Today’s TRANSCRIPTION Challenge: Manet’s Luncheon on the Grass. Media is artist’s choice.
In recent V. Notes I talked about how artists learn and get inspired by studying works by other artists. In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record certain observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to pull selected aspects of information here and there from within an artwork. An artist can choose to transcribe a color palette, size relationships, or an idea from an original. For many artists, the goal is not a perfect and complete copy of an artwork, but instead to use the artwork as a jumping off point to further their own work.
Manet’s uncomfortable take on a classical genre is one of the most transcribed paintings in modern art. You may have seen some spoofs
But did you know Manet’s painting is a transcription itself? Manet’s Luncheon on the Grass is taken right from Marcantonio Raimondi’s The Judgement of Paris. But the respectable artist theft doesn’t stop there: Raimondi took the figures from Raphael’s drawing of The Judgment of Paris. The drawing is lost, but we have the painting, which was painted after Raimondi’s print, which caused me some confusion in a previous post about who did what first.
Raphael’s The Judgement of ParisRaimondi’s The Judgement of Paris (After Raphael)
We can discover this inspiration source even farther back in history. Take a look at this detail of a Roman sarcophagi from the Villa Medici in the 2nd-3rd century AD. See the resemblance to Raphael & Raimondi’s Judgement of Paris, and Manet’s Luncheon on the Grass?
You can find all manner of riffs off of this scene with a simple Google search. For this post, instead of sharing a lot of different artist’s transcriptions, I’m sharing one person’s transcriptions over many paintings, so you can see the variations he went through. I hope you’re able to find inspiration in these ideas, and enjoy playing around with the subjects.
Picasso’s Transcriptions of Manet’s Luncheon on the Grass
Post your work
Post to Instagram with #30SAL so we can find it.
To be eligible for prizes, (yes prizes!) post your work to Instagram with #30sal. To find more followers for your page, you can cut/paste these to your post:
I have a guest V. Note today from our printmaking instructor Nikki Barber. Back in April 2020, Nikki interviewed Sam Davidson, of Davidson Galleries in Seattle. Nikki asked Sam about his favorite works in the Davidson collection. This is a delightful interview about a variety of printmaking artists around the globe, with interesting work I …
JANET FISH Born 1938 Janet Fish is known for her large, bold, still life paintings and drawings that study how light bounces through and off various surfaces. Among her favorite subjects are produce incased in plastic wrap, clear glassware and liquids. Other subjects include teacups, flower bouquets, textiles with interesting patterns, goldfish, vegetables, and mirrored …
Thank you to all the friends of banjo players who forwarded this post, and thank you to all the banjo players who contacted us. We have found our banjo player: Charlie Beck will be serenading our steamroller printmaking event. See you Saturday! Saturday, August 24th Event Location: Seattle Artist League 10219 Aurora Ave N We’re …
[image_with_animation image_url=”7935″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] In January we did a series of creative challenges. January 15 was “Strange Mail” an invitation to “let standardized paper and implements be darned. Mail us something strange.” And you did! Here is our postman, posing with one of Strange Mail pieces (he had previously shoved it under the door …
Day 7: Luncheon on the Grass #30SAL
Today’s TRANSCRIPTION Challenge: Manet’s Luncheon on the Grass. Media is artist’s choice.
In recent V. Notes I talked about how artists learn and get inspired by studying works by other artists. In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record certain observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to pull selected aspects of information here and there from within an artwork. An artist can choose to transcribe a color palette, size relationships, or an idea from an original. For many artists, the goal is not a perfect and complete copy of an artwork, but instead to use the artwork as a jumping off point to further their own work.
Manet’s uncomfortable take on a classical genre is one of the most transcribed paintings in modern art. You may have seen some spoofs
But did you know Manet’s painting is a transcription itself? Manet’s Luncheon on the Grass is taken right from Marcantonio Raimondi’s The Judgement of Paris. But the respectable artist theft doesn’t stop there: Raimondi took the figures from Raphael’s drawing of The Judgment of Paris. The drawing is lost, but we have the painting, which was painted after Raimondi’s print, which caused me some confusion in a previous post about who did what first.
We can discover this inspiration source even farther back in history. Take a look at this detail of a Roman sarcophagi from the Villa Medici in the 2nd-3rd century AD. See the resemblance to Raphael & Raimondi’s Judgement of Paris, and Manet’s Luncheon on the Grass?
You can find all manner of riffs off of this scene with a simple Google search. For this post, instead of sharing a lot of different artist’s transcriptions, I’m sharing one person’s transcriptions over many paintings, so you can see the variations he went through. I hope you’re able to find inspiration in these ideas, and enjoy playing around with the subjects.
Picasso’s Transcriptions of Manet’s Luncheon on the Grass
Post your work
Post to Instagram with #30SAL so we can find it.
To be eligible for prizes, (yes prizes!) post your work to Instagram with #30sal. To find more followers for your page, you can cut/paste these to your post:
#30sal #transcription #manet #luncheononthegrass #raphael #raimondi #vnotes #creativechallenge #januarychallenge #drawingchallenge #drawing #art #sketch #artchallenge #artist #draw #artistsoninstagram #sketchbook #instaart #artwork #drawingoftheday #dailydrawing #inkdrawing #drawingsketch #artoftheday #creativity
Padlet
Don’t have Instagram? You can post your work to Padlet. You don’t need a Padlet account – but remember to add your name to your picture.
DAY 7: LUNCHEON ON THE GRASS https://seattleartistleague.padlet.org/SAL/wcmyiwn729iatud9
DAY 6: COPTIC https://seattleartistleague.padlet.org/SAL/taoyr9welr4ayisx
DAY 5: VENUS https://seattleartistleague.padlet.org/SAL/lr9xi4obtat5l456
Don’t Delay!
Deadline for submissions: 3 days after each challenge post.
To learn more about the 30SAL Challenge, click here.
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