Day 22 of our 30 day January Challenge was an optical illusion inspired by Patrick Hughes and Mrs Belzner’s class.
This is a project that requires movement to do it’s optical deceit, so to see the projects at their best, go to Instagram and look for #30sal videos posted around January 22, 23, 24. Also, take a look at the videos posted to our Padlet DAY 22: REVERSE PERSPECTIVE. These projects were much more complicated than… say… drawing a stick of butter, so THANK YOU to everyone who pushed through the glue and scissor induced tantrums to make the weirdness happen. I appreciate your efforts, and I’m sorry about the glue in your hair.
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]This is the first of four V. Notes highlighting black artists with professional careers in both painting and printmaking. Betty Blayton Taylor (July 10, 1937 – October 2, 2016) As an activist, Betty Blayton worked to advance the careers …
Here’s another painter from the list of Carlos San Millan’s favorites: Mitchell Johnson. Johnson’s paintings take urban and suburban architecture and turns them into playful studies of color and shape. The shapes in his recent paintings are large, flat areas of pronounced color theory – almost resembling collage. Artist influences: Josef Albers, Morandi. Place influences: …
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]I was introduced to Stuart Shils by Mitchel Albala’s landscape painter group. Every time we were grappling with how to handle the boundary where one color meets another – the edge – the group would inevitably mention Shils, then get very quiet, as if for a moment …
30SAL Faves: Reverse Perspective
Day 22 of our 30 day January Challenge was an optical illusion inspired by Patrick Hughes and Mrs Belzner’s class.
This is a project that requires movement to do it’s optical deceit, so to see the projects at their best, go to Instagram and look for #30sal videos posted around January 22, 23, 24. Also, take a look at the videos posted to our Padlet DAY 22: REVERSE PERSPECTIVE. These projects were much more complicated than… say… drawing a stick of butter, so THANK YOU to everyone who pushed through the glue and scissor induced tantrums to make the weirdness happen. I appreciate your efforts, and I’m sorry about the glue in your hair.
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Betty Blayton Taylor
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]This is the first of four V. Notes highlighting black artists with professional careers in both painting and printmaking. Betty Blayton Taylor (July 10, 1937 – October 2, 2016) As an activist, Betty Blayton worked to advance the careers …
Drawing A Day, Day 27
Mitchell Johnson
Here’s another painter from the list of Carlos San Millan’s favorites: Mitchell Johnson. Johnson’s paintings take urban and suburban architecture and turns them into playful studies of color and shape. The shapes in his recent paintings are large, flat areas of pronounced color theory – almost resembling collage. Artist influences: Josef Albers, Morandi. Place influences: …
Stuart Shils on Color (Part 1)
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]I was introduced to Stuart Shils by Mitchel Albala’s landscape painter group. Every time we were grappling with how to handle the boundary where one color meets another – the edge – the group would inevitably mention Shils, then get very quiet, as if for a moment …