This is a “See and Respond” day in our 30 Day Challenge, and I’ve been waiting a month for this.
A month ago, John Oliver on Last Week Tonight shared some drawings from people just like you, imagining what the Pringles man looks like from the neck down. I would like to add to this cornucopia of delights.
Today, start with the head of Mr. Julius Pringles, and fill in the rest. Feel free to draw, print, paint, digitally design, collage, or costume and model.
The primary challenge is to respond to the creative prompts in these posts, and see what happens. The alternative challenge is to make a comic based on the year 2020. You choose what you’re up for today.
This article by Michael Agresta was published in the Texas Observer in 2016. The lynchings have brought it to us again. San Antonio painter Vincent Valdez unveils a monumental work on the persistence of white supremacy in America. A casual art viewer, wandering into the David Shelton Gallery in Houston from this month and encountering …
One way to use broken color is to create optical color mixing, which is to put colors side by side, instead of mixing them together. Viewed from a far-ish distance, the colors visually mix. Viewed a bit closer up, the difference in colors visually pop and vibrate, giving the sensation or the impression of light. Think …
The first annual Seattle Artist League Portrait Contest encourages artists to focus on and develop the theme of portraiture in their work. The competition is open to everyone aged sixteen and over, in recognition of the outstanding and innovative work in drawing, painting, printmaking, and mixed media. 1st Prize: $1,000 cash2nd Prize: $500 SAL Gift Certificate3rd Prize: $300.00 SAL …
Pierre Bonnard was an avid sketcher, filling countless sketchbooks and scraps of paper with drawings he would later peruse for painting inspiration when in his studio. From a previous V. Note: Bonnard did not paint from direct observation. He said he felt ‘weak in front of nature. …The presence of the object, the motif, is …
30SAL Challenge: Pringles
This is a “See and Respond” day in our 30 Day Challenge, and I’ve been waiting a month for this.
A month ago, John Oliver on Last Week Tonight shared some drawings from people just like you, imagining what the Pringles man looks like from the neck down. I would like to add to this cornucopia of delights.
Today, start with the head of Mr. Julius Pringles, and fill in the rest. Feel free to draw, print, paint, digitally design, collage, or costume and model.
The primary challenge is to respond to the creative prompts in these posts, and see what happens. The alternative challenge is to make a comic based on the year 2020. You choose what you’re up for today.
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The Big Picture
This article by Michael Agresta was published in the Texas Observer in 2016. The lynchings have brought it to us again. San Antonio painter Vincent Valdez unveils a monumental work on the persistence of white supremacy in America. A casual art viewer, wandering into the David Shelton Gallery in Houston from this month and encountering …
Broken Color
One way to use broken color is to create optical color mixing, which is to put colors side by side, instead of mixing them together. Viewed from a far-ish distance, the colors visually mix. Viewed a bit closer up, the difference in colors visually pop and vibrate, giving the sensation or the impression of light. Think …
Portrait Contest
The first annual Seattle Artist League Portrait Contest encourages artists to focus on and develop the theme of portraiture in their work. The competition is open to everyone aged sixteen and over, in recognition of the outstanding and innovative work in drawing, painting, printmaking, and mixed media. 1st Prize: $1,000 cash2nd Prize: $500 SAL Gift Certificate3rd Prize: $300.00 SAL …
Bonnard’s Landscape Sketches
Pierre Bonnard was an avid sketcher, filling countless sketchbooks and scraps of paper with drawings he would later peruse for painting inspiration when in his studio. From a previous V. Note: Bonnard did not paint from direct observation. He said he felt ‘weak in front of nature. …The presence of the object, the motif, is …