In recent posts, we talked about Cezanne’s process. In particular, we talked about the process seen in Cezanne’s drawings. Yesterday, in figure drawing class, we looked at how Cezanne tends to make short marks when he draws. Those short marks accumulate into longer contours and form descriptions, but they don’t trap or the whole object in an outline, they only describe pieces of an object. The forms are sensitively described, but the outlines are broken, allowing the figure and background to connect. This method can be used as a way to open observational work towards abstraction.
The most challenging aspect of this drawing approach is to let go of the “thingness” or the object, and draw every mark – whether it’s a face or a tablecloth – with equal interest. Here are a few of the beautiful figure drawings inspired by this method, made in yesterday’s figure drawing class.
The Seattle Artist League is three years old. We’ve put on art walk events, Big League Shows, art parties, and hundreds of art classes. Thanks to you, we have grown a lot in three years! We are so glad you are part of who we are as a school.
This article by Michael Agresta was published in the Texas Observer in 2016. The lynchings have brought it to us again. San Antonio painter Vincent Valdez unveils a monumental work on the persistence of white supremacy in America. A casual art viewer, wandering into the David Shelton Gallery in Houston from this month and encountering …
So, filbert brushes are filbert brushes named after the nut filbert. They are not philbert brushes named after Dr. Philbert Bristle. There is no Dr. Bristle. I made that up. ….But there is a Saint Philibert.
Student Works: Abstracted figure drawings inspired by Cezanne
In recent posts, we talked about Cezanne’s process. In particular, we talked about the process seen in Cezanne’s drawings. Yesterday, in figure drawing class, we looked at how Cezanne tends to make short marks when he draws. Those short marks accumulate into longer contours and form descriptions, but they don’t trap or the whole object in an outline, they only describe pieces of an object. The forms are sensitively described, but the outlines are broken, allowing the figure and background to connect. This method can be used as a way to open observational work towards abstraction.
The most challenging aspect of this drawing approach is to let go of the “thingness” or the object, and draw every mark – whether it’s a face or a tablecloth – with equal interest. Here are a few of the beautiful figure drawings inspired by this method, made in yesterday’s figure drawing class.
Special thanks to our fabulous model, Hendri!
Related Posts
Our 3rd Year Anniversary!
The Seattle Artist League is three years old. We’ve put on art walk events, Big League Shows, art parties, and hundreds of art classes. Thanks to you, we have grown a lot in three years! We are so glad you are part of who we are as a school.
The Big Picture
This article by Michael Agresta was published in the Texas Observer in 2016. The lynchings have brought it to us again. San Antonio painter Vincent Valdez unveils a monumental work on the persistence of white supremacy in America. A casual art viewer, wandering into the David Shelton Gallery in Houston from this month and encountering …
Drawing A Day, Day 24
Apologies for the mistakes in numbered days. The headings (above) are correct. Sometimes the pictures (below) are alternate versions of correct.
Filbert, a correction of a correction
So, filbert brushes are filbert brushes named after the nut filbert. They are not philbert brushes named after Dr. Philbert Bristle. There is no Dr. Bristle. I made that up. ….But there is a Saint Philibert.