Last week I talked about different methods of linear perspective. The challenge was to draw something using inverse perspective, in which objects that are farther away are drawn larger than what is up close, as seen in Byzantine, Chinese, Japanese, and Indian artworks. (My apologies for not including India’s use of multiple perspectives in the previous post, and big thanks to Marjorie for her reminder!)
This week’s challenge might appear to be a repeat of last week’s “inverse perspective,” but this “reverse perspective” is different. Reverse perspective is an optical illusion that uses Brunelleschi’s 1 point perspective for it’s trick. This is not another method of linear perspective. But, just to muddy the waters, sometimes last week’s “inverse perspective” is referred to as “reverse perspective.” Same word, different thing. Below are some examples of an optical illusion reverse perspective, and some DIY demos.
Patrick Hughes’ Reverse Perspective
Patrick Hughes, Hoppera
Reverse Perspective DIY Demos
For demonstration, you have two options. The first is from Mrs. Belzer’s elementary school class project. Get your scissors and your glue, kids! The second demo adds an extra step and thus is more complicated, but the results are a bit more accurate in terms of the one point perspective that you’re going to reverse. Pick your preference or invent your own, and have fun!
Demo 1: Mrs Belzer’s class
Demo 2: Slightly more complicated, a bit more accurate (optional!)
To be eligible for prizes (yes prizes!) at the end of the month, post your work to Instagram with #30sal and #bacchusandariadne so we can find your post.
To find more followers for your page, you can cut/paste these to your post:
Tamami Shima (1937-1999) graduated from the the Women’s College of Fine Arts, Tokyo in 1958. Her woodblock designs use texture, often multiple woodgrain patterns within a single image. There are a few spots left in our Landscape Woodblock class this Saturday. Woodblock is a great skillbuilder for painters. …
José Guadalupe Posada (1851–1913) was a Mexican printmaker who used calavera illustrations to make political satires and cultural critiques. He was particularly influential in the role of printmaking as a medium of social and political engagement. His popular satire was printed in inexpensive newspapers and periodicals, and was accessible to the lower classes. His prolific …
[image_with_animation image_url=”9424″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] My last V. Note focused on Cezanne’s Objects, a series of photographs from Joel Meyerowitz, a street photographer who documented still life objects of Cezanne and Morandi. I posted Cezanne’s earlier, so today I’ll post his photographs of Morandi’s objects. In the photographs taken in Morandi’s studio, the photographer sat …
Hands do a lot of the talking for us. AJ Power reminded me of this when I dropped in on a recent Comics class. He was inviting students to illustrate the moods and interactions between characters by drawing their hands in gestures. That hit me as one of those obvious yet totally overlooked aspects of …
Day 22: Reverse Perspective #30SAL
Last week I talked about different methods of linear perspective. The challenge was to draw something using inverse perspective, in which objects that are farther away are drawn larger than what is up close, as seen in Byzantine, Chinese, Japanese, and Indian artworks. (My apologies for not including India’s use of multiple perspectives in the previous post, and big thanks to Marjorie for her reminder!)
This week’s challenge might appear to be a repeat of last week’s “inverse perspective,” but this “reverse perspective” is different. Reverse perspective is an optical illusion that uses Brunelleschi’s 1 point perspective for it’s trick. This is not another method of linear perspective. But, just to muddy the waters, sometimes last week’s “inverse perspective” is referred to as “reverse perspective.” Same word, different thing. Below are some examples of an optical illusion reverse perspective, and some DIY demos.
Patrick Hughes’ Reverse Perspective
Reverse Perspective DIY Demos
For demonstration, you have two options. The first is from Mrs. Belzer’s elementary school class project. Get your scissors and your glue, kids! The second demo adds an extra step and thus is more complicated, but the results are a bit more accurate in terms of the one point perspective that you’re going to reverse. Pick your preference or invent your own, and have fun!
Demo 1: Mrs Belzer’s class
Demo 2: Slightly more complicated, a bit more accurate (optional!)
Optional: Click here for Reverse Perspective Room Template by MySweetAdelineArt.com
Post it
To be eligible for prizes (yes prizes!) at the end of the month, post your work to Instagram with #30sal and #bacchusandariadne so we can find your post.
To find more followers for your page, you can cut/paste these to your post:
#30sal #reverseperspective #opticalillusion #opart #patrickhughes #arthistory #vnotes #creativechallenge #januarychallenge #drawingchallenge #drawing #art #sketch #artchallenge #artist #draw #artistsoninstagram #sketchbook #instaart #artwork #drawingoftheday #dailydrawing #oilpainting #mixedmedia #drawingsketch #artoftheday #creativity
Padlet
Don’t have Instagram? Post your work to Padlet.
DAY 22: REVERSE PERSPECTIVE https://seattleartistleague.padlet.org/SAL/zady37uhzbw40wso
DAY 21: BACCHUS & ARIADNE https://seattleartistleague.padlet.org/SAL/ae63k1leakeqttu5
DAY 20: POGONOTROPHY https://seattleartistleague.padlet.org/SAL/xt6o0b7v0tbnsrs4
Deadline for Prizes
Deadline for submissions: 3 days after each challenge post.
January prize winners will be announced in February.
To learn more about the 30SAL Challenge, click here.
Related Posts
Tamami Shima
Tamami Shima (1937-1999) graduated from the the Women’s College of Fine Arts, Tokyo in 1958. Her woodblock designs use texture, often multiple woodgrain patterns within a single image. There are a few spots left in our Landscape Woodblock class this Saturday. Woodblock is a great skillbuilder for painters. …
José Guadalupe Posada
José Guadalupe Posada (1851–1913) was a Mexican printmaker who used calavera illustrations to make political satires and cultural critiques. He was particularly influential in the role of printmaking as a medium of social and political engagement. His popular satire was printed in inexpensive newspapers and periodicals, and was accessible to the lower classes. His prolific …
Morandi’s Dust
[image_with_animation image_url=”9424″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] My last V. Note focused on Cezanne’s Objects, a series of photographs from Joel Meyerowitz, a street photographer who documented still life objects of Cezanne and Morandi. I posted Cezanne’s earlier, so today I’ll post his photographs of Morandi’s objects. In the photographs taken in Morandi’s studio, the photographer sat …
Drawing Hands: Käthe Kollwitz
Hands do a lot of the talking for us. AJ Power reminded me of this when I dropped in on a recent Comics class. He was inviting students to illustrate the moods and interactions between characters by drawing their hands in gestures. That hit me as one of those obvious yet totally overlooked aspects of …