I’ve been watching episodes of The Great Pottery Throw Down. I hadn’t previously considered ceramics as a spectator sport, but it’s crazy fun to watch people make pottery!
Jodie at the wheel
In every episode, amature potters respond to a wide variety of maker challenges. Some are races against the clock, some push contestants to go out on a limb on crazy design ideas, others are purely skill based. There’s always the excitement of chance, and a bit of luck involved. Though the potters are competing with each other to place well in the contest, the spirit of camaraderie is supportive, and you’ll see them cheering each other on, or lending a hand to help someone finish their project before they’re out of time.
Alon’s ideas were nutzo and several of his projects didn’t work, but a couple of them did and they were fantastic
Watching the potters decorate their wares before the glaze firing, it’s a strange sight to see the them drown their pots with wrong-colored paints. Glazes react chemically to the temperatures and oxidation in the kiln, so there’s no way of knowing exactly what they’re going to look like after firing. It’s every emotion from tragedy to ecstatic bliss when the transformed artworks are revealed at the end.
AJ Simpson posing with their original handbuilt clay sculpture, from Season 5. Go AJ!
Here are some of the fun challenges from Season One:
throw as many egg cups as they can throw in 20 minutes
make a sink using the 15,000 year old coiling technique
throw the tallest cylinder …while blindfolded
throw ten identical long-necked vases using the raku technique
15 minutes on the wheel to replicate two ornate candlesticks thrown by a master potter
hand-build a five-foot garden sculpture out of slabs of clay
10 minutes on the wheel to throw the widest plate they can
design and slip cast a decorative chandelier in translucent bone china
15 minutes on the wheel to make the largest closed sphere without collapsing
design and produce an original twelve-piece tea set out of porcelain
20 minutes to make three high-shouldered jugs – one of the hardest shapes to throw at the wheel
Don’t these challenges sound fun? I want to do them all!
Challenge: wheel throwing the tallest cylinder while blindfolded
A few days ago I posted about Banksy’s stunt at the Sotheby’s auction, in which his art piece supposedly self-shredded after being sold. The media explosion (including my own darned V.Note) has settled, and after the dust has cleared, I see very little that is worthy of our attentions here. The whole thing has a …
[image_with_animation image_url=”10521″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] I posted some paintings of feet recently. Here is something to cleanse the olfactory palette: Flowers in pots, by Odilon Redon – a French symbolist painter who lived from 1929–1983. Symbolist painters believed that art should reflect an emotion or idea rather than represent the natural world with realism or …
Here it is, we have arrived at the end of this nearly unending 30 Day Challenge. You’ve all been good creative sports about the hardship – I could almost believe some of you enjoyed it. In the next few days I’ll start posting my favorites, and then I’ll post the winners of the prizes after …
This is the first of three posts about Scott McClellan, head of ceramics at the Seattle Artist League—his work, his approach, and the tone he sets in the studio. Scott McClellan’s vessels seem caught mid-motion. They settle into themselves without ever going still. His forms press downward—weighty, bodily. Surfaces remain raw and exposed, with nothing …
The Great Pottery Throw Down
I’ve been watching episodes of The Great Pottery Throw Down. I hadn’t previously considered ceramics as a spectator sport, but it’s crazy fun to watch people make pottery!
In every episode, amature potters respond to a wide variety of maker challenges. Some are races against the clock, some push contestants to go out on a limb on crazy design ideas, others are purely skill based. There’s always the excitement of chance, and a bit of luck involved. Though the potters are competing with each other to place well in the contest, the spirit of camaraderie is supportive, and you’ll see them cheering each other on, or lending a hand to help someone finish their project before they’re out of time.
Watching the potters decorate their wares before the glaze firing, it’s a strange sight to see the them drown their pots with wrong-colored paints. Glazes react chemically to the temperatures and oxidation in the kiln, so there’s no way of knowing exactly what they’re going to look like after firing. It’s every emotion from tragedy to ecstatic bliss when the transformed artworks are revealed at the end.
Here are some of the fun challenges from Season One:
Don’t these challenges sound fun? I want to do them all!
I can’t wait to start pottery classes!
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A few days ago I posted about Banksy’s stunt at the Sotheby’s auction, in which his art piece supposedly self-shredded after being sold. The media explosion (including my own darned V.Note) has settled, and after the dust has cleared, I see very little that is worthy of our attentions here. The whole thing has a …
Flowers in a Pot, by Odilon Redon
[image_with_animation image_url=”10521″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] I posted some paintings of feet recently. Here is something to cleanse the olfactory palette: Flowers in pots, by Odilon Redon – a French symbolist painter who lived from 1929–1983. Symbolist painters believed that art should reflect an emotion or idea rather than represent the natural world with realism or …
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This is the first of three posts about Scott McClellan, head of ceramics at the Seattle Artist League—his work, his approach, and the tone he sets in the studio. Scott McClellan’s vessels seem caught mid-motion. They settle into themselves without ever going still. His forms press downward—weighty, bodily. Surfaces remain raw and exposed, with nothing …