Barbara Grossman, Blues Trio, 2015, 26×20″ charcoal
I was interested in learning some new language to talk about what is so captivating about Charity Baker’s drawings and paintings. Charity gave me a list of her teachers, Barbara Grossman was one of them.
Barbara Grossman, Islamic Tiles, 2016, 28 x 30″ oil on linen
Barbara Grossman’s artworks are impressionistic, abstracted, full of color and pattern. Instead of drawing with focal points and perspective, she describes space in a more abstract or impressionist way. In these works, you’ll see that Grossman creates interest by leading us through the composition via pathways and a variety of marks that maintain their intensity all the way through and to the edge of the composition. Pathways to the edge of the rectangle can function as a powerful tool to hold us in a drawing and painting; tools that in the process of trying to render the figure, I often neglect. I frequently emerge from a drawing session with a drawing of a face or figure, without the impact of a full composition. This is most often a mistake of a desire to get it “right” and hyper-focus on the features of the face and form. It’s something I am working diligently to change, especially now that I’m seeing the student works that implement the strength of these tools, and notice how impactful they are.
Barbara Grossman studied art and music at Yale, and in the drawings below you’ll see making music as a theme. In these artworks that describe both the experience of making music and the experience of making art, notice how the shapes, marks, and pathways hold us in the frame, and lead us around the composition, continuously giving us something new to discover in the work.
Barbara Grossman, Trio Singing, 2015, 30 x 22.75″ charcoalBarbara Grossman, Trio Rehearsing, 2005, 26×20″ charcoal and conteBarbara Grossman, Duo Andante, 2005, 26×20″ charcoal and conteBarbara Grossman, Trio – Vermillion 2002, 30 x 26″ charcoal Barbara Grossman, Trio – Blue 2002, 30 x 22″ charcoalBarbara Grossman, Duo – Bright Red, 2002, 30 x 22″ charcoalBarbara Grossman, Trio – Naples Yellow, 2002, 30 x 22″ charcoal
[image_with_animation image_url=”11061″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Ruthie V, Doorzien, after Carlos San Millan. 36×24″ oil on linen Last Saturday, while the steamroller printmaking party was happening on the street, inside the studio we had a show of works inspired by doorzien, a Dutch word that when applied to the genre of painting, means to see through from …
Last week Nikki Barber and I surprised my drawing classes with an unexpected session of printmaking. After a few weeks of drawing practice, Beginning and Figure Drawing students made monotypes for the first time, and LOVED IT. Yesterday I posted still life monoprints by the beginning drawing students. Today are figurative monoprints by the figure …
Below is a video by Proko showing a brief overview of basic drawing supplies, and a demo for how to hand sharpen a soft charcoal pencil. He explains what the weird sandpaper thingy is for.
Victorians combined images from multiple negatives to create portraits known as “Headless Photographs.” (19th century) Not one cracked a smile. If Victorians had Facebook, would they have posted this? Happy Halloween!
8 Drawings by Barbara Grossman
I was interested in learning some new language to talk about what is so captivating about Charity Baker’s drawings and paintings. Charity gave me a list of her teachers, Barbara Grossman was one of them.
Barbara Grossman’s artworks are impressionistic, abstracted, full of color and pattern. Instead of drawing with focal points and perspective, she describes space in a more abstract or impressionist way. In these works, you’ll see that Grossman creates interest by leading us through the composition via pathways and a variety of marks that maintain their intensity all the way through and to the edge of the composition. Pathways to the edge of the rectangle can function as a powerful tool to hold us in a drawing and painting; tools that in the process of trying to render the figure, I often neglect. I frequently emerge from a drawing session with a drawing of a face or figure, without the impact of a full composition. This is most often a mistake of a desire to get it “right” and hyper-focus on the features of the face and form. It’s something I am working diligently to change, especially now that I’m seeing the student works that implement the strength of these tools, and notice how impactful they are.
Barbara Grossman studied art and music at Yale, and in the drawings below you’ll see making music as a theme. In these artworks that describe both the experience of making music and the experience of making art, notice how the shapes, marks, and pathways hold us in the frame, and lead us around the composition, continuously giving us something new to discover in the work.
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The Doorzien Show
[image_with_animation image_url=”11061″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Ruthie V, Doorzien, after Carlos San Millan. 36×24″ oil on linen Last Saturday, while the steamroller printmaking party was happening on the street, inside the studio we had a show of works inspired by doorzien, a Dutch word that when applied to the genre of painting, means to see through from …
Figurative Monotypes
Last week Nikki Barber and I surprised my drawing classes with an unexpected session of printmaking. After a few weeks of drawing practice, Beginning and Figure Drawing students made monotypes for the first time, and LOVED IT. Yesterday I posted still life monoprints by the beginning drawing students. Today are figurative monoprints by the figure …
How to Sharpen a Pencil (seriously)
Below is a video by Proko showing a brief overview of basic drawing supplies, and a demo for how to hand sharpen a soft charcoal pencil. He explains what the weird sandpaper thingy is for.
Headless Portraits
Victorians combined images from multiple negatives to create portraits known as “Headless Photographs.” (19th century) Not one cracked a smile. If Victorians had Facebook, would they have posted this? Happy Halloween!