Today’s TRANSCRIPTION Challenge: Manet’s Luncheon on the Grass. Media is artist’s choice.
In recent V. Notes I talked about how artists learn and get inspired by studying works by other artists. In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record certain observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to pull selected aspects of information here and there from within an artwork. An artist can choose to transcribe a color palette, size relationships, or an idea from an original. For many artists, the goal is not a perfect and complete copy of an artwork, but instead to use the artwork as a jumping off point to further their own work.
Manet’s uncomfortable take on a classical genre is one of the most transcribed paintings in modern art. You may have seen some spoofs
But did you know Manet’s painting is a transcription itself? Manet’s Luncheon on the Grass is taken right from Marcantonio Raimondi’s The Judgement of Paris. But the respectable artist theft doesn’t stop there: Raimondi took the figures from Raphael’s drawing of The Judgment of Paris. The drawing is lost, but we have the painting, which was painted after Raimondi’s print, which caused me some confusion in a previous post about who did what first.
Raphael’s The Judgement of ParisRaimondi’s The Judgement of Paris (After Raphael)
We can discover this inspiration source even farther back in history. Take a look at this detail of a Roman sarcophagi from the Villa Medici in the 2nd-3rd century AD. See the resemblance to Raphael & Raimondi’s Judgement of Paris, and Manet’s Luncheon on the Grass?
You can find all manner of riffs off of this scene with a simple Google search. For this post, instead of sharing a lot of different artist’s transcriptions, I’m sharing one person’s transcriptions over many paintings, so you can see the variations he went through. I hope you’re able to find inspiration in these ideas, and enjoy playing around with the subjects.
Picasso’s Transcriptions of Manet’s Luncheon on the Grass
Post your work
Post to Instagram with #30SAL so we can find it.
To be eligible for prizes, (yes prizes!) post your work to Instagram with #30sal. To find more followers for your page, you can cut/paste these to your post:
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]Michelle Muldrow uses the aqueous and graphic casein paint to give fresh painterly color to her urban landscapes. Her scenes describe the buzzing light and glinting metal, linoleum, and synthetic fabrics of department stores. Edited from her website: Muldrow explores the the landscape genre and what it …
Do you have advice, an idea, or info that you would tell an art buddy? Let us know! Your idea could help fuel someone else’s creativity! For example: Did you know there is an app where people post photographs of themselves so other people can practice drawing/painting portraits? It’s a free app with real people, …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”8351″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”][divider line_type=”No Line” custom_height=”20″][vc_column_text]Antoni Tapies, a Catalan painter (1923-2012) added texture to modern abstraction with his mixed material canvasses. His works are defined by the word ‘materico.’ Tapies created new languages around simple objects …
Details: Deadline for Delivery of Work: March 19, 2019 Show Dates: March 23/24 2019 Deadline for Pickup: April 2, 2019. Artworks remaining after April 3rd will be donated to charity. Drop off and pick up times: Monday 10:00-2:00, Tuesday 10:00am – 5:00pm, 6:00-10:00pm Submission Requirements: Must be currently in a class at the Seattle Artist League, or a League member. …
Day 7: Luncheon on the Grass #30SAL
Today’s TRANSCRIPTION Challenge: Manet’s Luncheon on the Grass. Media is artist’s choice.
In recent V. Notes I talked about how artists learn and get inspired by studying works by other artists. In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record certain observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to pull selected aspects of information here and there from within an artwork. An artist can choose to transcribe a color palette, size relationships, or an idea from an original. For many artists, the goal is not a perfect and complete copy of an artwork, but instead to use the artwork as a jumping off point to further their own work.
Manet’s uncomfortable take on a classical genre is one of the most transcribed paintings in modern art. You may have seen some spoofs
But did you know Manet’s painting is a transcription itself? Manet’s Luncheon on the Grass is taken right from Marcantonio Raimondi’s The Judgement of Paris. But the respectable artist theft doesn’t stop there: Raimondi took the figures from Raphael’s drawing of The Judgment of Paris. The drawing is lost, but we have the painting, which was painted after Raimondi’s print, which caused me some confusion in a previous post about who did what first.
We can discover this inspiration source even farther back in history. Take a look at this detail of a Roman sarcophagi from the Villa Medici in the 2nd-3rd century AD. See the resemblance to Raphael & Raimondi’s Judgement of Paris, and Manet’s Luncheon on the Grass?
You can find all manner of riffs off of this scene with a simple Google search. For this post, instead of sharing a lot of different artist’s transcriptions, I’m sharing one person’s transcriptions over many paintings, so you can see the variations he went through. I hope you’re able to find inspiration in these ideas, and enjoy playing around with the subjects.
Picasso’s Transcriptions of Manet’s Luncheon on the Grass
Post your work
Post to Instagram with #30SAL so we can find it.
To be eligible for prizes, (yes prizes!) post your work to Instagram with #30sal. To find more followers for your page, you can cut/paste these to your post:
#30sal #transcription #manet #luncheononthegrass #raphael #raimondi #vnotes #creativechallenge #januarychallenge #drawingchallenge #drawing #art #sketch #artchallenge #artist #draw #artistsoninstagram #sketchbook #instaart #artwork #drawingoftheday #dailydrawing #inkdrawing #drawingsketch #artoftheday #creativity
Padlet
Don’t have Instagram? You can post your work to Padlet. You don’t need a Padlet account – but remember to add your name to your picture.
DAY 7: LUNCHEON ON THE GRASS https://seattleartistleague.padlet.org/SAL/wcmyiwn729iatud9
DAY 6: COPTIC https://seattleartistleague.padlet.org/SAL/taoyr9welr4ayisx
DAY 5: VENUS https://seattleartistleague.padlet.org/SAL/lr9xi4obtat5l456
Don’t Delay!
Deadline for submissions: 3 days after each challenge post.
To learn more about the 30SAL Challenge, click here.
Related Posts
Michelle Muldrow
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]Michelle Muldrow uses the aqueous and graphic casein paint to give fresh painterly color to her urban landscapes. Her scenes describe the buzzing light and glinting metal, linoleum, and synthetic fabrics of department stores. Edited from her website: Muldrow explores the the landscape genre and what it …
Did you know…?
Do you have advice, an idea, or info that you would tell an art buddy? Let us know! Your idea could help fuel someone else’s creativity! For example: Did you know there is an app where people post photographs of themselves so other people can practice drawing/painting portraits? It’s a free app with real people, …
Materico: unlocking the poetry possible in a sock
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”8351″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”][divider line_type=”No Line” custom_height=”20″][vc_column_text]Antoni Tapies, a Catalan painter (1923-2012) added texture to modern abstraction with his mixed material canvasses. His works are defined by the word ‘materico.’ Tapies created new languages around simple objects …
CALL FOR ART: Printmaker’s Show March 23/24
Details: Deadline for Delivery of Work: March 19, 2019 Show Dates: March 23/24 2019 Deadline for Pickup: April 2, 2019. Artworks remaining after April 3rd will be donated to charity. Drop off and pick up times: Monday 10:00-2:00, Tuesday 10:00am – 5:00pm, 6:00-10:00pm Submission Requirements: Must be currently in a class at the Seattle Artist League, or a League member. …