Cezanne painted 29 portraits and made countless drawings of Hortense Fiquet. He drew and painted his mistress in graphite, watercolor, and oil. The first painting exists only in a photograph, and the second was of Fiquet nursing their baby.
Fiquet and Cezanne met in Paris sometime around 1869. Cezanne was a 30 year old painter living on a small allowance from his wealthy banker father, and Fiquet was a 19 year old bookbinder with a side gig as an artist’s model. Hortense started modeling for Cezanne at least starting at age 22. She continued to be his muse for more than 20 years, 17 of which was before their marriage, as Cezanne attempted to hide knowledge of her and their son from his father, for fear that his father would cut his allowance. Despite the secrecy, and even before their marriage, the Parisian Hortense Fiquet came to be known as “Madame Cezanne.”
It is difficult to place the portraits in chronological order because the artist tended to rework his portraits over long periods of time. I did find some dates, however, and though there were a few conflicts in the information, I was able to pull together an approximate timeline. It was noted that in the earlier paintings Hortense looks somewhat self-consciously away, but by the mid-1880s she is unabashedly staring at the artist.
Below is a selection of Cezanne’s portraits of his greatest muse Hortense Fiquet.
1884
1884
1886
1888
1893
1897
18741877 Between 1879 and 1882 1881Between 1882 and 1884 1885Between 1885 and 18861885 until 1887 1885 until 1887 1885 until 1887 1885Between 1886 and 1887Between 1888 and 1890 Between 1888 and 18901888 Between 1888 and 18901890 1890 until 1892 189018911891 until 1895 (in 1895 Hortense would have been 45 years old) Hortense Fiquet, in her Paris apartment.Credit…Courtesy Philippe Cézanne
I was thankful for the break after the end of 30 days straight in January! I’m restarting the posts now, picking up where I left off with 30SAL Challenge Day 14: Make a transcription of Nicholas Poussin’s The Triumph of Pan. In the original post I mention how Poussin didn’t make detailed sketches of his figures …
DRAWING FROM OBSERVATION I like to draw from observation. I like to study what I see, and experiment with how I see it. My goal is not realism, my goal is to find and discover. Every time I look at something, even something I’ve drawn before, I see things I didn’t see before, things I …
“No one did more to reanimate the tired old genre of still life painting in the last half century than did Mr Thiebaud with his paintings of industrially regimented food products.” (NYT, 2004) In 2000, Thiebaud told PBS’ NewsHour with Jim Lehrer that the subject of food was “fun and humorous, and that’s dangerous in …
Last quarter Keith Pfeiffer and I taught a series on color. As promised, this was not a typical color theory class. Here are a few of my favorite student works from one of my favorite exercises. These paintings are made with compressed values, and some are entirely all one light/dark value. Some of them are …
36 Portraits of Marie-Hortense Fiquet
Cezanne painted 29 portraits and made countless drawings of Hortense Fiquet. He drew and painted his mistress in graphite, watercolor, and oil. The first painting exists only in a photograph, and the second was of Fiquet nursing their baby.
Fiquet and Cezanne met in Paris sometime around 1869. Cezanne was a 30 year old painter living on a small allowance from his wealthy banker father, and Fiquet was a 19 year old bookbinder with a side gig as an artist’s model. Hortense started modeling for Cezanne at least starting at age 22. She continued to be his muse for more than 20 years, 17 of which was before their marriage, as Cezanne attempted to hide knowledge of her and their son from his father, for fear that his father would cut his allowance. Despite the secrecy, and even before their marriage, the Parisian Hortense Fiquet came to be known as “Madame Cezanne.”
It is difficult to place the portraits in chronological order because the artist tended to rework his portraits over long periods of time. I did find some dates, however, and though there were a few conflicts in the information, I was able to pull together an approximate timeline. It was noted that in the earlier paintings Hortense looks somewhat self-consciously away, but by the mid-1880s she is unabashedly staring at the artist.
Below is a selection of Cezanne’s portraits of his greatest muse Hortense Fiquet.
(in 1895 Hortense would have been 45 years old)
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