Most of the time when people draw something such as a still life, they draw the objects and then neglect everything around the objects, like the table holding it up, and the wall behind it. A drawing like this shows us a thing floating in nothing instead of an interaction of depth, volume, and surfaces inhabiting a full compositional space.
Still life sideboard with apple by Giacometti (1937)
Today’s OBSERVATIONAL Challenge:
Set up a scene, then remove the objects and draw what’s left. Find ways to describe the surfaces such as wall, table, floor or whatever else is in your scene, and make them look solid and interesting. There is no right or wrong way to do this, but if you need a little inspiration, take a look at the Giacometti drawings here. See how he makes marks across the surfaces to activate them and give them surface. #setthestage
Thank you to our drawing teachers Fran O’Neill and Lyall Wallerstedt for giving us this challenge. Interested in exploring this idea in a class? Beginning Drawing and Drawing II both start this week. I’ll be taking Fran’s Drawing II. So fun! Classes are all online so I can zoom in from my comfy spot and munch on snacks. Come join us! Class sizes are small and space is limited, so don’t wait! Click here to see more.
(detail of Giacometti’s still life sideboard)
Post it
To be eligible for prizes (yes prizes!) at the end of the month, post your work to Instagram with #30sal and #setthestage so we can find your post.
To find more followers for your page, you can cut/paste these to your post:
[image_with_animation image_url=”7922″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Vincent Bal Place an object that makes an interesting shadow, and use the shadow as the beginning of a doodle. Share your work to this post on our Facebook page. (#salchallenge). See more of Bal’s shadow doodles here. The January Creative Challenge: 15 minutes, once a day, for 30 days – BONUS …
This is day 14 of our 30 day creative challenge! To learn more about this 30SAL challenge, click here. We’ve got a playful challenge today, so put away your adult and get your little kid self ready! Set something small and round like a glass marble or an egg on a piece of paper. Place your …
I chose the clip above for Kerry James Marshall’s thoughts about how identifying as a Black artist is not a real choice, because only white artists are not burdened by the problems of race. Then the paintings of Black artists in the ‘Being an Artist” video (above) led me to seek out more of Marshall’s …
Bee-Pin by David Dodge Lewis (1997). Vitreograph on paper, edition of 30. Photo courtesy of the Littleton Collection. Vitreography is a printmaking technique that uses a thick glass matrix instead of the traditional matrices of metal, wood or stone. Sound interesting? You can make your first vitreograph next week! VitreographyTuesdays 6-10pmStarts Sept 23REGISTER TODAY!
Day 23: Set the Stage #30SAL
Most of the time when people draw something such as a still life, they draw the objects and then neglect everything around the objects, like the table holding it up, and the wall behind it. A drawing like this shows us a thing floating in nothing instead of an interaction of depth, volume, and surfaces inhabiting a full compositional space.
Today’s OBSERVATIONAL Challenge:
Set up a scene, then remove the objects and draw what’s left. Find ways to describe the surfaces such as wall, table, floor or whatever else is in your scene, and make them look solid and interesting. There is no right or wrong way to do this, but if you need a little inspiration, take a look at the Giacometti drawings here. See how he makes marks across the surfaces to activate them and give them surface. #setthestage
Thank you to our drawing teachers Fran O’Neill and Lyall Wallerstedt for giving us this challenge. Interested in exploring this idea in a class? Beginning Drawing and Drawing II both start this week. I’ll be taking Fran’s Drawing II. So fun! Classes are all online so I can zoom in from my comfy spot and munch on snacks. Come join us! Class sizes are small and space is limited, so don’t wait! Click here to see more.
Post it
To be eligible for prizes (yes prizes!) at the end of the month, post your work to Instagram with #30sal and #setthestage so we can find your post.
To find more followers for your page, you can cut/paste these to your post:
#30sal #setthestage #vnotes #creativechallenge #januarychallenge #drawingchallenge #drawing #art #sketch #artchallenge #artist #draw #artistsoninstagram #sketchbook #instaart #artwork #drawingoftheday #dailydrawing #oilpainting #mixedmedia #drawingsketch #artoftheday #creativity
Padlet
Don’t have Instagram? Post your work to Padlet.
DAY 23: SET THE STAGE https://seattleartistleague.padlet.org/SAL/p7q2x2le410zm3b9
DAY 22: REVERSE PERSPECTIVE https://seattleartistleague.padlet.org/SAL/zady37uhzbw40wso
DAY 21: BACCHUS & ARIADNE https://seattleartistleague.padlet.org/SAL/ae63k1leakeqttu5
Deadline for Prizes
Deadline for submissions: 3 days after each challenge post.
January prize winners will be announced in February.
To learn more about the 30SAL Challenge, click here.
Online drawing classes start this week!
Related Posts
SAL Challenge 31: Shadow Doodles
[image_with_animation image_url=”7922″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Vincent Bal Place an object that makes an interesting shadow, and use the shadow as the beginning of a doodle. Share your work to this post on our Facebook page. (#salchallenge). See more of Bal’s shadow doodles here. The January Creative Challenge: 15 minutes, once a day, for 30 days – BONUS …
Day 14: Roly Poly #30SAL
This is day 14 of our 30 day creative challenge! To learn more about this 30SAL challenge, click here. We’ve got a playful challenge today, so put away your adult and get your little kid self ready! Set something small and round like a glass marble or an egg on a piece of paper. Place your …
Being an Artist; Kerry James Marshall
I chose the clip above for Kerry James Marshall’s thoughts about how identifying as a Black artist is not a real choice, because only white artists are not burdened by the problems of race. Then the paintings of Black artists in the ‘Being an Artist” video (above) led me to seek out more of Marshall’s …
Vitreograph by David Dodge Lewis
Bee-Pin by David Dodge Lewis (1997). Vitreograph on paper, edition of 30. Photo courtesy of the Littleton Collection. Vitreography is a printmaking technique that uses a thick glass matrix instead of the traditional matrices of metal, wood or stone. Sound interesting? You can make your first vitreograph next week! VitreographyTuesdays 6-10pmStarts Sept 23REGISTER TODAY!