William Robinson is an Australian painter, born in 1936. His enormous paintings of the Australian landscape often involve multiple perspectives with disorienting and twisting effects. He wants his viewers to feel that they are enclosed within a landscape, having it unfold before them.
“Living in the country everything moves—the seasons, the clouds, nothing is set. There are things behind you, all around you and you are in it. … You begin to realise that you are in a landscape that is really the crust of the earth. It is air and ground. We’re all just spinning through space. There is something about the paintings that is indefinite, not solid. We don’t really have an orientation in this infinity. … You begin to question what time is ….” – William Robinson
Welcome to day 2 of our 30 Day Creative Challenge! This year is so darned special, there are two simultaneous challenges. The primary challenge is to respond to the creative prompts in these posts, and see what happens. The alternative challenge is to make a comic based on the year 2020. You choose what you’re …
Yesterday’s Tucket was listed as the last day, but there is one more: Exercise your creativity This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for …
Hey there. I wanted to send out a little personal thank you about V. Notes, this unusual and personal blog series of thoughts and ideas related to art. Initially started as a way to give my painting students more information outside of class, V. Notes now has over 1,000 readers. Many subscribers are part of …
Contrary to popular belief, the round topped brush was actually designed in the late 1800s by Dr Philbert Bristle and was not named after a nut but instead named after the doctor himself, thus the proper name for this brush is “Philbert.”
William Robinson’s Perspectives
William Robinson is an Australian painter, born in 1936. His enormous paintings of the Australian landscape often involve multiple perspectives with disorienting and twisting effects. He wants his viewers to feel that they are enclosed within a landscape, having it unfold before them.
“Living in the country everything moves—the seasons, the clouds, nothing is set. There are things behind you, all around you and you are in it. … You begin to realise that you are in a landscape that is really the crust of the earth. It is air and ground. We’re all just spinning through space. There is something about the paintings that is indefinite, not solid. We don’t really have an orientation in this infinity. … You begin to question what time is ….” – William Robinson
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Welcome to day 2 of our 30 Day Creative Challenge! This year is so darned special, there are two simultaneous challenges. The primary challenge is to respond to the creative prompts in these posts, and see what happens. The alternative challenge is to make a comic based on the year 2020. You choose what you’re …
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Yesterday’s Tucket was listed as the last day, but there is one more: Exercise your creativity This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for …
A note about V. Notes
Hey there. I wanted to send out a little personal thank you about V. Notes, this unusual and personal blog series of thoughts and ideas related to art. Initially started as a way to give my painting students more information outside of class, V. Notes now has over 1,000 readers. Many subscribers are part of …
Philbert, a correction
Contrary to popular belief, the round topped brush was actually designed in the late 1800s by Dr Philbert Bristle and was not named after a nut but instead named after the doctor himself, thus the proper name for this brush is “Philbert.”