Jonathan Harkham’s transcription of Bonnard’s flowers
In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to pull selected aspects of information here and there from within an artwork. An artist can choose to transcribe a color palette, size relationships, or an idea from an original. For many artists, the goal is not a perfect and complete copy of an artwork, but instead to use the artwork as a jumping off point to further their own work.
Good advice:
“If you don’t know what to paint, pick an artwork that you love, and do a transcription of it.” – Jonathan Harkham
Below is a collection of transcriptions by Jonathan Harkham, one of our online art instructors.
“Every great painter has loved and learned from someone that came before them.” – Jonathan Harkham
Titian’s Adam and Eve / Ruben’s transcription with a few improvementsJonathan Harkham’s transcription of Titian’s Adam and Eve
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Masaccio’s The Expulsion from the Garden of Eden
Jonathan Harkham’s transcription
Titian’s Saint Margaret
Jonathan Harkham’s transcription
Rembrandt’s Slaughtered Ox
Jonathan Harkham’s transcription
Chaim Soutine’s Slaughtered Chicken
Jonathan Harkham’s transcription
Rembrandt’s Diana Bathing with her Nymphs with Actaeon and Callisto
Henry Darger’s “Vivian Girls” (…) look like the angelic young girls of the magazines and media from Darger’s day, except he often rendered them with penises. Today, from our more gender-fluid point of view, they might be considered the earliest transgender superheroes. – Artsy You can see more artworks, and read about the personal story …
Ask nearly any artist “what is the most important thing to have with you at all times?” They’ll say a sketchbook. It’s a place for ideas, notes, and practice. It’s also a place where we can explore and try new things without pressure. A sketchbook page doesn’t have to be a masterpiece, it’s just a …
Winslow Homer (1836-1910) was an American seascape and landscape painter. Homer worked primarily in oil and watercolor paints, creating a prolific body of work that chronicled his working vacations. During the cold winter of 1884-5, Homer traveled to Florida, Cuba, and the Bahamas. He painted a series of watercolors as part of a commission for Century Magazine. The fresh …
I’m collecting images to share for week three of the SAL Challenge. I’ll post them tomorrow. One more day left in the 31 day creative challenge. Get your sketches up!
Jonathan Harkham’s Transcriptions
In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not to copy the artwork exactly, but instead to record observations in a different form. A transcription also doesn’t need to copy everything in an original. An artist can choose to pull selected aspects of information here and there from within an artwork. An artist can choose to transcribe a color palette, size relationships, or an idea from an original. For many artists, the goal is not a perfect and complete copy of an artwork, but instead to use the artwork as a jumping off point to further their own work.
Good advice:
“If you don’t know what to paint, pick an artwork that you love, and do a transcription of it.” – Jonathan Harkham
Below is a collection of transcriptions by Jonathan Harkham, one of our online art instructors.
“Every great painter has loved and learned from someone that came before them.” – Jonathan Harkham
.
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Winslow Homer in Cuba
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SAL Challenge: Week 3 Favorites Posted Soon
I’m collecting images to share for week three of the SAL Challenge. I’ll post them tomorrow. One more day left in the 31 day creative challenge. Get your sketches up!