Zoom has me staring at my face all day. I try not to look, but there I am. Somewhere in the settings I clicked the mirror image option, so now what I see is different from the view I have seen all my life. My face is backwards. It’s disconcerting. Looking at myself this way, I see things about my face I’ve never noticed before, like how crooked my nose is, and how one tooth isn’t in line with the rest. No wonder I didn’t see it before, because one eye is always half closed – that must be my artist eye, squinting to see values. Or maybe I’m just tired.
Lucian Freud, Self Portrait
Alice Neel learned from her teacher that everyone has a dominant eye. She took the idea and ran with it. She painted her subjects with one dominant hand, one weak one. I was remarking about this in a class, laughing at how odd it is that we have two identical hands but only one works. A student who also teaches dance said everyone’s body is asymmetrical for balance and strength. One side is better at strength, the other at balance and dexterity. It was about that moment that I imagined us all as crabs. I realized it wasn’t an accident that our “non-dominant” hands aren’t as dexterous as our “dominant” hands, they’re just built to have different skills. I am sorry I have not (knowingly) been exercising mine to achieve its full potential.
Alice Neel, Portrait showing one weak and one dominant hand
A typical portraits class has us all measuring ideal proportions. The head is five eye lengths wide. The eyes are halfway down the head. The corners of the mouth are directly below each iris. Knowing the proportions of the face help us avoid making the typical mistakes of shortening the forehead and widening the eyes, but they don’t really help us express the personality in a face. Our faces aren’t symmetrical. Even if they were, we only see one piece at a time. Why do we try to pretend we don’t? In Expressive Portraits class, I had everyone focus on asymmetry for an evening of sketches.
David Hockney, Portrait of Mother III, 1985
We looked at portraits by Alice Neel, Lucian Freud, and David Hockney for inspiration, and then we began a series of sketches. At first it was difficult for me to not fix things, not to remeasure and align. It took effort to assert and emphasize the differences, but every time we did it made a more interesting drawing, and more fun all round.
Drawings by Shima Bhamra, Liz Hejlsberg, Katie Jo Keppinger, Anne Walker, Alex Walker, and Ruthie V.
Portraits from Sktchy app, featuring faces posted by Lorraine Weberg, Aeb Art, and Cody Kay. Special guest star: Stephen Fry.
[image_with_animation image_url=”10166″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Max Ernst “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” – Max Ernst Max Ernst used texture rubbings to overcome his fear of the white canvas, igniting his imagination. He often put paper to the worn …
Five Things You Might Not Know About Egon Schiele Egon Schiele, Standing Nude with Stockings, 1914 In his twenty-eight years on earth, Egon Schiele produced some of the most radical depictions of the human figure in modern times. Through his highly expressive, utterly uncompromising portraiture, he shoved away the parameters of self-expression, procreation, sexuality, eroticism and mortality …
I’ve made you wait long enough. One artist’s posts knocked my fluffy socks off this month. This artist showed an impressive amount of dedication and creative talent. Big League Membership The big prize for the 30SAL Challenge is Big League: a $150 Big League Membership to the League. Big League Memberships come with some big …
Tuesdays are memory/imagination day in our 30 day creative challenge. Drawing from memory can be a great way to keep your brain active and build up observational skills. Strictly speaking, if you’re drawing from observation, as soon as you look away from the subject and down at your paper, you’re drawing from memory. This exercise …
Asymmetrical Faces
Zoom has me staring at my face all day. I try not to look, but there I am. Somewhere in the settings I clicked the mirror image option, so now what I see is different from the view I have seen all my life. My face is backwards. It’s disconcerting. Looking at myself this way, I see things about my face I’ve never noticed before, like how crooked my nose is, and how one tooth isn’t in line with the rest. No wonder I didn’t see it before, because one eye is always half closed – that must be my artist eye, squinting to see values. Or maybe I’m just tired.
Alice Neel learned from her teacher that everyone has a dominant eye. She took the idea and ran with it. She painted her subjects with one dominant hand, one weak one. I was remarking about this in a class, laughing at how odd it is that we have two identical hands but only one works. A student who also teaches dance said everyone’s body is asymmetrical for balance and strength. One side is better at strength, the other at balance and dexterity. It was about that moment that I imagined us all as crabs. I realized it wasn’t an accident that our “non-dominant” hands aren’t as dexterous as our “dominant” hands, they’re just built to have different skills. I am sorry I have not (knowingly) been exercising mine to achieve its full potential.
A typical portraits class has us all measuring ideal proportions. The head is five eye lengths wide. The eyes are halfway down the head. The corners of the mouth are directly below each iris. Knowing the proportions of the face help us avoid making the typical mistakes of shortening the forehead and widening the eyes, but they don’t really help us express the personality in a face. Our faces aren’t symmetrical. Even if they were, we only see one piece at a time. Why do we try to pretend we don’t? In Expressive Portraits class, I had everyone focus on asymmetry for an evening of sketches.
We looked at portraits by Alice Neel, Lucian Freud, and David Hockney for inspiration, and then we began a series of sketches. At first it was difficult for me to not fix things, not to remeasure and align. It took effort to assert and emphasize the differences, but every time we did it made a more interesting drawing, and more fun all round.
Drawings by Shima Bhamra, Liz Hejlsberg, Katie Jo Keppinger, Anne Walker, Alex Walker, and Ruthie V.
Portraits from Sktchy app, featuring faces posted by Lorraine Weberg, Aeb Art, and Cody Kay. Special guest star: Stephen Fry.
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Five Things You Might Not Know About Egon Schiele Egon Schiele, Standing Nude with Stockings, 1914 In his twenty-eight years on earth, Egon Schiele produced some of the most radical depictions of the human figure in modern times. Through his highly expressive, utterly uncompromising portraiture, he shoved away the parameters of self-expression, procreation, sexuality, eroticism and mortality …
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Tuesdays are memory/imagination day in our 30 day creative challenge. Drawing from memory can be a great way to keep your brain active and build up observational skills. Strictly speaking, if you’re drawing from observation, as soon as you look away from the subject and down at your paper, you’re drawing from memory. This exercise …