Today’s creative challenge idea comes from AJ Power, the League’s illustration and comics instructor. This project combines a scribble-and-respond drawing with an aspect of the panel exercise from Day 2. AJ calls it a “Monkey Wrench” project, because it gets you out of your habits, and gives you something unexpected to work with.
The primary challenge is to respond to the creative prompts in these posts, and see what happens. The alternative challenge is to make a comic based on the year 2020. You choose what you’re up for today.
Scribble Panels
STEP 1: Take a piece of paper (8.5×11″ or larger)
STEP 2: Scribble randomly across that piece of paper, all the way to the edges. Feel free to use any media: pen, pencil, watercolor, charcoal, crayon, finger smudges, ink smears, anything. Do this quickly, without thoughts or edits.
STEP 3: Fold the paper into randomly sized rectangles. As you fold, don’t open the paper back up all the way until you’re done folding. Let folds go over folds. 3-4 folds is good. Do this quickly, without thoughts or edits.
STEP 4: Open up the paper and look at the combination of panels and scribbles. Depending on how you folded your paper, you might have around a dozen rectangles of various dimensions, with some scribble marks in them.
STEP 5: Choose 3 panels to use as little composition starters, and cut them out. Recycle the rest. Take pictures of your panels.
STEP 6: Use these panels as composition starters, and respond to the marks within the rectangles. The three panels can be a sequence that fits together, or they can stand as three separate little works. Responses can be abstract or representational. Since today is “Comics” day, you could make your compositions into a story sequence. Media is artist’s choice.
André Masson., Battle of Fishes. 1926. Sand, gesso, oil, pencil, and charcoal on canvas, 14 1/4 x 28 3/4″
I liked the form of the model’s body within the fabric. The pose reminded me of classical sculptures, extraneous arms removed. This is one of the first prints I made with drypoint, for this series. I was surprised and thrilled to see what the lovely pattern on the flowered rug looked like after printing. Ink makes …
[image_with_animation image_url=”8109″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] What does wax do for an oil painting? In addition to the protective qualities of a top coat, wax unifies the surface of a painting. Each pigment has varying degrees of matte and shiny, and each brush stroke can have slightly more, or slightly less medium, resulting in a …
[image_with_animation image_url=”8949″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Been a while since I posted. Here’s a cheerful watercolor clusterlump of flowers painted by John Singer Sargent in 1905. My stars, look at that beautiful blue! Each flower perched atop a brushstroke. That can’t be transparent blue to be that bright on top of other colors. Maybe he …
[image_with_animation image_url=”7052″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] What’s the difference between a monotype and a monoprint? Although these two terms are used interchangeably, there is a big difference between one and the other. A monotype is a single printed image which does not have any form of matrix. A monoprint has some form of basic matrix. When making monotypes, …
30SAL Challenge: Scribble Panels
Today’s creative challenge idea comes from AJ Power, the League’s illustration and comics instructor. This project combines a scribble-and-respond drawing with an aspect of the panel exercise from Day 2. AJ calls it a “Monkey Wrench” project, because it gets you out of your habits, and gives you something unexpected to work with.
The primary challenge is to respond to the creative prompts in these posts, and see what happens. The alternative challenge is to make a comic based on the year 2020. You choose what you’re up for today.
Scribble Panels
STEP 1: Take a piece of paper (8.5×11″ or larger)
STEP 2: Scribble randomly across that piece of paper, all the way to the edges. Feel free to use any media: pen, pencil, watercolor, charcoal, crayon, finger smudges, ink smears, anything. Do this quickly, without thoughts or edits.
STEP 3: Fold the paper into randomly sized rectangles. As you fold, don’t open the paper back up all the way until you’re done folding. Let folds go over folds. 3-4 folds is good. Do this quickly, without thoughts or edits.
STEP 4: Open up the paper and look at the combination of panels and scribbles. Depending on how you folded your paper, you might have around a dozen rectangles of various dimensions, with some scribble marks in them.
STEP 5: Choose 3 panels to use as little composition starters, and cut them out. Recycle the rest. Take pictures of your panels.
STEP 6: Use these panels as composition starters, and respond to the marks within the rectangles. The three panels can be a sequence that fits together, or they can stand as three separate little works. Responses can be abstract or representational. Since today is “Comics” day, you could make your compositions into a story sequence. Media is artist’s choice.
Sand, gesso, oil, pencil, and charcoal on canvas, 14 1/4 x 28 3/4″
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