I’ve been teaching an expressive portraits class on Friday nights. In the first few classes we talked about common pitfalls including the blueberry pancake effect of features floating in the middle of a round face shape. We practiced how to measure proportions quickly, how to see the three dimensional aspects of a face, what makes a good reference photograph (or real life pose), and how to navigate your way through a difficult angle, such as the person looking up. After all that, I figured it was time to let loose a little. I had everyone grab some wet media and something to scribble with. I didn’t have any ink, so I made some with coffee and a bit of leftover clothing dye. My drawing tools for the evening were a chopstick and a paper towel. Other students used household tools like a mascara brush, garden sticks, and bamboo skewers. Hooray for adaptability! We all made a pile of portraits, and enjoyed a very fun evening while our portraits just got better and better.
For the expressive portion of our Expressive Portraits class, we drew some funny and seriously moody old fogies, including Marlon Brando and my puppy – the funniest character challenge of them all, and a playful way to end an evening.
Artworks by Mimi Torchia Boothby, Shima Bhamra, Sophie Frieda, Liz Hejlsberg, Katie Jo Keppinger, Kim Jackson, and Anne Walker.
We’ve opened this class up to newcomers! If you have some experience drawing, you are welcome to jump in for a 2 or 4 week slice of this ongoing portraits session. It will be great to see you!
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists, prominent in Europe from its formation in 1957 to its dissolution in 1972. (Wikipedia) At their worst, the Situationists could be said to have removed the requirement of specific skill and techniques from art, resulting …
The surrealist movement was, in part, a reaction to fascism. As a student I assumed some of the surrealist art was motivated by political protest, a refusal to make sense or be pretty. Looking around today at a world I thought I understood, but now seems misshapen and horrifying, I think I understand why the …
Take a class with SAL – anywhere! Ever wonder what the name for the cleft between your nose and mouth is called? Did you know there’s a name for where your mouth turns from lip color to skin color? Here are some slang and scientific names for a few of the bits on your phiz. …
Peter Laurent de Francia 1921 – 19 2012) was an Italian British artist. Influenced by nineteenth-century socialist painters such as Gustave Courbet and Honoré Daumier, as well as by socially committed artists of his time such as Renato Guttuso and Pablo Picasso, de Francia created artworks with a drive for social change. Peter de Francia wrote about the work of artist Fernand …
Marlon Brando, some grumpy old fogies, and my puppy
I’ve been teaching an expressive portraits class on Friday nights. In the first few classes we talked about common pitfalls including the blueberry pancake effect of features floating in the middle of a round face shape. We practiced how to measure proportions quickly, how to see the three dimensional aspects of a face, what makes a good reference photograph (or real life pose), and how to navigate your way through a difficult angle, such as the person looking up. After all that, I figured it was time to let loose a little. I had everyone grab some wet media and something to scribble with. I didn’t have any ink, so I made some with coffee and a bit of leftover clothing dye. My drawing tools for the evening were a chopstick and a paper towel. Other students used household tools like a mascara brush, garden sticks, and bamboo skewers. Hooray for adaptability! We all made a pile of portraits, and enjoyed a very fun evening while our portraits just got better and better.
For the expressive portion of our Expressive Portraits class, we drew some funny and seriously moody old fogies, including Marlon Brando and my puppy – the funniest character challenge of them all, and a playful way to end an evening.
Artworks by Mimi Torchia Boothby, Shima Bhamra, Sophie Frieda, Liz Hejlsberg, Katie Jo Keppinger, Kim Jackson, and Anne Walker.
We’ve opened this class up to newcomers! If you have some experience drawing, you are welcome to jump in for a 2 or 4 week slice of this ongoing portraits session. It will be great to see you!
Expressive Portraits
Fridays 6:00-10:00pm PST
Join us!
There’s also a digital portraits class starting on Saturday mornings. Check it out!
Portrait Painting with Procreate
4 Saturdays 10:00-1:00pm PST
Starts this Saturday!
And now… puppies!
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Situationist International
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists, prominent in Europe from its formation in 1957 to its dissolution in 1972. (Wikipedia) At their worst, the Situationists could be said to have removed the requirement of specific skill and techniques from art, resulting …
Surrealism and Fascism
The surrealist movement was, in part, a reaction to fascism. As a student I assumed some of the surrealist art was motivated by political protest, a refusal to make sense or be pretty. Looking around today at a world I thought I understood, but now seems misshapen and horrifying, I think I understand why the …
What’s the groove below your nose called?
Take a class with SAL – anywhere! Ever wonder what the name for the cleft between your nose and mouth is called? Did you know there’s a name for where your mouth turns from lip color to skin color? Here are some slang and scientific names for a few of the bits on your phiz. …
Peter de Francia
Peter Laurent de Francia 1921 – 19 2012) was an Italian British artist. Influenced by nineteenth-century socialist painters such as Gustave Courbet and Honoré Daumier, as well as by socially committed artists of his time such as Renato Guttuso and Pablo Picasso, de Francia created artworks with a drive for social change. Peter de Francia wrote about the work of artist Fernand …