How did it happen that all of our drawings and paintings are in rectangles?
In my online figure drawing class last Sunday, I showed drawings by Matisse, Modigliani, and the very Matisse-like Pierre Boncompain. I talked about positioning the figure within the rectangle, thinking about how the shape of the figure and the shape of the spaces around the figure interact with the shape of the compositional rectangle.
Matisse
Modigliani
Color pencil figure drawing by Pierre Boncompain
Looking at the drawings by Pierre Boncompain led me to his ceramics, and I remembered something my painting teacher Ed Bereal asked: What if the shape you’re painting on isn’t a rectangle, and what if the surface isn’t flat?
In Fran O’Neill’s recent online drawing class, she had us draw quick thumbnail sketches in a variety of rectangular, triangular and circular compositions. In most cases, the sketches drawn in triangles and circles were the most interesting… and then once released we all went back to drawing in rectangles, because a habit is a habit. Darnit!
With that in mind, here are some figure drawings on ceramics by Pierre Boncompain (born May 17, 1938, in Provence, France).
Pierre Boncompain: figures on ceramic vessels
It could be said that some of these are decorations for the pot. Were the drawings above decorations for the paper?
Matisse observing a vase by Picasso. Photo by Henri Cartier-Bresson
Today is Design Friday, so your challenge is something the graphic designers will likely be familiar with: figure/ground reversal. “Figure/ground” is a phrase that came from modern German Gestalt psychology. It refers to how our mind organizes forms, distinguishing an object (figure) from its background (ground). In the early 1900s Danish psychologist Edgar Rubin famously experimented …
League instructor Jon Patrick is teaching a class on artist’s books. One of the works mentioned in his class today was this collaboration between Asger Jorn and Guy Debord. Jorn and Debord were part of Situationist International, and CoBrA. [divider line_type=”Full Width Line From Wikipedia: Mémoires (Memories) is an artist’s book made by the Danish artist …
In these drawings Henry Moore describes the aged body. He made a series of drawings of his own hands when he was eighty-one and suffering from ill-health, and he did more of Dorothy Crowfoot Hodgkin’s gnarled joints. ‘Hands can convey so much’ he said, ‘they can beg or refuse, take or give, be open or clenched, show content …
Take a class with SAL – anywhere! Yesterday’s post featuring drawings by Kathe Kollwitz introduced the idea of hands as expressive elements within a drawing. I was so excited about the idea of hands doing the talking for a face in a drawing that I made a class to study expressive hands and heads, and …
Figures on Vessels: Pierre Boncompain
How did it happen that all of our drawings and paintings are in rectangles?
In my online figure drawing class last Sunday, I showed drawings by Matisse, Modigliani, and the very Matisse-like Pierre Boncompain. I talked about positioning the figure within the rectangle, thinking about how the shape of the figure and the shape of the spaces around the figure interact with the shape of the compositional rectangle.
Looking at the drawings by Pierre Boncompain led me to his ceramics, and I remembered something my painting teacher Ed Bereal asked: What if the shape you’re painting on isn’t a rectangle, and what if the surface isn’t flat?
In Fran O’Neill’s recent online drawing class, she had us draw quick thumbnail sketches in a variety of rectangular, triangular and circular compositions. In most cases, the sketches drawn in triangles and circles were the most interesting… and then once released we all went back to drawing in rectangles, because a habit is a habit. Darnit!
With that in mind, here are some figure drawings on ceramics by Pierre Boncompain (born May 17, 1938, in Provence, France).
Pierre Boncompain: figures on ceramic vessels
It could be said that some of these are decorations for the pot. Were the drawings above decorations for the paper?
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Today is Design Friday, so your challenge is something the graphic designers will likely be familiar with: figure/ground reversal. “Figure/ground” is a phrase that came from modern German Gestalt psychology. It refers to how our mind organizes forms, distinguishing an object (figure) from its background (ground). In the early 1900s Danish psychologist Edgar Rubin famously experimented …
Asger Jorn and Guy Debord
League instructor Jon Patrick is teaching a class on artist’s books. One of the works mentioned in his class today was this collaboration between Asger Jorn and Guy Debord. Jorn and Debord were part of Situationist International, and CoBrA. [divider line_type=”Full Width Line From Wikipedia: Mémoires (Memories) is an artist’s book made by the Danish artist …
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In these drawings Henry Moore describes the aged body. He made a series of drawings of his own hands when he was eighty-one and suffering from ill-health, and he did more of Dorothy Crowfoot Hodgkin’s gnarled joints. ‘Hands can convey so much’ he said, ‘they can beg or refuse, take or give, be open or clenched, show content …
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Take a class with SAL – anywhere! Yesterday’s post featuring drawings by Kathe Kollwitz introduced the idea of hands as expressive elements within a drawing. I was so excited about the idea of hands doing the talking for a face in a drawing that I made a class to study expressive hands and heads, and …