I’ve been teaching an expressive portraits class on Friday nights. In the first few classes we talked about common pitfalls including the blueberry pancake effect of features floating in the middle of a round face shape. We practiced how to measure proportions quickly, how to see the three dimensional aspects of a face, what makes a good reference photograph (or real life pose), and how to navigate your way through a difficult angle, such as the person looking up. After all that, I figured it was time to let loose a little. I had everyone grab some wet media and something to scribble with. I didn’t have any ink, so I made some with coffee and a bit of leftover clothing dye. My drawing tools for the evening were a chopstick and a paper towel. Other students used household tools like a mascara brush, garden sticks, and bamboo skewers. Hooray for adaptability! We all made a pile of portraits, and enjoyed a very fun evening while our portraits just got better and better.
For the expressive portion of our Expressive Portraits class, we drew some funny and seriously moody old fogies, including Marlon Brando and my puppy – the funniest character challenge of them all, and a playful way to end an evening.
Artworks by Mimi Torchia Boothby, Shima Bhamra, Sophie Frieda, Liz Hejlsberg, Katie Jo Keppinger, Kim Jackson, and Anne Walker.
We’ve opened this class up to newcomers! If you have some experience drawing, you are welcome to jump in for a 2 or 4 week slice of this ongoing portraits session. It will be great to see you!
I posted recently about how originality is not really what we’re built for. You can read that post here. After saying how natural copying is, I thought I should follow up with some conversations about copyright issues. Typically these conversations go straight to talking about the legal system. I personally find the artistic, personal, and moral …
While we reach for the hand sanitizer and hold our breaths, our Thursday drawing/painting class has been thinking about a different kind of Corona. We’ve been studying the effects of light, especially glow. I was interested in exploring why some images seem to glow. Take the image above as an example. Why, if an all-white …
[image_with_animation image_url=”10166″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Max Ernst “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” – Max Ernst Max Ernst used texture rubbings to overcome his fear of the white canvas, igniting his imagination. He often put paper to the worn …
[image_with_animation image_url=”11306″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]” img_link=”https://drawinglics.com/photos/8771703/mille-fiori-favoriti-an-autumn-drive-over-kenosha-pass-to-buy-a-bear-an-autumn-drive-over-kenosha-pass-to-buy-a-bear.py Most of the information in this post is straight out of a podcast called Lexicon Valley, with John H. McWhorter. McWhorter is a linguistics professor at Columbia University, and Lexicon Valley is one of my favorite podcasts. I was listening to a recent post about color, in particular the …
Marlon Brando, some grumpy old fogies, and my puppy
I’ve been teaching an expressive portraits class on Friday nights. In the first few classes we talked about common pitfalls including the blueberry pancake effect of features floating in the middle of a round face shape. We practiced how to measure proportions quickly, how to see the three dimensional aspects of a face, what makes a good reference photograph (or real life pose), and how to navigate your way through a difficult angle, such as the person looking up. After all that, I figured it was time to let loose a little. I had everyone grab some wet media and something to scribble with. I didn’t have any ink, so I made some with coffee and a bit of leftover clothing dye. My drawing tools for the evening were a chopstick and a paper towel. Other students used household tools like a mascara brush, garden sticks, and bamboo skewers. Hooray for adaptability! We all made a pile of portraits, and enjoyed a very fun evening while our portraits just got better and better.
For the expressive portion of our Expressive Portraits class, we drew some funny and seriously moody old fogies, including Marlon Brando and my puppy – the funniest character challenge of them all, and a playful way to end an evening.
Artworks by Mimi Torchia Boothby, Shima Bhamra, Sophie Frieda, Liz Hejlsberg, Katie Jo Keppinger, Kim Jackson, and Anne Walker.
We’ve opened this class up to newcomers! If you have some experience drawing, you are welcome to jump in for a 2 or 4 week slice of this ongoing portraits session. It will be great to see you!
Expressive Portraits
Fridays 6:00-10:00pm PST
Join us!
There’s also a digital portraits class starting on Saturday mornings. Check it out!
Portrait Painting with Procreate
4 Saturdays 10:00-1:00pm PST
Starts this Saturday!
And now… puppies!
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Painting from Photographs: Copyright Considerations
I posted recently about how originality is not really what we’re built for. You can read that post here. After saying how natural copying is, I thought I should follow up with some conversations about copyright issues. Typically these conversations go straight to talking about the legal system. I personally find the artistic, personal, and moral …
Effects of Light (Part 1)
While we reach for the hand sanitizer and hold our breaths, our Thursday drawing/painting class has been thinking about a different kind of Corona. We’ve been studying the effects of light, especially glow. I was interested in exploring why some images seem to glow. Take the image above as an example. Why, if an all-white …
SAL Challenge: Frottage
[image_with_animation image_url=”10166″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Max Ernst “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” – Max Ernst Max Ernst used texture rubbings to overcome his fear of the white canvas, igniting his imagination. He often put paper to the worn …
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[image_with_animation image_url=”11306″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]” img_link=”https://drawinglics.com/photos/8771703/mille-fiori-favoriti-an-autumn-drive-over-kenosha-pass-to-buy-a-bear-an-autumn-drive-over-kenosha-pass-to-buy-a-bear.py Most of the information in this post is straight out of a podcast called Lexicon Valley, with John H. McWhorter. McWhorter is a linguistics professor at Columbia University, and Lexicon Valley is one of my favorite podcasts. I was listening to a recent post about color, in particular the …