Today is the darkest day of the year, made extra dark this year by the pandemic. The good news is that from this day on, the days get brighter. I’ll hold my breath on the other.
Today’s post has a collection of low light and nocturne paintings by Sangram Majumdar, one of my favorite painters.
Look for the compression
As light decreases, so does color perception. In low light, the range of values compress into the lower range. The colors compress as well. The colors in a low light situation aren’t just dark, they’re dim. Notice how sometimes Majumdar darkens the values and dims the color, then uses pops of color to represent moments of illumination. Whenever there’s a pop of color, look to see what’s around it to see why that color is so brilliant. Cover that color pop with your finger, and see how much value and color contrast is in the rest of the painting. What percentage of the painting is bright, and what percentage is dark or dim?
Majumdar’s suggestion to painters: try replacing white with color.
In Friday’s post I bragged about the drawings created in my recent Painterly Figures with Tone class. The earlier post shared how beautiful a drawing can be when the figure is sketched with no more or less attention than the wall behind it, with no outlines or delineations of form, only scribbles of tone. Today’s …
I went to Smith & Vallee Gallery to pick up what was left of my show after sales. It was a rewardingly small collection, just a few pieces left. There is one painting that I can’t believe is still here – one of my personal favorites. It received compliments from the gallery owner, and was …
On day 15, halfway through our 30 day challenge, I introduced inverse perspective, in which objects grow larger as they’re farther away. Beautiful examples of inverse perspective can be found in Chinese, Japanese, and Indian artworks, as well as Byzantine. Here are a few by adventurous artists who responded to the challenge:
Majumdar’s Nocturnes
Today is the darkest day of the year, made extra dark this year by the pandemic. The good news is that from this day on, the days get brighter. I’ll hold my breath on the other.
Today’s post has a collection of low light and nocturne paintings by Sangram Majumdar, one of my favorite painters.
Look for the compression
As light decreases, so does color perception. In low light, the range of values compress into the lower range. The colors compress as well. The colors in a low light situation aren’t just dark, they’re dim. Notice how sometimes Majumdar darkens the values and dims the color, then uses pops of color to represent moments of illumination. Whenever there’s a pop of color, look to see what’s around it to see why that color is so brilliant. Cover that color pop with your finger, and see how much value and color contrast is in the rest of the painting. What percentage of the painting is bright, and what percentage is dark or dim?
Majumdar’s suggestion to painters: try replacing white with color.
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In Friday’s post I bragged about the drawings created in my recent Painterly Figures with Tone class. The earlier post shared how beautiful a drawing can be when the figure is sketched with no more or less attention than the wall behind it, with no outlines or delineations of form, only scribbles of tone. Today’s …
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I went to Smith & Vallee Gallery to pick up what was left of my show after sales. It was a rewardingly small collection, just a few pieces left. There is one painting that I can’t believe is still here – one of my personal favorites. It received compliments from the gallery owner, and was …
30SAL Faves: Inverse Perspective
On day 15, halfway through our 30 day challenge, I introduced inverse perspective, in which objects grow larger as they’re farther away. Beautiful examples of inverse perspective can be found in Chinese, Japanese, and Indian artworks, as well as Byzantine. Here are a few by adventurous artists who responded to the challenge: