Seven months ago, during our summer in quarantine, eleven League artists set aside their colors and practiced just with light and dark tones. Here are a few of their studies.
This is one in a series of posts showcasing a selection of artwork made by League artists during the last year in quarantine. These artwork pics are borrowed from our online class archives. Instead of viewing these as finished artworks, we hope you will appreciate the excitement of these experimental works in process.
I asked Fran O’Neill from the New York Studio School to talk about her upcoming workshop “To Transcribe” and the benefits of transcribing masterworks. She offered a beautiful and inspiring response. Fran O’Neill’s 2 day workshop “To Transcribe” is coming to the Seattle Artist League October 24, 2020. Click here to learn more. “To Transcribe” …
Never underestimate the beauty potential of a simple study on paper. These works are mostly vine charcoal on toned paper, some white charcoal (or white pastel), and pencil. The drawing above is watercolor. For most of these, regardless of color, the toned paper is standing in for medium value, so the artist only has to …
I posted recently about how originality is not really what we’re built for. You can read that post here. After saying how natural copying is, I thought I should follow up with some conversations about copyright issues. Typically these conversations go straight to talking about the legal system. I personally find the artistic, personal, and moral …
[image_with_animation image_url=”11061″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Ruthie V, Doorzien, after Carlos San Millan. 36×24″ oil on linen Last Saturday, while the steamroller printmaking party was happening on the street, inside the studio we had a show of works inspired by doorzien, a Dutch word that when applied to the genre of painting, means to see through from …
11 Tonal Artworks; Online Anniversary Show Continues
A selection from Keith Pfeiffer’s Tone Class
Seven months ago, during our summer in quarantine, eleven League artists set aside their colors and practiced just with light and dark tones. Here are a few of their studies.
This is one in a series of posts showcasing a selection of artwork made by League artists during the last year in quarantine. These artwork pics are borrowed from our online class archives. Instead of viewing these as finished artworks, we hope you will appreciate the excitement of these experimental works in process.
Keith Pfeiffer’s Poetry in Painting Workshop is this Saturday. In this 2 session workshop, artists will be guided through journal exercises to create personal and original imagery with layers of significance. Click here to learn more.
Related Posts
Fran O’Neill on Transcribing Masterworks
I asked Fran O’Neill from the New York Studio School to talk about her upcoming workshop “To Transcribe” and the benefits of transcribing masterworks. She offered a beautiful and inspiring response. Fran O’Neill’s 2 day workshop “To Transcribe” is coming to the Seattle Artist League October 24, 2020. Click here to learn more. “To Transcribe” …
Degas’ Studies of Drapery
Never underestimate the beauty potential of a simple study on paper. These works are mostly vine charcoal on toned paper, some white charcoal (or white pastel), and pencil. The drawing above is watercolor. For most of these, regardless of color, the toned paper is standing in for medium value, so the artist only has to …
Painting from Photographs: Copyright Considerations
I posted recently about how originality is not really what we’re built for. You can read that post here. After saying how natural copying is, I thought I should follow up with some conversations about copyright issues. Typically these conversations go straight to talking about the legal system. I personally find the artistic, personal, and moral …
The Doorzien Show
[image_with_animation image_url=”11061″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Ruthie V, Doorzien, after Carlos San Millan. 36×24″ oil on linen Last Saturday, while the steamroller printmaking party was happening on the street, inside the studio we had a show of works inspired by doorzien, a Dutch word that when applied to the genre of painting, means to see through from …