Peter Laurent de Francia 1921 – 19 2012) was an Italian British artist. Influenced by nineteenth-century socialist painters such as Gustave Courbet and Honoré Daumier, as well as by socially committed artists of his time such as Renato Guttuso and Pablo Picasso, de Francia created artworks with a drive for social change.
The Execution of Beloyannis 1953-4 Peter de Francia
Peter de Francia wrote about the work of artist Fernand Leger, and followed Leger’s style of slow, rounded, volumetric figures and cubist perspectives, taking advantage of the full and dynamic compositional pathways Leger used to propel the composition.
Peter de Francia’s book on Fernand Leger’s work
Peter de Francia’s book on Leger’s ‘The Great Parade”
Fernand Léger (French, Argentan 1881–1955 Gif-sur-Yvette) The Tugboat, 1918 Ink, watercolor, gouache, and graphite on off-white wove paper; 9 5/8 x 12 7/8 in.
Fernand Leger (1931)
Peter de Francia (1953)
Then in 1950, Francia met Max Beckmann and George Grosz in New York, and his drawings shifted to be more linear.
Max Beckmann
George Grosz
Peter de Francia (1960)
Peter de Francia, Disparates (A Little Night Music) 1969
Peter de Francia, Figures in a Farmyard, 1972
Beckmann, Grosz, and Francia worked pathways into the composition now with line, leading the eye in and around the page to hold the viewer as the narrative and characters unfolded in their complex large scale charcoal drawings. Francia loved charcoal for “the wonderful way you can go between tone and line. If I was shut up for the rest of my life with a room full of charcoal, and two rooms full of paper, I’d be perfectly happy”.
Peter de Francia’s drawings in the 1950s
Figure on a Ladder 1953
Seated Boy, Genoa 1950s
Peter de Francia’s drawings in the 1960s
Man Carrying a Child 1962
Immigrant ‘Head of an Algerian’ 1965
Peter de Francia’s drawings in the 1970s
Disparates (A Little Night Music) 1969
Figures in a Farmyard 1972
Disparates (Romulus and Remus) 1974
Peter de Francia’s drawings in the 1980’s
Peter de Francia: Modern Myths
Part of a show displayed at the NYSS in 2008, featuring de Francia’s work from the 1980s
Disparates (Procession), 1974 charcoal on paper 31 x 22 inches
Disparates (Masculine Attitudes), 1974 charcoal on paper 30 x 22 inches
Disparates (No Clear Evidence of Atrocities), 1974 charcoal on paper 30 x 22 inches
Prometheus 1, 1984 charcoal on paper 22 x 28 inches
Prometheus 2, 1983 charcoal on paper 22 x 28 inches
Prometheus 3, 1983 charcoal on paper 22 x 30 inches
Tunisian Brothel 1, 1985 pencil on paper 15 x 18 inches
Tunisian Brothel 2, 1985 pencil on paper 15 x 18 inches
Tunisian Brothel 3, 1985 pencil on paper 15 x 18 inches
Tunisian Brothel 4, 1985 pencil on paper 15 x 18 inches
Tunisian Brothel 5, 1985 graphite on paper 15 x 18 inches
[image_with_animation image_url=”11238″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] This last year, Seattle Refined highlighted both Nikki Barber and myself, Ruthie V. Now they’ve discovered Angie Dixon. KOMO said they look at the Seattle Artist League website to find artists for their ongoing “Seattle Refined; Artist of the Week.” (Thanks KOMO!) This week Angie Dixon receives highlights for …
“Almost everyone can remember in grade school art class placing a sheet of paper over the face of a coin or some other textured object and rubbing it with a crayon. I employed this same method – known as frottage – to create the following portraits. For Beckett’s likeness, I had embossed plates made of …
The Migration Series In 1941, Jacob Lawrence, then just twenty-three years old, completed a series of sixty paintings about the Great Migration, the mass movement of African Americans from the rural South to the urban North. Lawrence’s work is a landmark in the history of modern art and a key example of the way that …
Details: Deadline for Delivery of Work: March 19, 2019 Show Dates: March 23/24 2019 Deadline for Pickup: April 2, 2019. Artworks remaining after April 3rd will be donated to charity. Drop off and pick up times: Monday 10:00-2:00, Tuesday 10:00am – 5:00pm, 6:00-10:00pm Submission Requirements: Must be currently in a class at the Seattle Artist League, or a League member. …
Peter de Francia
Peter Laurent de Francia 1921 – 19 2012) was an Italian British artist. Influenced by nineteenth-century socialist painters such as Gustave Courbet and Honoré Daumier, as well as by socially committed artists of his time such as Renato Guttuso and Pablo Picasso, de Francia created artworks with a drive for social change.
Peter de Francia wrote about the work of artist Fernand Leger, and followed Leger’s style of slow, rounded, volumetric figures and cubist perspectives, taking advantage of the full and dynamic compositional pathways Leger used to propel the composition.
Then in 1950, Francia met Max Beckmann and George Grosz in New York, and his drawings shifted to be more linear.
Beckmann, Grosz, and Francia worked pathways into the composition now with line, leading the eye in and around the page to hold the viewer as the narrative and characters unfolded in their complex large scale charcoal drawings. Francia loved charcoal for “the wonderful way you can go between tone and line. If I was shut up for the rest of my life with a room full of charcoal, and two rooms full of paper, I’d be perfectly happy”.
Peter de Francia’s drawings in the 1950s
Peter de Francia’s drawings in the 1960s
Peter de Francia’s drawings in the 1970s
Peter de Francia’s drawings in the 1980’s
Peter de Francia: Modern Myths
Part of a show displayed at the NYSS in 2008, featuring de Francia’s work from the 1980s
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[image_with_animation image_url=”11238″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] This last year, Seattle Refined highlighted both Nikki Barber and myself, Ruthie V. Now they’ve discovered Angie Dixon. KOMO said they look at the Seattle Artist League website to find artists for their ongoing “Seattle Refined; Artist of the Week.” (Thanks KOMO!) This week Angie Dixon receives highlights for …
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“Almost everyone can remember in grade school art class placing a sheet of paper over the face of a coin or some other textured object and rubbing it with a crayon. I employed this same method – known as frottage – to create the following portraits. For Beckett’s likeness, I had embossed plates made of …
Jacob Lawrence Migration Series
The Migration Series In 1941, Jacob Lawrence, then just twenty-three years old, completed a series of sixty paintings about the Great Migration, the mass movement of African Americans from the rural South to the urban North. Lawrence’s work is a landmark in the history of modern art and a key example of the way that …
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