If you have taken or taught a class at the Seattle Artist League in the last year, you are invited to submit up to three artworks to our online show. We can’t promise we’ll show every piece, but we will show at least one artwork per person.
This show is about you as an artist, so you are welcome to submit any of your works that you would like to share. Your artwork submission does not have to be from a class, but it does need to have been made in the last year.
We are open to media, including but not limited to: drawings, paintings, prints, digital artworks, photography, sculpture, etc.
Submission Steps
1. PREREQUISITE. Have you taken an online class with us? Y/N – If yes, then you’re in like Flynn. – If no, then stop right here and take a class so you can join the next show!
2. PHOTOGRAPH. Take a quality photograph of your artwork. This means right side up, no tilt, sharp focus, corners square and cropped to the edge of the artwork, little-or-no glare, no shadows, brightly and evenly lit, no filters). I like to photograph my work outside on a cloudy morning. Need help? Watch this video and try again!
3. RESIZE. If you are tech savvy enough to digitally size your artwork, please size to 800 pixels wide (any height), and 72 resolution. See images below for example of Mac Preview resizing. If you have trouble doing this, don’t worry about it. We’ll take care of it for you!
4. NAME AND TITLE JPG. Save your image as a jpg with your full name and the artwork’s title as the file name. If you have trouble doing this, don’t worry about it. We’ll take care of it for you!
– For example, save your image as: BobRossHappyLittleTrees.jpg
5. SEND. Submit 1, 2, or 3 photographs of artwork via email. For each artwork submitted, please include:
Artist’s name Artwork title mediums used size (height x width x depth) + any additional text you’d like to include with your submission to:
[image_with_animation image_url=”8323″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Photo from apartycrasher.biz/pages/baglady.html Every day I watch students waddle in, and waddle out of class, overloaded with heavy bags full of painting supplies. Brushes, paint tubes, mediums, containers, paper towels, canvases…. It’s a lot to carry! And how many times have you gotten all the way to the studio …
Rodin’s hands feel more real: …If you’re wondering, yes I was the crazy lady of the day that became all verklempt over the Rodins. I’m told it’s a thing. Interested in hearing more thoughts like this? Take my figure drawing class, or the more sculptural Planes of the Face. I am also teaching drawing camps …
[image_with_animation image_url=”8351″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”] Antoni Tapies, a Catalan painter (1923-2012) added texture to modern abstraction with his mixed material canvasses. His works are defined by the word ‘materico.’ Tapies created new languages around simple objects and rough textures, “unlocking the poetry possible in a sock.” (Huffington Post) Materico: Italian, adopted into english. Textured, …
Children with jack-o-lanterns, a sketch by Katie Jo Keppinger, in Thursday’s class for drawing and painting. I love Keppinger’s marks, bold and sensitive like Kathe Kollwitz, moody as Edvard Monk. This drawing uses a variety of edges and plenty of dark values and contrast to produce the sensation of glow. Organic circles, strong angles, and …
CALL FOR ART: Online Anniversary Show
If you have taken or taught a class at the Seattle Artist League in the last year, you are invited to submit up to three artworks to our online show. We can’t promise we’ll show every piece, but we will show at least one artwork per person.
This show is about you as an artist, so you are welcome to submit any of your works that you would like to share. Your artwork submission does not have to be from a class, but it does need to have been made in the last year.
We are open to media, including but not limited to: drawings, paintings, prints, digital artworks, photography, sculpture, etc.
Submission Steps
1. PREREQUISITE. Have you taken an online class with us? Y/N
– If yes, then you’re in like Flynn.
– If no, then stop right here and take a class so you can join the next show!
2. PHOTOGRAPH. Take a quality photograph of your artwork. This means right side up, no tilt, sharp focus, corners square and cropped to the edge of the artwork, little-or-no glare, no shadows, brightly and evenly lit, no filters). I like to photograph my work outside on a cloudy morning. Need help? Watch this video and try again!
3. RESIZE. If you are tech savvy enough to digitally size your artwork, please size to 800 pixels wide (any height), and 72 resolution. See images below for example of Mac Preview resizing. If you have trouble doing this, don’t worry about it. We’ll take care of it for you!
4. NAME AND TITLE JPG. Save your image as a jpg with your full name and the artwork’s title as the file name. If you have trouble doing this, don’t worry about it. We’ll take care of it for you!
– For example, save your image as: BobRossHappyLittleTrees.jpg
5. SEND. Submit 1, 2, or 3 photographs of artwork via email. For each artwork submitted, please include:
Artwork title
mediums used
size (height x width x depth)
+ any additional text you’d like to include with your submission to:
artcall@seattleartistleague.com
DEADLINE. Send by March 27, 2021
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[image_with_animation image_url=”8323″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Photo from apartycrasher.biz/pages/baglady.html Every day I watch students waddle in, and waddle out of class, overloaded with heavy bags full of painting supplies. Brushes, paint tubes, mediums, containers, paper towels, canvases…. It’s a lot to carry! And how many times have you gotten all the way to the studio …
Rodin’s Hand
Rodin’s hands feel more real: …If you’re wondering, yes I was the crazy lady of the day that became all verklempt over the Rodins. I’m told it’s a thing. Interested in hearing more thoughts like this? Take my figure drawing class, or the more sculptural Planes of the Face. I am also teaching drawing camps …
Materico: unlocking the poetry possible in a sock
[image_with_animation image_url=”8351″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”] Antoni Tapies, a Catalan painter (1923-2012) added texture to modern abstraction with his mixed material canvasses. His works are defined by the word ‘materico.’ Tapies created new languages around simple objects and rough textures, “unlocking the poetry possible in a sock.” (Huffington Post) Materico: Italian, adopted into english. Textured, …
Effects of Light: Children with jack-o-lanterns
Children with jack-o-lanterns, a sketch by Katie Jo Keppinger, in Thursday’s class for drawing and painting. I love Keppinger’s marks, bold and sensitive like Kathe Kollwitz, moody as Edvard Monk. This drawing uses a variety of edges and plenty of dark values and contrast to produce the sensation of glow. Organic circles, strong angles, and …