“This has to stop. This has gone on for hundreds of years and it has to stop,” Pastor Kenneth Isabell said in his opening prayer at the third anniversary of Charleena Lyles’ murder June 19, 2020. Three years ago, Seattle police Officers Steven McNew and Jason Anderson shot Lyles seven times after she called 911 on a Sunday morning to report a burglary at her apartment. Charleena Lyles lived just a few short miles from the League’s studios. Her murder still has not been investigated.
This summer, amidst Black Lives Matter protests, the League’s printmaking instructor Nikki Barber installed a mural honoring Charleena Lyles on the North side of our studio. The mural was in support of the Black Lives protests and was scheduled to be replaced with another transitional mural September 1, 2020.
Recent news about more police shootings of Black people have us outraged and in grief. In response, the League’s building owner has extended the mural until the end of the year.
We are more committed than ever in our efforts to build greater equity, diversity, and inclusion in the arts. As we work to support each student’s creative potential, we also value each life and every creative act, as it enriches us all.
WTF The quote from Gerhard Richter about looking for boring and irrelevant photo materials is from the upcoming lecture on Portraiture After Photography – part of our ongoing WTF Art History Lecture series with Suzanne Walker (BA, MA, PhD, BFD). These lectures are one of a kind, and not recorded. Don’t miss Suzanne Walker’s latest spitfire! …
Demos Master sumi-e painter Angie Dixon demonstrates the bamboo joint, bone, and leaf brush strokes. Dixon says a great sumi-e painting combines a variety of wet and dry, light and dark, thick and thin brush strokes. She says you can’t fix a brush stroke, but you can enhance it. Beginning Sumi-e Student Work [gallery …
Drypoint, the art of scratching a shiny surface with a pointy thing, seemed to me to be an easy form of printmaking because I can draw with said pointy thing, and I don’t need to use any chemicals or excessive equipment. Honestly, though I thought I should give it a try, I really thought …
Before all those orange artworks, I was posting about Figure in Interior; the most unusual art class I’ve ever been a part of. I talked about Cezanne, and how making small marks distributed around the page (thank you to Fran O’Neill) can be a way to integrate time and change within a drawing. My premise …
Black Lives Matter mural extended through 2020
“This has to stop. This has gone on for hundreds of years and it has to stop,” Pastor Kenneth Isabell said in his opening prayer at the third anniversary of Charleena Lyles’ murder June 19, 2020. Three years ago, Seattle police Officers Steven McNew and Jason Anderson shot Lyles seven times after she called 911 on a Sunday morning to report a burglary at her apartment. Charleena Lyles lived just a few short miles from the League’s studios. Her murder still has not been investigated.
This summer, amidst Black Lives Matter protests, the League’s printmaking instructor Nikki Barber installed a mural honoring Charleena Lyles on the North side of our studio. The mural was in support of the Black Lives protests and was scheduled to be replaced with another transitional mural September 1, 2020.
Recent news about more police shootings of Black people have us outraged and in grief. In response, the League’s building owner has extended the mural until the end of the year.
We are more committed than ever in our efforts to build greater equity, diversity, and inclusion in the arts. As we work to support each student’s creative potential, we also value each life and every creative act, as it enriches us all.
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WTF The quote from Gerhard Richter about looking for boring and irrelevant photo materials is from the upcoming lecture on Portraiture After Photography – part of our ongoing WTF Art History Lecture series with Suzanne Walker (BA, MA, PhD, BFD). These lectures are one of a kind, and not recorded. Don’t miss Suzanne Walker’s latest spitfire! …
Beginning Sumi-e Painting Workshop with Angie Dixon
Demos Master sumi-e painter Angie Dixon demonstrates the bamboo joint, bone, and leaf brush strokes. Dixon says a great sumi-e painting combines a variety of wet and dry, light and dark, thick and thin brush strokes. She says you can’t fix a brush stroke, but you can enhance it. Beginning Sumi-e Student Work [gallery …
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Drypoint, the art of scratching a shiny surface with a pointy thing, seemed to me to be an easy form of printmaking because I can draw with said pointy thing, and I don’t need to use any chemicals or excessive equipment. Honestly, though I thought I should give it a try, I really thought …
The Most Unusual Art Class; Lauren Kent
Before all those orange artworks, I was posting about Figure in Interior; the most unusual art class I’ve ever been a part of. I talked about Cezanne, and how making small marks distributed around the page (thank you to Fran O’Neill) can be a way to integrate time and change within a drawing. My premise …