Last month I posted 16 Ways to Reduce the Carbon Footprint in Your Art Studio and I invited artists to contribute their ideas. One artist was chosen for their answer, and has won a free class: Courtney Wooten pointed out that as artists, our greatest potential for impact can be made by using our art to “spread awareness, to shine a light, to educate, inspire, agitate and help build a movement.”
Courtney Wooten: Although we do a lot of re-using canvases and re-purposing materials in our home, my mind keeps going back to Toni Cade Bambara’s exhortation that, “the role of the artist is to make revolution irresistible.” As important as personal responsibility and praxis is to me, over 70% of greenhouse gas emissions come from 100 corporations. Reducing my own carbon footprint is great, and using my art to spread awareness, to shine a light, to educate, inspire, agitate and try to help build a movement feels even greater! No social movement is without creativity and visual art—as Brecht (I think, I’m paraphrasing?) reminded us, our artistic expression isn’t just about holding up a mirror to reflect society, but wielding a hammer with which to shape it.
[image_with_animation image_url=”7459″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Andrea Myers Find an old catalogue, magazine, maps, or a stack of used paper. Working with an x-acto blade, or tearing by hand, remove paper to create windows to previous layers. If using a blade, slip a cutting mat or piece of matboard between the pages. Take a picture …
Nocturne in Black and Gold – The Falling Rocket James Abbot McNeill Whistler c. 1875 I’ve long admired Whistler’s Nocturnes for their spare elegance, and subtle nods to Hiroshige’s woodblock prints. What I didn’t know is that it bankrupted poor Whistler, and was the subject of lawsuit controversy as unfortunate as modern daytime television. All that, and it was …
Take a class with SAL – anywhere! Edward Hopper is one of the greatest American painters of the 20th century, having influence over photography and cinema as well as painting. His direct and realist paintings depicted light and shadow, and solitude in daily contemporary life. But what influences did Hopper have? Rejecting the style of …
My last post containing a list of frustrations for painters included a picture of Susan Rothenberg. She was painting from her table that was so encrusted with accumulated paint that it resembled the cascade mountains. This post with the picture of Rothenberg bounced back with a note from a League friend. She asked me if …
The role of the artist is to make revolution irresistible
Last month I posted 16 Ways to Reduce the Carbon Footprint in Your Art Studio and I invited artists to contribute their ideas. One artist was chosen for their answer, and has won a free class: Courtney Wooten pointed out that as artists, our greatest potential for impact can be made by using our art to “spread awareness, to shine a light, to educate, inspire, agitate and help build a movement.”
Courtney Wooten: Although we do a lot of re-using canvases and re-purposing materials in our home, my mind keeps going back to Toni Cade Bambara’s exhortation that, “the role of the artist is to make revolution irresistible.” As important as personal responsibility and praxis is to me, over 70% of greenhouse gas emissions come from 100 corporations. Reducing my own carbon footprint is great, and using my art to spread awareness, to shine a light, to educate, inspire, agitate and try to help build a movement feels even greater! No social movement is without creativity and visual art—as Brecht (I think, I’m paraphrasing?) reminded us, our artistic expression isn’t just about holding up a mirror to reflect society, but wielding a hammer with which to shape it.
Use your art to raise awareness, call for action, and change the world. (Works for any medium and skill level!) – Courtney Wooten
Thank you for the call back to our powerful potential as artists, Courtney. Looking forward to seeing you in class!
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[image_with_animation image_url=”7459″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Andrea Myers Find an old catalogue, magazine, maps, or a stack of used paper. Working with an x-acto blade, or tearing by hand, remove paper to create windows to previous layers. If using a blade, slip a cutting mat or piece of matboard between the pages. Take a picture …
Whistler v. Ruskin: The Gentle Art of Making Enemies
Nocturne in Black and Gold – The Falling Rocket James Abbot McNeill Whistler c. 1875 I’ve long admired Whistler’s Nocturnes for their spare elegance, and subtle nods to Hiroshige’s woodblock prints. What I didn’t know is that it bankrupted poor Whistler, and was the subject of lawsuit controversy as unfortunate as modern daytime television. All that, and it was …
Hopper’s Influences in Painting
Take a class with SAL – anywhere! Edward Hopper is one of the greatest American painters of the 20th century, having influence over photography and cinema as well as painting. His direct and realist paintings depicted light and shadow, and solitude in daily contemporary life. But what influences did Hopper have? Rejecting the style of …
Susan Rothenberg dies at 75
My last post containing a list of frustrations for painters included a picture of Susan Rothenberg. She was painting from her table that was so encrusted with accumulated paint that it resembled the cascade mountains. This post with the picture of Rothenberg bounced back with a note from a League friend. She asked me if …