I asked Fran O’Neill from the New York Studio School to talk about her upcoming workshop “To Transcribe” and the benefits of transcribing masterworks. She offered a beautiful and inspiring response.
Fran O’Neill’s 2 day workshop “To Transcribe” is coming to the Seattle Artist League October 24, 2020. Click here to learn more.
Masterwork studies by Fran O’Neill
“To Transcribe” with Fran O’Neill Online October 24/25, 12:00 – 6:00pm PST Click here to learn more
As a painter, trying my hand at printmaking was a little frustrating. Ink on paper is gorgeous even when I make mistakes, but there was something about every print that drove me nuts. So what is it that’s so frustrating about printmaking? I was talking to Nikki about this. She had a good idea: traditional …
Sometimes I work on a painting for hours, only to look down and realize my palette is the most beautiful thing in the room. Artist’s Paint Palettes by Matthias Schaller Article and photo source: Kate Sierzputowski Palette of Marc Chagall Since 2007 photographer Matthias Schaller has photographed raw, abstract paintings. The paintings however are not found on …
Hatching (making parallel marks) and crosshatching (making parallel marks overlapped with parallel marks) are some of the most valuable tools for adding value, contour, movement, energy, and texture to a drawing. For materials, a sharp pencil or pen on smooth paper works great. Old fashioned pen and ink is made for this. If you’re new …
1907-1997 Look how the grain of the wood became the courtyard gravel. I love when rather than making a material pretend to be something different, a material is a material, and just a little bit more. I have been looking at Kiyoshi’s woodblock prints. He was most famous for his “Winter in Aizu” series. Sorry …
Fran O’Neill on Transcribing Masterworks
I asked Fran O’Neill from the New York Studio School to talk about her upcoming workshop “To Transcribe” and the benefits of transcribing masterworks. She offered a beautiful and inspiring response.
Fran O’Neill’s 2 day workshop “To Transcribe” is coming to the Seattle Artist League October 24, 2020. Click here to learn more.
“To Transcribe” with Fran O’Neill
Online October 24/25, 12:00 – 6:00pm PST
Click here to learn more
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As a painter, trying my hand at printmaking was a little frustrating. Ink on paper is gorgeous even when I make mistakes, but there was something about every print that drove me nuts. So what is it that’s so frustrating about printmaking? I was talking to Nikki about this. She had a good idea: traditional …
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Sometimes I work on a painting for hours, only to look down and realize my palette is the most beautiful thing in the room. Artist’s Paint Palettes by Matthias Schaller Article and photo source: Kate Sierzputowski Palette of Marc Chagall Since 2007 photographer Matthias Schaller has photographed raw, abstract paintings. The paintings however are not found on …
Day 16: Crosshatch #30SAL
Hatching (making parallel marks) and crosshatching (making parallel marks overlapped with parallel marks) are some of the most valuable tools for adding value, contour, movement, energy, and texture to a drawing. For materials, a sharp pencil or pen on smooth paper works great. Old fashioned pen and ink is made for this. If you’re new …
Saitō Kiyoshi
1907-1997 Look how the grain of the wood became the courtyard gravel. I love when rather than making a material pretend to be something different, a material is a material, and just a little bit more. I have been looking at Kiyoshi’s woodblock prints. He was most famous for his “Winter in Aizu” series. Sorry …