Have you heard the podcast “Everything is Alive“? In each episode of this unscripted interview series, inanimate objects share their perspectives, and tell us their life story. Louis, a can of cola, talks about his start at the lower generic shelves of the grocery store, then to the back of the fridge, and how he wants to “go” when it’s his time. Tami and Ed, a sharpie and her cap, talk about hard trials within their intimate relationship, and about their work together. There’s a tooth, a wallet, a stethoscope, and many more objects, each with their own personality and point of view. It’s a surprisingly funny and charming series.
Today is Comics day, and your challenge is to draw a comic with inanimate objects only. Choose something around you. Something like a chair, a spoon, or a sock. Take on its perspective, and ask it what it would like to say about itself or its life.
I found this blog post by Chaz Hutton on How to Draw Comics When You Can’t Actually Draw. I love this post. Check it out. You might find it inspiring, as well as entertaining. Here’s a piece:
So, you can’t draw and you’re not funny, but you want to draw comics.
Well, great news: You don’t have to be able to draw, nor be particularly funny in order to draw comics. (…) Here’s the thing about art: Provided your drawings are all consistently the same level of coherency, then whatever you’re creating will become your style, which means all your drawings are amazing, provided they’re viewed within the context of your style.
Though Chaz doesn’t really call it out, Jeff the Blob uses repetition to build up on his funny. When you draw your inanimate’s story, not every frame has to be entirely original. Repeats, small changes, and space for silence (deep thinking) can have a positive impact.
Post it
Post your work to social media with the tags #30sal & #seattleartistleague. To find more followers for your page, you can cut/paste these tags and add them to your post:
This is the first of three posts about Scott McClellan, head of ceramics at the Seattle Artist League—his work, his approach, and the tone he sets in the studio. Scott McClellan’s vessels seem caught mid-motion. They settle into themselves without ever going still. His forms press downward—weighty, bodily. Surfaces remain raw and exposed, with nothing …
Max Ernst used texture rubbings to overcome his fear of the white canvas, and ignite his imagination. “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” Max Ernst, 1891-1976 The embedded video preview does not appear to be working, so please click …
Between 1914 and 1917, Matisse made a series of 69 monotypes, the only monotypes of his career. Matisse created his black-and-white monotypes by covering a copper plate with black ink and then lightly and swiftly scratching into the pigment with a tool, so that the linework emerged through the dark ink ground. To transfer the …
[image_with_animation image_url=”10600″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Sandro Botticelli, The Birth of Venus (c. 1484-86). Tempera on canvas, 67.9 in × 109.6 in We’ve all seen Botticelli’s Birth of Venus until we could just about throw up. But have you ever noticed the feet? I hadn’t noticed them until recently, now that I’m preparing to teach …
30SAL Challenge: Interview an Object
Have you heard the podcast “Everything is Alive“? In each episode of this unscripted interview series, inanimate objects share their perspectives, and tell us their life story. Louis, a can of cola, talks about his start at the lower generic shelves of the grocery store, then to the back of the fridge, and how he wants to “go” when it’s his time. Tami and Ed, a sharpie and her cap, talk about hard trials within their intimate relationship, and about their work together. There’s a tooth, a wallet, a stethoscope, and many more objects, each with their own personality and point of view. It’s a surprisingly funny and charming series.
Today is Comics day, and your challenge is to draw a comic with inanimate objects only. Choose something around you. Something like a chair, a spoon, or a sock. Take on its perspective, and ask it what it would like to say about itself or its life.
I found this blog post by Chaz Hutton on How to Draw Comics When You Can’t Actually Draw. I love this post. Check it out. You might find it inspiring, as well as entertaining. Here’s a piece:
So, you can’t draw and you’re not funny, but you want to draw comics.
Well, great news: You don’t have to be able to draw, nor be particularly funny in order to draw comics. (…) Here’s the thing about art: Provided your drawings are all consistently the same level of coherency, then whatever you’re creating will become your style, which means all your drawings are amazing, provided they’re viewed within the context of your style.
Source: Chaz Hutton on Medium.com
Though Chaz doesn’t really call it out, Jeff the Blob uses repetition to build up on his funny. When you draw your inanimate’s story, not every frame has to be entirely original. Repeats, small changes, and space for silence (deep thinking) can have a positive impact.
Post it
Post your work to social media with the tags #30sal & #seattleartistleague. To find more followers for your page, you can cut/paste these tags and add them to your post:
#30sal #seattleartistleague #drawingchallenge #drawing #art #illustration
#sketch #artchallenge #drawings #artist #draw #artistsoninstagram
#sketchbook #instaart #drawthisinyourstyle #artwork #drawingoftheday
#dailydrawing #inkdrawing #drawingsketch #artoftheday #myart
#pencildrawing #drawthisinyourstylechallenge #creativity
#creativechallenge #comic #instachaaz #everythingisalive
Padlet
Please post your work to Padlet.
PADLET JAN 11-16
https://seattleartistleague.padlet.org/SAL/fl2cnuio5g0ocsfp
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This is the first of three posts about Scott McClellan, head of ceramics at the Seattle Artist League—his work, his approach, and the tone he sets in the studio. Scott McClellan’s vessels seem caught mid-motion. They settle into themselves without ever going still. His forms press downward—weighty, bodily. Surfaces remain raw and exposed, with nothing …
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Max Ernst used texture rubbings to overcome his fear of the white canvas, and ignite his imagination. “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” Max Ernst, 1891-1976 The embedded video preview does not appear to be working, so please click …
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[image_with_animation image_url=”10600″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Sandro Botticelli, The Birth of Venus (c. 1484-86). Tempera on canvas, 67.9 in × 109.6 in We’ve all seen Botticelli’s Birth of Venus until we could just about throw up. But have you ever noticed the feet? I hadn’t noticed them until recently, now that I’m preparing to teach …