I look at a lot of art, and I don’t tend to see colored pencil drawings popping up in the mix of esteemed or daring artworks. Oils, pastels, graphite, watercolor, ink, even conte is common in museums and galleries, but colored pencils seem to be a material outgrown as soon as any of the others are acquired.
As a kid I had a disappointment set of pencils. The colors looked exciting in the box, but for soft paper they were way too hard, and had more wax than pigment. I figured all colored pencils were wuss sticks. Then I got a set of 12 Derwent, and made some of the first drawings that I ever liked. It wasn’t the “thing” in the drawing that I loved, it was watching the pigment grab onto the paper fibers. I could watch that all day.
The colors were limited, but the pigment was rich and vibrant. The color took eagerly to the paper. I was to a sad end, though, because I hadn’t yet learned that the core of a pencil is breakable, so after dropping them on the floor a few dozen times I was blocked by the frustration of trying to sharpen the wood away from shafts as they cracked and crumbled with every 1/4 inch removed. I’m sorry to say that with this tiny impasse, I gave them up entirely.
After 30 years I’ve rediscovered pencils. Yes, really. It took a year like 2020, but yes I’ve come round. Here I am, after countless pigment sticks and fluids, I’m back to the simple thing I started with all those years ago. I’m back in love with the pencil.
I’ve found that each brand of pencil offers a different “feel.” Some are rich and buttery like fine oil paints, others are soft and crumbly like delicate soft pastels. If you get a set of pencils with a good amount of pigment, and paper with enough tooth to allow the colors to build and blend, you have yourself a delightfully tidy art kit that’s great for travel, or for this continued quarantine, for drawing while sitting at a desk. No paint or charcoal dust in the keyboard. Nothing spilled, dripped, spread, smeared or crusted dry and ruined. Color lives patiently in the pencil, and when called, lands with sensitivity on paper, only.
Finding myself conveniently at my desk for another day, I did some art hunting for colored pencil drawings, and I have a few new V. Notes on the way. Feeling inspired, I splurged and ordered two new art supplies to try: a pad of Strathmore paper specially made for colored pencils, and a set of woodless Koh-i-Noor colored pencils. I promise not to drop them.
Drawings by Amy Erickson
Man, Color Pencil on Paper, 4″x7″, 2020
Amy Erickson lives and works in Seattle. She likes to draw with colored pencils.
Sugar Violet, Graphite and Color Pencil on Hand-Toned Paper, 9″x12″, 2014
“I use color pencils because they are an immediate way for me to explore color without having to fuss with mixing paint. I can use them for slow and detailed realism or for quick and painterly sketches. I can erase color pencils in the beginning stages of a drawing so it is less intimidating to sketch with them than with watercolor. They are not as messy as chalk pastels but I can still produce gestural and layered effects. Color pencils are the perfect medium to use when I don’t feel like painting but I want something more fun than tonal drawing.” – Amy Erickson
For the 26th day of our 30 day January challenge, I focused on memory. The instructions were as follows: Draw what’s in your fridge, from memory Open your refrigerator and look at what’s inside. Close the refrigerator, and draw as much as you can remember. When you can’t remember enough to draw any more, then take another look inside the refrigerator. …
Model and Chair by Ruthie V. 10×8″ drypoint on grey BFK What a great day! Nikki and I hung out in the studio and made drypoint prints. The image above was my favorite of the day. It was scratched into plexiglass using 220 grit sandpaper and a diamond tipped scribe, then printed on grey BFK. I …
In recent V. Notes, I have shared some of Carlos San Millan’s favorite painters. So far I’ve posted Kim Frohsin, Mitchell Johnson, Yann Kebbi, Марина Цветаева (Marina Tsvetyeva), and Sangram Majumdar. Today I’m posting Bato Dugarzhapov. Bato is a Russian painter born in 1966. I had his work saved for a V. Note someday. Looks …
Paul Horiuchi 1906-1999 From Greg Kucera Gallery: It is said that Japanese artists invented collage over 800 years ago; some say Horiuchi perfected it. His work has been described as romantic, serene, and sensitive. Some say his collages have earned him the title Master of Collage. Horiuchi was born in Japan and at an early …
Colored Pencil Drawings by Amy Erickson
I look at a lot of art, and I don’t tend to see colored pencil drawings popping up in the mix of esteemed or daring artworks. Oils, pastels, graphite, watercolor, ink, even conte is common in museums and galleries, but colored pencils seem to be a material outgrown as soon as any of the others are acquired.
As a kid I had a disappointment set of pencils. The colors looked exciting in the box, but for soft paper they were way too hard, and had more wax than pigment. I figured all colored pencils were wuss sticks. Then I got a set of 12 Derwent, and made some of the first drawings that I ever liked. It wasn’t the “thing” in the drawing that I loved, it was watching the pigment grab onto the paper fibers. I could watch that all day.
The colors were limited, but the pigment was rich and vibrant. The color took eagerly to the paper. I was to a sad end, though, because I hadn’t yet learned that the core of a pencil is breakable, so after dropping them on the floor a few dozen times I was blocked by the frustration of trying to sharpen the wood away from shafts as they cracked and crumbled with every 1/4 inch removed. I’m sorry to say that with this tiny impasse, I gave them up entirely.
After 30 years I’ve rediscovered pencils. Yes, really. It took a year like 2020, but yes I’ve come round. Here I am, after countless pigment sticks and fluids, I’m back to the simple thing I started with all those years ago. I’m back in love with the pencil.
I’ve found that each brand of pencil offers a different “feel.” Some are rich and buttery like fine oil paints, others are soft and crumbly like delicate soft pastels. If you get a set of pencils with a good amount of pigment, and paper with enough tooth to allow the colors to build and blend, you have yourself a delightfully tidy art kit that’s great for travel, or for this continued quarantine, for drawing while sitting at a desk. No paint or charcoal dust in the keyboard. Nothing spilled, dripped, spread, smeared or crusted dry and ruined. Color lives patiently in the pencil, and when called, lands with sensitivity on paper, only.
Finding myself conveniently at my desk for another day, I did some art hunting for colored pencil drawings, and I have a few new V. Notes on the way. Feeling inspired, I splurged and ordered two new art supplies to try: a pad of Strathmore paper specially made for colored pencils, and a set of woodless Koh-i-Noor colored pencils. I promise not to drop them.
Drawings by Amy Erickson
Amy Erickson lives and works in Seattle. She likes to draw with colored pencils.
“I use color pencils because they are an immediate way for me to explore color without having to fuss with mixing paint. I can use them for slow and detailed realism or for quick and painterly sketches. I can erase color pencils in the beginning stages of a drawing so it is less intimidating to sketch with them than with watercolor. They are not as messy as chalk pastels but I can still produce gestural and layered effects. Color pencils are the perfect medium to use when I don’t feel like painting but I want something more fun than tonal drawing.” – Amy Erickson
Amy’s favorite: Faber-Castell brand, and woodless color pencils.
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For the 26th day of our 30 day January challenge, I focused on memory. The instructions were as follows: Draw what’s in your fridge, from memory Open your refrigerator and look at what’s inside. Close the refrigerator, and draw as much as you can remember. When you can’t remember enough to draw any more, then take another look inside the refrigerator. …
Printmaking as a Complement to Painting
Model and Chair by Ruthie V. 10×8″ drypoint on grey BFK What a great day! Nikki and I hung out in the studio and made drypoint prints. The image above was my favorite of the day. It was scratched into plexiglass using 220 grit sandpaper and a diamond tipped scribe, then printed on grey BFK. I …
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In recent V. Notes, I have shared some of Carlos San Millan’s favorite painters. So far I’ve posted Kim Frohsin, Mitchell Johnson, Yann Kebbi, Марина Цветаева (Marina Tsvetyeva), and Sangram Majumdar. Today I’m posting Bato Dugarzhapov. Bato is a Russian painter born in 1966. I had his work saved for a V. Note someday. Looks …
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Paul Horiuchi 1906-1999 From Greg Kucera Gallery: It is said that Japanese artists invented collage over 800 years ago; some say Horiuchi perfected it. His work has been described as romantic, serene, and sensitive. Some say his collages have earned him the title Master of Collage. Horiuchi was born in Japan and at an early …