William Robinson is an Australian painter, born in 1936. His enormous paintings of the Australian landscape often involve multiple perspectives with disorienting and twisting effects. He wants his viewers to feel that they are enclosed within a landscape, having it unfold before them.
“Living in the country everything moves—the seasons, the clouds, nothing is set. There are things behind you, all around you and you are in it. … You begin to realise that you are in a landscape that is really the crust of the earth. It is air and ground. We’re all just spinning through space. There is something about the paintings that is indefinite, not solid. We don’t really have an orientation in this infinity. … You begin to question what time is ….” – William Robinson
[image_with_animation image_url=”11565″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Her work looks to me like a modern Morandi. The composition is static, the colors are either quiet or repetitive and controlled, the objects are worn and common. The minimalist arrangements present the objects as flat abstracted forms. Notice the soft edges and surface detail. This painting is sitting …
I don’t always have the patience to sit down and draw from observation, but whenever I can manage to glue my butt to the chair I am rewarded with an increase in appreciation for the world around me. For me, to see clearly is an active practice of discovery, curiosity, attention, acceptance, problem solving, flexibility, …
Exquisite Corpse is a collaborative, chance-based drawing game invented by the Surrealists in the mid 1920s. Traditionally, each participant draws an image on part of a sheet of paper, folds the paper to conceal their work, and passes it on to the next player for their contribution. This is a modern version, with the entries …
William Robinson’s Perspectives
William Robinson is an Australian painter, born in 1936. His enormous paintings of the Australian landscape often involve multiple perspectives with disorienting and twisting effects. He wants his viewers to feel that they are enclosed within a landscape, having it unfold before them.
“Living in the country everything moves—the seasons, the clouds, nothing is set. There are things behind you, all around you and you are in it. … You begin to realise that you are in a landscape that is really the crust of the earth. It is air and ground. We’re all just spinning through space. There is something about the paintings that is indefinite, not solid. We don’t really have an orientation in this infinity. … You begin to question what time is ….” – William Robinson
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