Celia Bowker Shapes with Blue Curve Oil on board, 19 x 18″
Lou Copeland Purple Pants acrylic, 48 x 24″
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months.
Through this year, we have met each other online to draw, paint, print, and share community. In a time of hardship and isolation, it was good to meet and make work together. New teachers and students – now free to teach and take classes anywhere in the world – came to join us. In the last year, the League has grown in numbers, and our artistic voice as a school has evolved.
This collection of artworks has been grouped with no association of genre, medium, artist, or online class. They have been selected and placed here so that they can complement each other, just as we hang a gallery wall for one of our all-inclusive Big League Anniversary shows.
Lou Copeland Falling Pomegranates acrylic, 20 x 20″
This is one in a series of posts featuring artworks produced through this pandemic. In this terrible year, we have made some good artworks.
This is the second to last post in this series.
Charlotte E E Hansen Pandemonium oil on canvas, 14 x 10″ @charlotteslensMargrit Schubiger In the Studio acrylic, 8 x 8″Ruth Shapiro The el royale Mixed media, 29 x 49”
Some artworks were mentioned at the recent WTF Art History Lecture about Andy Warhol (IT WAS EFF-ING FABULOUS) last Saturday: artworks that I hadn’t seen before. You may have seen the Campbell’s soup cans and Marilyn Monroe series countless times, but have you seen these? Sunsets Warhol was a big fan of Joseph Albers, and …
Colors are shifty buggers. The way we process visual information causes colors to change in relationship to what they’re next to, giving us a constant source of optical illusions. This makes mixing accurate color rather complicated. Below are a few optical quandaries to illustrate how complicated this “accurate seeing” stuff can be. “A thing is never seen …
So, filbert brushes are filbert brushes named after the nut filbert. They are not philbert brushes named after Dr. Philbert Bristle. There is no Dr. Bristle. I made that up. ….But there is a Saint Philibert.
[image_with_animation image_url=”10799″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Denis Sarazhin is a Ukranian-born painter whose textured works seem to be carved out of rough flecks of color. The angular joints, and compositional habit of using a body’s limbs to divide the background remind me of Egon Schiele. Notice how his style is to start with a dark …
Online Anniversary Show: Shapes in Flight
Shapes with Blue Curve
Oil on board, 19 x 18″
Purple Pants
acrylic, 48 x 24″
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months.
Through this year, we have met each other online to draw, paint, print, and share community. In a time of hardship and isolation, it was good to meet and make work together. New teachers and students – now free to teach and take classes anywhere in the world – came to join us. In the last year, the League has grown in numbers, and our artistic voice as a school has evolved.
This collection of artworks has been grouped with no association of genre, medium, artist, or online class. They have been selected and placed here so that they can complement each other, just as we hang a gallery wall for one of our all-inclusive Big League Anniversary shows.
Falling Pomegranates
acrylic, 20 x 20″
This is one in a series of posts featuring artworks produced through this pandemic. In this terrible year, we have made some good artworks.
This is the second to last post in this series.
Pandemonium
oil on canvas, 14 x 10″
@charlotteslens
In the Studio
acrylic, 8 x 8″
The el royale
Mixed media, 29 x 49”
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Some artworks were mentioned at the recent WTF Art History Lecture about Andy Warhol (IT WAS EFF-ING FABULOUS) last Saturday: artworks that I hadn’t seen before. You may have seen the Campbell’s soup cans and Marilyn Monroe series countless times, but have you seen these? Sunsets Warhol was a big fan of Joseph Albers, and …
Color Illusions
Colors are shifty buggers. The way we process visual information causes colors to change in relationship to what they’re next to, giving us a constant source of optical illusions. This makes mixing accurate color rather complicated. Below are a few optical quandaries to illustrate how complicated this “accurate seeing” stuff can be. “A thing is never seen …
Filbert, a correction of a correction
So, filbert brushes are filbert brushes named after the nut filbert. They are not philbert brushes named after Dr. Philbert Bristle. There is no Dr. Bristle. I made that up. ….But there is a Saint Philibert.
Sarazhin’s Hands
[image_with_animation image_url=”10799″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Denis Sarazhin is a Ukranian-born painter whose textured works seem to be carved out of rough flecks of color. The angular joints, and compositional habit of using a body’s limbs to divide the background remind me of Egon Schiele. Notice how his style is to start with a dark …