One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months.
Through this year, we have met each other online to draw, paint, print, and share community. In a time of hardship and isolation, it was good to meet and make work together. New teachers and students – now free to teach and take classes anywhere in the world – came to join us. In the last year, the League has grown in numbers, and our artistic voice as a school has evolved.
This is the first post in a series of artworks submitted by artists at the League, sharing artwork they produced through this pandemic.
Cheryl Chudyk “I reach out to my friends across the world to illustrate their lives as they voice what is going on in their country and their life right now.”
If you would like to submit work for this show, it is not too late. Click here for info.
“Almost everyone can remember in grade school art class placing a sheet of paper over the face of a coin or some other textured object and rubbing it with a crayon. I employed this same method – known as frottage – to create the following portraits. For Beckett’s likeness, I had embossed plates made of …
[image_with_animation image_url=”9204″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] How old is this sculpture, and who do you think made it? (Answer will be posted tomorrow)
A search for indigo dye brought me a glimpse of these stunning treasures. While indigo is common as a clothing dye and (often now synthetic) indigo is worn all around the world as a near religious love of blue jeans, these Buddhist works on indigo-dyed paper are anything but common. In the 11th century, many …
This is the beginning of a collection: examples of painted grass. When I paint grass I usually start with large shapes first, light swathes of masses break the canvas into smaller segments. I use a rag sometimes to form the first shapes, then a bristle brush so the bristles scrape away the paint as much as …
Online Anniversary Show, Drawing in Quarantine
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months.
Through this year, we have met each other online to draw, paint, print, and share community. In a time of hardship and isolation, it was good to meet and make work together. New teachers and students – now free to teach and take classes anywhere in the world – came to join us. In the last year, the League has grown in numbers, and our artistic voice as a school has evolved.
This is the first post in a series of artworks submitted by artists at the League, sharing artwork they produced through this pandemic.
If you would like to submit work for this show, it is not too late. Click here for info.
Related Posts
30SAL Challenge: Frottage
“Almost everyone can remember in grade school art class placing a sheet of paper over the face of a coin or some other textured object and rubbing it with a crayon. I employed this same method – known as frottage – to create the following portraits. For Beckett’s likeness, I had embossed plates made of …
Guess the year, and the artist
[image_with_animation image_url=”9204″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] How old is this sculpture, and who do you think made it? (Answer will be posted tomorrow)
Silver, Gold on Indigo Paper
A search for indigo dye brought me a glimpse of these stunning treasures. While indigo is common as a clothing dye and (often now synthetic) indigo is worn all around the world as a near religious love of blue jeans, these Buddhist works on indigo-dyed paper are anything but common. In the 11th century, many …
Painting Grass
This is the beginning of a collection: examples of painted grass. When I paint grass I usually start with large shapes first, light swathes of masses break the canvas into smaller segments. I use a rag sometimes to form the first shapes, then a bristle brush so the bristles scrape away the paint as much as …