Elizabeth Peyton, Flower Ben, 2003 WoodcutAmy Sillman, Untitled, 2020, acrylic on paper, 13 × 20Cecily Brown, FlowersElizabeth PeytonElizabeth Peyton, Flowers and Moreau in AugustElizabeth Peyton, Wildflowers, 2020, watercolor on paper, 14 × 10″Manoucher Yektai, Untitled, 1960, oil on linen, 45 ½ × 35″Albert York, Pink Daisies in Glass Jar, ND, oil on plywood panel, 12 ½ × 10 ½”Jennifer Packer, Say Her Name, 2017, oil on canvas, 48 × 40″
This article by Michael Agresta was published in the Texas Observer in 2016. The lynchings have brought it to us again. San Antonio painter Vincent Valdez unveils a monumental work on the persistence of white supremacy in America. A casual art viewer, wandering into the David Shelton Gallery in Houston from this month and encountering …
Every time I write a V. Note, I get ideas for five more. Then I spend the next month driving myself crazy because I don’t make time to write again. I’m sure all of you can relate to the constant vigilance it takes to make time for creating. In the previous post I talked about …
Take a class with SAL – anywhere! If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would: Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats. Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint …
Most of the time when people draw something such as a still life, they draw the objects and then neglect everything around the objects, like the table holding it up, and the wall behind it. A drawing like this shows us a thing floating in nothing instead of an interaction of depth, volume, and surfaces …
Spring Flowers
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This article by Michael Agresta was published in the Texas Observer in 2016. The lynchings have brought it to us again. San Antonio painter Vincent Valdez unveils a monumental work on the persistence of white supremacy in America. A casual art viewer, wandering into the David Shelton Gallery in Houston from this month and encountering …
Funerary Art pt 2: Roman Catacomb Frescoes
Every time I write a V. Note, I get ideas for five more. Then I spend the next month driving myself crazy because I don’t make time to write again. I’m sure all of you can relate to the constant vigilance it takes to make time for creating. In the previous post I talked about …
How to Avoid Brush Strokes With Acrylic
Take a class with SAL – anywhere! If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would: Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats. Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint …
Day 23: Set the Stage #30SAL
Most of the time when people draw something such as a still life, they draw the objects and then neglect everything around the objects, like the table holding it up, and the wall behind it. A drawing like this shows us a thing floating in nothing instead of an interaction of depth, volume, and surfaces …