Elizabeth Malaska, Still Life on War Rug, 2016, oil, Flashe, charcoal, and graphite on canvas (2017)
“Protest is a fundamental reason I paint. Protest against sexism, against the status quo, against what I should be doing” – Elizabeth Malaska (Oregon Arts Commission)
Elizabeth Malaska, They Took Me and Split Me Open From Scalp to Crotch, and Still I’m Alive, and Walk Around Pleased With the Sun and All the World’s Bounty, 2011, oil, gesso, charcoal & pencil on tea-stained canvas, 60 x 47″
Elizabeth Malaska, Maidens, 2019, oil, Flashe, charcoal, and pencil on canvas, 60×84″
Art News by Anika D. We all know that abstract art has made a big comeback on the art market, but how many of you know that abstractionism is also the …
[image_with_animation image_url=”6645″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Rembrandt’s Etching Process You can etch with or without acid. In drypoint printmaking, images are etched onto a plate dry – without acid – …
Few things are as evocative, intimate, and private as moments spent bathing. The bathtub offers an emotional framework. Door locked, body submerged, the bathtub is an internal world. The figure …
Elizabeth Malaska
“Protest is a fundamental reason I paint. Protest against sexism, against the status quo, against what I should be doing” – Elizabeth Malaska (Oregon Arts Commission)
Related Posts
How Did the Obamas Change the White House with Contemporary Art?
Art News by Anika D. We all know that abstract art has made a big comeback on the art market, but how many of you know that abstractionism is also the …
Rembrandt’s Etching Process
[image_with_animation image_url=”6645″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Rembrandt’s Etching Process You can etch with or without acid. In drypoint printmaking, images are etched onto a plate dry – without acid – …
In the Bathtub
Few things are as evocative, intimate, and private as moments spent bathing. The bathtub offers an emotional framework. Door locked, body submerged, the bathtub is an internal world. The figure …
Auerbach’s study of ‘Bacchus and Ariadne’
What do you think? Did he get it?