I had a couple of extra long work weeks, and a few days ago I decided to zonk myself out with bit of TV. What I ended up watching didn’t zonk me out. It rejuvenated me. Days later, I’m still smiling about it. The movie was “Nothing Changes: Art for Hank’s Sake” a documentary about …
I’m in NY, doing a figurative sculpture marathon with Bruce Gagnier at the NY Studio School. I’m three days into a two week intensive, and I’m loving it. One of the topics my instructor presses is contrapposto. I learned about contrapposto at WWU, but I’m understanding the real value of it now. Bruce Gagnier showed me …
[image_with_animation image_url=”9399″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Francis Bacon’s studio Where do you make art? I find looking at artist’s spaces just as interesting as looking at the artwork made there. In part, what I’m looking at when I look at art spaces is how people adapt their space to suit their needs (how the studio …
Sunday Comic by Lyall Wallerstedt
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I had a couple of extra long work weeks, and a few days ago I decided to zonk myself out with bit of TV. What I ended up watching didn’t zonk me out. It rejuvenated me. Days later, I’m still smiling about it. The movie was “Nothing Changes: Art for Hank’s Sake” a documentary about …
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I’m in NY, doing a figurative sculpture marathon with Bruce Gagnier at the NY Studio School. I’m three days into a two week intensive, and I’m loving it. One of the topics my instructor presses is contrapposto. I learned about contrapposto at WWU, but I’m understanding the real value of it now. Bruce Gagnier showed me …
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[image_with_animation image_url=”9399″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Francis Bacon’s studio Where do you make art? I find looking at artist’s spaces just as interesting as looking at the artwork made there. In part, what I’m looking at when I look at art spaces is how people adapt their space to suit their needs (how the studio …