Ruth Shapiro Angry Man 18 x 18″ oil Ruthdshapiro.com
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months.
Through this year, we have met each other online to draw, paint, print, and share community. In a time of hardship and isolation, it was good to meet and make work together. New teachers and students – now free to teach and take classes anywhere in the world – came to join us. In the last year, the League has grown in numbers, and our artistic voice as a school has evolved.
This collection of artworks has been grouped with no association of genre, medium, artist, or online class. They have been selected and placed here so that they can complement each other, just as we hang a gallery wall for one of our all-inclusive Big League Anniversary shows.
This is one in a series of posts featuring artworks produced through this pandemic. In this terrible year, we have made some good artworks. More to come!
Carol Kleinman The Light 12 x 12″ acrylic on canvas carolkleinmansunflowerstudio.weebly.comJudith Skillman Neon Sea 11 x 14″ oil on canvas
“I have thoroughly enjoyed taking classes at SAL via Zoom. I am honestly not sure how I would have survived the past year without your incredibly inspiring teachers.” – Judith Skillman
Carol Kleinman Mastermind 12 x 12″ acrylic on canvas carolkleinmansunflowerstudio.weebly.comCarol Kleinman Study in Turquoise 12 x 12″ acrylic on canvas carolkleinmansunflowerstudio.weebly.com
“I have taken 3 wonderful courses at the Seattle Artist League. I have learned so much!!” – Carol Kleinman
Xin Xin Healing 6 x 9″ Acrylic, charcoal, and dry pastels
Interested in studying sumi-e painting? Angie Dixons’ top recommended book for beginning is The Sumi-e Book by Yolanda Mayhall. The information in The Sumi-e Book is very good and accessible, and books and youtube are great for learning sumi-e but, Dixon says, students really need to have the pressure of a teacher. Today’s Beginning Sumi-e workshop …
WTF The quote from Gerhard Richter about looking for boring and irrelevant photo materials is from the upcoming lecture on Portraiture After Photography – part of our ongoing WTF Art History Lecture series with Suzanne Walker (BA, MA, PhD, BFD). These lectures are one of a kind, and not recorded. Don’t miss Suzanne Walker’s latest spitfire! …
The Seattle Artist League is excited to announce the prizes for this year’s Portrait Awards. These artworks were chosen out of 151 entries, from 72 artists. Media was mostly paintings and drawings, with a few mixed media and prints. All were completed within 2021 or early 2022. “It was an honour and a delight to see such …
It has taken me some time to realize the artistic benefits of figure drawing online vs in the studio, but I’m getting it. Whereas large fluid physical gestures with movement and energy will likely wait until we are back in the studio, drawing online puts the model within a screen, and that screen is moveable. …
Online Anniversary Show: Bold Abstracts
Angry Man
18 x 18″ oil
Ruthdshapiro.com
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months.
Through this year, we have met each other online to draw, paint, print, and share community. In a time of hardship and isolation, it was good to meet and make work together. New teachers and students – now free to teach and take classes anywhere in the world – came to join us. In the last year, the League has grown in numbers, and our artistic voice as a school has evolved.
This collection of artworks has been grouped with no association of genre, medium, artist, or online class. They have been selected and placed here so that they can complement each other, just as we hang a gallery wall for one of our all-inclusive Big League Anniversary shows.
This is one in a series of posts featuring artworks produced through this pandemic. In this terrible year, we have made some good artworks. More to come!
The Light
12 x 12″ acrylic on canvas
carolkleinmansunflowerstudio.weebly.com
Neon Sea
11 x 14″ oil on canvas
“I have thoroughly enjoyed taking classes at SAL via Zoom. I am honestly not sure how I would have survived the past year without your incredibly inspiring teachers.” – Judith Skillman
Mastermind
12 x 12″ acrylic on canvas
carolkleinmansunflowerstudio.weebly.com
Study in Turquoise
12 x 12″ acrylic on canvas
carolkleinmansunflowerstudio.weebly.com
“I have taken 3 wonderful courses at the Seattle Artist League. I have learned so much!!” – Carol Kleinman
Healing
6 x 9″ Acrylic, charcoal, and dry pastels
Related Posts
Sumi-e Book Recommendation
Interested in studying sumi-e painting? Angie Dixons’ top recommended book for beginning is The Sumi-e Book by Yolanda Mayhall. The information in The Sumi-e Book is very good and accessible, and books and youtube are great for learning sumi-e but, Dixon says, students really need to have the pressure of a teacher. Today’s Beginning Sumi-e workshop …
WTF? Gerhard Richter’s goal for photo references
WTF The quote from Gerhard Richter about looking for boring and irrelevant photo materials is from the upcoming lecture on Portraiture After Photography – part of our ongoing WTF Art History Lecture series with Suzanne Walker (BA, MA, PhD, BFD). These lectures are one of a kind, and not recorded. Don’t miss Suzanne Walker’s latest spitfire! …
Announcing: The Seattle Artist League Portrait Awards for 2022
The Seattle Artist League is excited to announce the prizes for this year’s Portrait Awards. These artworks were chosen out of 151 entries, from 72 artists. Media was mostly paintings and drawings, with a few mixed media and prints. All were completed within 2021 or early 2022. “It was an honour and a delight to see such …
Gottfried Bammes and online figure drawing
It has taken me some time to realize the artistic benefits of figure drawing online vs in the studio, but I’m getting it. Whereas large fluid physical gestures with movement and energy will likely wait until we are back in the studio, drawing online puts the model within a screen, and that screen is moveable. …