I was thankful for the break after the end of 30 days straight in January! I’m restarting the posts now, picking up where I left off with 30SAL Challenge Day 14: Make a transcription of Nicholas Poussin’s The Triumph of Pan. In the original post I mention how Poussin didn’t make detailed sketches of his figures prior to painting, but instead preferred to use little clay figures. Apparently that sparked some good ideas for you!
Nicolas Poussin, Triumph of Pan (1636) Oil on canvas, 53×57″
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@l_i_z_k_e_n_n_e_d_y From the book Chicka Chicka Boom Boom, illustration by Lois Ehlert
I tell you Leaguers, it’s tough being the sole guardian of high culture, but someone’s gotta do it. [image_with_animation image_url=”6039″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Trouble reading the tiny text? Here’s the script: Calvin – “How unoriginal! How jejune! Stupid kid. If you don’t have anything to say, just keep quiet! Well, this is certainly shocking! Face …
I got this idea from Makena Gadient at the recent CoCA 24 hour Art Marathon. This is an excellent design study. Take a stack of cards. Using a big sewing needle, poke random holes into the stack of cards so they all have the same pattern of holes. Then, using the same holes, create a …
In recent V. Notes, I have shared some of Carlos San Millan’s favorite painters. So far I’ve posted Kim Frohsin, Mitchell Johnson, Yann Kebbi, Марина Цветаева (Marina Tsvetyeva), and Sangram Majumdar. Today I’m posting Bato Dugarzhapov. Bato is a Russian painter born in 1966. I had his work saved for a V. Note someday. Looks …
Demos Master sumi-e painter Angie Dixon demonstrates the bamboo joint, bone, and leaf brush strokes. Dixon says a great sumi-e painting combines a variety of wet and dry, light and dark, thick and thin brush strokes. She says you can’t fix a brush stroke, but you can enhance it. Beginning Sumi-e Student Work [gallery …
#30SAL Faves: The Triumph of Pan
I was thankful for the break after the end of 30 days straight in January! I’m restarting the posts now, picking up where I left off with 30SAL Challenge Day 14: Make a transcription of Nicholas Poussin’s The Triumph of Pan. In the original post I mention how Poussin didn’t make detailed sketches of his figures prior to painting, but instead preferred to use little clay figures. Apparently that sparked some good ideas for you!
From the book Chicka Chicka Boom Boom, illustration by Lois Ehlert
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The sole guardian of high culture
I tell you Leaguers, it’s tough being the sole guardian of high culture, but someone’s gotta do it. [image_with_animation image_url=”6039″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Trouble reading the tiny text? Here’s the script: Calvin – “How unoriginal! How jejune! Stupid kid. If you don’t have anything to say, just keep quiet! Well, this is certainly shocking! Face …
30SAL Challenge: Connect the Dots
I got this idea from Makena Gadient at the recent CoCA 24 hour Art Marathon. This is an excellent design study. Take a stack of cards. Using a big sewing needle, poke random holes into the stack of cards so they all have the same pattern of holes. Then, using the same holes, create a …
Bato Dugarzhapov
In recent V. Notes, I have shared some of Carlos San Millan’s favorite painters. So far I’ve posted Kim Frohsin, Mitchell Johnson, Yann Kebbi, Марина Цветаева (Marina Tsvetyeva), and Sangram Majumdar. Today I’m posting Bato Dugarzhapov. Bato is a Russian painter born in 1966. I had his work saved for a V. Note someday. Looks …
Beginning Sumi-e Painting Workshop with Angie Dixon
Demos Master sumi-e painter Angie Dixon demonstrates the bamboo joint, bone, and leaf brush strokes. Dixon says a great sumi-e painting combines a variety of wet and dry, light and dark, thick and thin brush strokes. She says you can’t fix a brush stroke, but you can enhance it. Beginning Sumi-e Student Work [gallery …