, paint, and two brushes. At age 15 Pippin left school to care for his ailing mother. She died when he was 23, and …
Siobhan Wilder, a founding member of the Seattle Artist League in 2016, has been honing her painting skills in my classes since 2015. This quarter, she steps into the role of an accomplished artist, teaching drawing, painting, and critique with us. The League is dedicated to fostering the development of each artist’s unique voice. Wilder …
[image_with_animation image_url=”11354″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] UPCOMING SHOW Lad Decker: Peacekeeping October 1-30, 2018 Our abstract painting teacher for fall is having a show of new work. Lad Decker paints large bold abstractions: reflections on American and global conflicts through the machines and landscapes of war. This is part of her series Conflict of Interest. …
Day 14: Roly Poly #30SAL
This is day 14 of our 30 day creative challenge! To learn more about this 30SAL challenge, click here.
We’ve got a playful challenge today, so put away your adult and get your little kid self ready!
Set something small and round like a glass marble or an egg on a piece of paper. Place your pencil next to the marble and begin to direct it around the page, making marks on the paper as you push it. Try not to lose contact with the marble or the piece of paper. Do not lift up your pencil. Make a continuous line as you push the marble across the surface of the paper, making varied little pathways across the expanse.
Variation: Try other small objects, different drawing tools, and different paper. See how the materials affect your experience, and your marks.
Explanation: With this exercise, the artist surrenders control of what the drawing will look like, and focuses their attention on moving the marble instead of making a picture. This kind of drawing can be called automatic drawing, in which the conscious mind is invited to take a back seat, allowing chance and the subconscious to play.
A question: Do you think your lines would be more or less interesting if you were to draw them purposefully?
Share your drawing on Instagram with these tags: #30sal, #rolypoly
Or post to today’s Padlet page.
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You may recognize Morandi for his dusty still life bottles, carefully and quietly clustered in the center of the canvas. Recently, I’ve been revisiting his lesser-known but more personally inspiring collection of landscapes. In classes, we’ve been talking about simplifying a composition into shapes, and applying those shapes to pull you through the composition with …
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As a young child, Pippin attended a segregated one-room school in Goshen, New York. When he was ten years old, he answered a magazine advertisement and received a box of crayon pencils, paint, and two brushes. At age 15 Pippin left school to care for his ailing mother. She died when he was 23, and …
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[image_with_animation image_url=”11354″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] UPCOMING SHOW Lad Decker: Peacekeeping October 1-30, 2018 Our abstract painting teacher for fall is having a show of new work. Lad Decker paints large bold abstractions: reflections on American and global conflicts through the machines and landscapes of war. This is part of her series Conflict of Interest. …