In a recent V. Note I talked about how artists study works by other artists. Transcriptions are like artist’s notes, recording selected aspects and observations in an artwork. Sometimes they serve as a jumping off point for artwork in completely new direction. Transcriptions are not copies.
For a commission, Frank Auerbach transcribed Titian’s ‘Tarquin and Lucretia’ into two works of original art.
Titian’s ‘Tarquin and Lucretia’
Study after Titian I Frank Auerbach
Study after Titian II Frank Auerbach
Which way up?
The Tate posted ‘Study after Titian I’ in two different orientations, and TotallyHistory has it in a third. Which way is up? I took my best guess and posted the work above with the gold on top. What do you think?
Titian’s ‘Bacchus and Ariadne’
Titian’s ‘Bacchus and Ariadne’
Auerbach’s studies of Titian’s ‘Bacchus and Ariadne’
Auerbach based these studies and the painting below on Titian’s ‘Bacchus and Ariadne’. Adapting the figures, trees, and clouds of the original painting into a bold network of marks, Auerbach records the powerful sense of energy and movement in the original work. (Tate)
[image_with_animation image_url=”7670″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Find a stone you can comfortably hold in your hand. Without looking at it, spend a few minutes exploring it with your hands. Close your eyes. Feel the weight of the stone, the shape and balance and texture of it. Get to know it as well as you …
Day 12: George Washington The instructions were to finish an unfinished portrait of George Washington. If you’ve gone into instagram or padlet and searched for #30SAL, you have probably seen some of the fabulous contributions from artists like you. From out of the dozens of interesting artworks responding to this challenge, here are a few. …
Pastel artist. Specializes in tablecloths, ladies, and ladies on tablecloths. His work is very Matisse-like, but unlike Matisse, Boncompain is not yet dead. He creates most of his work in his Paris studio, with extended summers in Provence. Where else would he be? “Painting is the creation of silence” [image_with_animation image_url=”4759″ alignment=”” animation=”None[image_with_animation image_url=”4758″ alignment=”” …
Sometimes I wonder what happens to artworks after a class ends. Kate Fluckinger sent out an invitation including some paintings I recognized from Padlet. She’s having a show, and some of the paintings were made in League classes. I asked Kate if pieces of the show were influenced by her recent classes at the League: …
Auerbach’s Transcriptions after Titian
In a recent V. Note I talked about how artists study works by other artists. Transcriptions are like artist’s notes, recording selected aspects and observations in an artwork. Sometimes they serve as a jumping off point for artwork in completely new direction. Transcriptions are not copies.
For a commission, Frank Auerbach transcribed Titian’s ‘Tarquin and Lucretia’ into two works of original art.
Which way up?
The Tate posted ‘Study after Titian I’ in two different orientations, and TotallyHistory has it in a third. Which way is up? I took my best guess and posted the work above with the gold on top. What do you think?
Titian’s ‘Bacchus and Ariadne’
Auerbach based these studies and the painting below on Titian’s ‘Bacchus and Ariadne’. Adapting the figures, trees, and clouds of the original painting into a bold network of marks, Auerbach records the powerful sense of energy and movement in the original work. (Tate)
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SAL Challenge Day 13: Touch Senses, Drawing a Stone
[image_with_animation image_url=”7670″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Find a stone you can comfortably hold in your hand. Without looking at it, spend a few minutes exploring it with your hands. Close your eyes. Feel the weight of the stone, the shape and balance and texture of it. Get to know it as well as you …
#30SAL Faves: George Washington
Day 12: George Washington The instructions were to finish an unfinished portrait of George Washington. If you’ve gone into instagram or padlet and searched for #30SAL, you have probably seen some of the fabulous contributions from artists like you. From out of the dozens of interesting artworks responding to this challenge, here are a few. …
Pierre Boncompain
Pastel artist. Specializes in tablecloths, ladies, and ladies on tablecloths. His work is very Matisse-like, but unlike Matisse, Boncompain is not yet dead. He creates most of his work in his Paris studio, with extended summers in Provence. Where else would he be? “Painting is the creation of silence” [image_with_animation image_url=”4759″ alignment=”” animation=”None[image_with_animation image_url=”4758″ alignment=”” …
Kate Fluckinger
Sometimes I wonder what happens to artworks after a class ends. Kate Fluckinger sent out an invitation including some paintings I recognized from Padlet. She’s having a show, and some of the paintings were made in League classes. I asked Kate if pieces of the show were influenced by her recent classes at the League: …