Los Danzantes de Chalma, Fernando Leal, an example of work from the Mexican Muralist Movement, 1922
With strong artistic similarities to Alice Neel in figurative portraiture, Aliza Nisenbaum’s large scale angled figures lead the eye across the composition, and her sharp colors stay fresh, not overworked. Like Neel, Nisenbaum paints small areas of contrasting colors of yellow and purple, pink and green, next to each other to show the variety of skin tones in light and shadow.
“You have to pay close attention to the subtle nuance of every little character in their face, and colour is something that is very contingent. Everyone perceives it differently and it’s a myth that even within a particular race there’s a seamless colour. To me, that’s like a metaphor of how nuanced identity is. We’re very multifaceted in terms of our identities.” – Aliza Nisenbaum
Aliza Nisenbaum’s Portrait of an NHS Worker was painted from a zoom screen in 2020
Aliza Nisenbaum Team Time Storytelling, Alder Hey Children’s Hospital Emergency Department, Covid Pandemic, 2020 Oil on canvas 95 x 150 inches
Exercise your creativity This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for 20 minutes and see what happens. AGASTOPIA n. – admiration of a particular …
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists, prominent in Europe from its formation in 1957 to its dissolution in 1972. (Wikipedia) At their worst, the Situationists could be said to have removed the requirement of specific skill and techniques from art, resulting …
[image_with_animation image_url=”7724″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Piet Mondrian, 1912 Yesterday’s challenge was to draw a tree from observation. That was part 1 of 3. Today is part 2 of 3. Today we’ll do the same, only different. Look again at the tree. If you did a drawing, study your drawing. Look at the branches, how …
Last week I talked about different methods of linear perspective. The challenge was to draw something using inverse perspective, in which objects that are farther away are drawn larger than what is up close, as seen in Byzantine, Chinese, Japanese, and Indian artworks. (My apologies for not including India’s use of multiple perspectives in the …
Aliza Nisenbaum’s Labor Portraits
Los Danzantes de Chalma, Fernando Leal, an example of work from the Mexican Muralist Movement, 1922
With strong artistic similarities to Alice Neel in figurative portraiture, Aliza Nisenbaum’s large scale angled figures lead the eye across the composition, and her sharp colors stay fresh, not overworked. Like Neel, Nisenbaum paints small areas of contrasting colors of yellow and purple, pink and green, next to each other to show the variety of skin tones in light and shadow.
Aliza Nisenbaum’s Portrait of an NHS Worker was painted from a zoom screen in 2020
Aliza Nisenbaum Team Time Storytelling, Alder Hey Children’s Hospital Emergency Department, Covid Pandemic, 2020 Oil on canvas 95 x 150 inches
Related Posts
SAL Challenge 16: AGASTOPIA
Exercise your creativity This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for 20 minutes and see what happens. AGASTOPIA n. – admiration of a particular …
Situationist International
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists, prominent in Europe from its formation in 1957 to its dissolution in 1972. (Wikipedia) At their worst, the Situationists could be said to have removed the requirement of specific skill and techniques from art, resulting …
SAL Challenge Day 18: Evolution of a Tree, Part 2 of 3
[image_with_animation image_url=”7724″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Piet Mondrian, 1912 Yesterday’s challenge was to draw a tree from observation. That was part 1 of 3. Today is part 2 of 3. Today we’ll do the same, only different. Look again at the tree. If you did a drawing, study your drawing. Look at the branches, how …
Day 22: Reverse Perspective #30SAL
Last week I talked about different methods of linear perspective. The challenge was to draw something using inverse perspective, in which objects that are farther away are drawn larger than what is up close, as seen in Byzantine, Chinese, Japanese, and Indian artworks. (My apologies for not including India’s use of multiple perspectives in the …