In a recent V. Note I talked about how artists study works by other artists. Transcriptions are like artist’s notes, recording selected aspects and observations in an artwork. Sometimes they serve as a jumping off point for artwork in completely new direction. Transcriptions are not copies.
For a commission, Frank Auerbach transcribed Titian’s ‘Tarquin and Lucretia’ into two works of original art.
Titian’s ‘Tarquin and Lucretia’
Study after Titian I Frank Auerbach
Study after Titian II Frank Auerbach
Which way up?
The Tate posted ‘Study after Titian I’ in two different orientations, and TotallyHistory has it in a third. Which way is up? I took my best guess and posted the work above with the gold on top. What do you think?
Titian’s ‘Bacchus and Ariadne’
Titian’s ‘Bacchus and Ariadne’
Auerbach’s studies of Titian’s ‘Bacchus and Ariadne’
Auerbach based these studies and the painting below on Titian’s ‘Bacchus and Ariadne’. Adapting the figures, trees, and clouds of the original painting into a bold network of marks, Auerbach records the powerful sense of energy and movement in the original work. (Tate)
Aliza Nisenbaum was born in 1977 in Mexico City. She trained at the School of the Art Institute in Chicago and has been living in New York. Her large scale paintings are part of her social practice, focused on the strength of communities, painting people such as workers or immigrants – people who tend to …
Sundays are observational drawing day in our 30 day creative challenge. We’re almost done with the month! Seeing things from various points of view is a great way to feed yourself ideas, challenge what you think you know, and surprise yourself with something new. Think of the Indian story about the six blind monks who …
Here’s an idea for something to draw: throw your jacket on a chair. Now you have a still life, a portrait, and a landscape. *Quoted from Charity Baker’s “Museum Crawl” class featuring Cezanne’s show of drawings in NY
Auerbach’s Transcriptions after Titian
In a recent V. Note I talked about how artists study works by other artists. Transcriptions are like artist’s notes, recording selected aspects and observations in an artwork. Sometimes they serve as a jumping off point for artwork in completely new direction. Transcriptions are not copies.
For a commission, Frank Auerbach transcribed Titian’s ‘Tarquin and Lucretia’ into two works of original art.
Which way up?
The Tate posted ‘Study after Titian I’ in two different orientations, and TotallyHistory has it in a third. Which way is up? I took my best guess and posted the work above with the gold on top. What do you think?
Titian’s ‘Bacchus and Ariadne’
Auerbach based these studies and the painting below on Titian’s ‘Bacchus and Ariadne’. Adapting the figures, trees, and clouds of the original painting into a bold network of marks, Auerbach records the powerful sense of energy and movement in the original work. (Tate)
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Here’s an idea for something to draw: throw your jacket on a chair. Now you have a still life, a portrait, and a landscape. *Quoted from Charity Baker’s “Museum Crawl” class featuring Cezanne’s show of drawings in NY