Our printmaking instructor Nikki Barber has been printing posters in her basement for protest rallies and marches. “I feel responsible to stand up for my friends who are Black and my friends who are Brown, since I white-pass so easily, but am not white.”
Nikki Barber, printmaking press
Nikki has been active in the social, political, and art in Seattle for years. She helped write this statement for racial justice with the Seattle Print Arts board. Any time there is a need for social justice or reform, Nikki thinks about this quote by 20th century American journalist A. J. Why: “Freedom of the press is guaranteed only to those who own one.” (New Yorker, May 14, 1960, p. 109, paywall)
Nikki Barber, edition of posters
Nikki also named José Guadalupe Posada for his influence in shaping print arts for the people, by the people [There will be a V. Note about Posada tomorrow]. When asked about applying her print arts as activism for the people, Nikki said “I believe printmakers have an obligation to deliver information and agency to the people – especially to those who cannot access or give it to themselves.”
“Intersectionality is often overlooked when talking about racial and social justice. It should not be.” Nikki continued, “Black lives matter. Black trans lives and Black women’s lives fit into this as well. Women often get spoken over, looked over, or forgotten about, so I chose Breonna Taylor and Charleena Lyles to highlight their murders that happened before George Floyd’s. Breonna Taylor was 26 when she was murdered. Charleena Lyles was pregnant when she was shot in North Seattle two years ago.”
“I believe printmakers have an obligation to deliver information and agency to the people – especially to those who cannot access or give it to themselves.” – Nikki Barber, League Printmaking Instructor
This is a post about a new member of the Seattle Artist League: Mary Shea. I’m proud to say she’s set up to teach drawing with us this quarter. I wanted to share some of her work that so excited me. I met Mary Shea in one of our online art class during the pandemic. …
Over 4,000 30SAL Artworks posted to Padlet and Instagram In January, artists all over the globe sketched, inked, sculpted, collaged, and animated their way through our 30 Day Creative Challenge. Challenges exercised a wide array of artistic skills, including observation, composition, sequence, see & respond, vocabulary, and transcriptions. If you think “Uh… January was a …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3[vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/2″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid Beret 400 years, and still fashionable. Maybe some day I will be a real artist, and I will wear a French beret. How it’s made History of the French Beret (below) – maybe not so French, says Noah? [/vc_column][vc_column …
I’ve been talking about the the idea that shapes in a composition can be activated to hold each other in place. In this way, there is no background and no object, there is only the interaction of shapes on the surface of the canvas. Everything in the picture holds everything else in place. Intervals I’d …
Print Arts and Activism
Portrait of Charleena Lyles
#saymyname
Our printmaking instructor Nikki Barber has been printing posters in her basement for protest rallies and marches. “I feel responsible to stand up for my friends who are Black and my friends who are Brown, since I white-pass so easily, but am not white.”
Nikki has been active in the social, political, and art in Seattle for years. She helped write this statement for racial justice with the Seattle Print Arts board. Any time there is a need for social justice or reform, Nikki thinks about this quote by 20th century American journalist A. J. Why: “Freedom of the press is guaranteed only to those who own one.” (New Yorker, May 14, 1960, p. 109, paywall)
Nikki also named José Guadalupe Posada for his influence in shaping print arts for the people, by the people [There will be a V. Note about Posada tomorrow]. When asked about applying her print arts as activism for the people, Nikki said “I believe printmakers have an obligation to deliver information and agency to the people – especially to those who cannot access or give it to themselves.”
Say My Name
Portrait of Breonna Taylor
Portrait of Charleena Lyles
“Intersectionality is often overlooked when talking about racial and social justice. It should not be.” Nikki continued, “Black lives matter. Black trans lives and Black women’s lives fit into this as well. Women often get spoken over, looked over, or forgotten about, so I chose Breonna Taylor and Charleena Lyles to highlight their murders that happened before George Floyd’s. Breonna Taylor was 26 when she was murdered. Charleena Lyles was pregnant when she was shot in North Seattle two years ago.”
“I believe printmakers have an obligation to deliver information and agency to the people – especially to those who cannot access or give it to themselves.” – Nikki Barber, League Printmaking Instructor
Hey you.
Printmaking class starts June 16.
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