Jonathan Harkham’s transcription of Bonnard’s flowers
In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to pull selected aspects of information here and there from within an artwork. An artist can choose to transcribe a color palette, size relationships, or an idea from an original. For many artists, the goal is not a perfect and complete copy of an artwork, but instead to use the artwork as a jumping off point to further their own work.
Good advice:
“If you don’t know what to paint, pick an artwork that you love, and do a transcription of it.” – Jonathan Harkham
Below is a collection of transcriptions by Jonathan Harkham, one of our online art instructors.
“Every great painter has loved and learned from someone that came before them.” – Jonathan Harkham
Titian’s Adam and Eve / Ruben’s transcription with a few improvementsJonathan Harkham’s transcription of Titian’s Adam and Eve
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Masaccio’s The Expulsion from the Garden of Eden
Jonathan Harkham’s transcription
Titian’s Saint Margaret
Jonathan Harkham’s transcription
Rembrandt’s Slaughtered Ox
Jonathan Harkham’s transcription
Chaim Soutine’s Slaughtered Chicken
Jonathan Harkham’s transcription
Rembrandt’s Diana Bathing with her Nymphs with Actaeon and Callisto
Welcome to Day 2 of the 30SAL Challenge! To learn more about the 30SAL Challenge, click here. Today’s 30SAL Challenge is a creative idea from Seattle Artist League instructor Charity Baker. First, tone a piece of paper as dark as you can with soft willow charcoal. You might find that paper with some tooth or …
The 1930 Look in British Decoration From 1928 to 1930, a very young Francis Bacon worked in London, Paris and Berlin, designing interiors and pieces of furniture. I found a picture of his interior work – just one picture, and what a thrill to see it. When he was 19, his studio in South Kensington …
“I paint both abstractions and figurative works. I make no distinctions, because what I am thinking of is space, light, and form.” [image_with_animation image_url=”5766″ alignment=”” animation=”None”] “There is no subject, no object, only a single truth, which encompasses everything and exists in nothing. Earlier paintings involve bowls stacked up on other bowls that fill the …
Take a class with SAL – anywhere! I’ve been using the words “woodblock” and “woodcut” interchangeably, but I noticed some artists use woodblock to delineate a different type of printmaking. I keep getting confused about which is which, but everyone still knows what I’m talking about. Since my own ignorance is itching at me, I …
Jonathan Harkham’s Transcriptions
In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to pull selected aspects of information here and there from within an artwork. An artist can choose to transcribe a color palette, size relationships, or an idea from an original. For many artists, the goal is not a perfect and complete copy of an artwork, but instead to use the artwork as a jumping off point to further their own work.
Good advice:
“If you don’t know what to paint, pick an artwork that you love, and do a transcription of it.” – Jonathan Harkham
Below is a collection of transcriptions by Jonathan Harkham, one of our online art instructors.
“Every great painter has loved and learned from someone that came before them.” – Jonathan Harkham
.
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Welcome to Day 2 of the 30SAL Challenge! To learn more about the 30SAL Challenge, click here. Today’s 30SAL Challenge is a creative idea from Seattle Artist League instructor Charity Baker. First, tone a piece of paper as dark as you can with soft willow charcoal. You might find that paper with some tooth or …
Francis Bacon was an Interior Designer
The 1930 Look in British Decoration From 1928 to 1930, a very young Francis Bacon worked in London, Paris and Berlin, designing interiors and pieces of furniture. I found a picture of his interior work – just one picture, and what a thrill to see it. When he was 19, his studio in South Kensington …
Paul Manes
“I paint both abstractions and figurative works. I make no distinctions, because what I am thinking of is space, light, and form.” [image_with_animation image_url=”5766″ alignment=”” animation=”None”] “There is no subject, no object, only a single truth, which encompasses everything and exists in nothing. Earlier paintings involve bowls stacked up on other bowls that fill the …
What’s the difference between a Woodcut and a Woodblock?
Take a class with SAL – anywhere! I’ve been using the words “woodblock” and “woodcut” interchangeably, but I noticed some artists use woodblock to delineate a different type of printmaking. I keep getting confused about which is which, but everyone still knows what I’m talking about. Since my own ignorance is itching at me, I …