Day 23 of our 30 day January Challenge was a drawing class trick from Fran O’Neill. The purpose is to trick artists into describing surface and surroundings that have as much interest and presence as the stuff that’s sitting on and in front of it. The most common response to this kind of exercise is “how the heck do I draw a white wall?!?” In short, you find a way across it.
Here are some of my favorite descriptive empty scenes:
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The urge to fill in empty space with an object instead of describing the surface or space itself is sometimes too much for artists to ignore, and there were quite a few drawings that had an object plopped in. Below is my favorite drawing as the artist posted it, and then with an edit from me, so we can see how strong and captivating the drawing is without it.
Original drawing, artist’s name unknown
Doctored in Photoshop by me
This drawing was posted to Padlet without a name. If this is your drawing, please forgive me for altering your original. Contact me or post below so I can credit you, and so that I may send you a token of my appreciation for this beautiful drawing.
[image_with_animation image_url=”10799″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Denis Sarazhin is a Ukranian-born painter whose textured works seem to be carved out of rough flecks of color. The angular joints, and compositional habit of using a body’s limbs to divide the background remind me of Egon Schiele. Notice how his style is to start with a dark …
In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to …
Nikki Barber: Rocks, Trees, and Places I’ve seen Opening reception: Saturday March 9th 6-9pm Show runs: March 9th-31st Editions Studios 6520 5th Avenue South #114, Seattle https://www.editions.studio/thestudio
30SAL Faves: Set the Stage
Day 23 of our 30 day January Challenge was a drawing class trick from Fran O’Neill. The purpose is to trick artists into describing surface and surroundings that have as much interest and presence as the stuff that’s sitting on and in front of it. The most common response to this kind of exercise is “how the heck do I draw a white wall?!?” In short, you find a way across it.
Here are some of my favorite descriptive empty scenes:
The urge to fill in empty space with an object instead of describing the surface or space itself is sometimes too much for artists to ignore, and there were quite a few drawings that had an object plopped in. Below is my favorite drawing as the artist posted it, and then with an edit from me, so we can see how strong and captivating the drawing is without it.
This drawing was posted to Padlet without a name. If this is your drawing, please forgive me for altering your original. Contact me or post below so I can credit you, and so that I may send you a token of my appreciation for this beautiful drawing.
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Sarazhin’s Hands
[image_with_animation image_url=”10799″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Denis Sarazhin is a Ukranian-born painter whose textured works seem to be carved out of rough flecks of color. The angular joints, and compositional habit of using a body’s limbs to divide the background remind me of Egon Schiele. Notice how his style is to start with a dark …
Jonathan Harkham’s Transcriptions
In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to …
(Woman crawling, stage right)
Thomas Eakins, An Arcadian, 1883 [image_with_animation image_url=”6964″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Andrew Wyeth, Christina’s World, 1948 [image_with_animation image_url=”6968″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
Still Life Monotypes
Nikki Barber: Rocks, Trees, and Places I’ve seen Opening reception: Saturday March 9th 6-9pm Show runs: March 9th-31st Editions Studios 6520 5th Avenue South #114, Seattle https://www.editions.studio/thestudio