Lately I’ve been noticing how many good paintings and drawings use repeating shapes within them, a motif. This motif seems to carry us through the composition, and give harmony and order to the shapes. I recently stumbled across this original drawing by Diego Rivera, posted on Facebook by Paul Hemminger of Bellingham Frameworks. It’s full of repeating angles and shapes. You can see the repetitions in the colored lines I added here:
I’ve emphasized in orange the curve of the worker’s backs, the hats, the hands. The angle of the legs, the tool, the arms, and again the land, all arching at well placed and graceful intervals are grouped, emphasized here in red, green, and blue. Along the orange arches, the green lines fan out a bit, while the red lines stay exactly parallel. The counterbalancing opposite angle in the upper right keeps us in, and loosely mirrors the lines below the left figure. So many repetitions! Lovely piece.
Next time you see a work by a skilled artist, take a look and see how many repetitions you can find within the composition.
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]Aurore de la Morinerie began as a fashion designer in Paris. She then spent two years studying chinese calligraphy, and traveled in Japan, India, China, and Egypt. She says that through calligraphy she learned concentration, strength and rapidity of execution. She now illustrates for clients like …
Whatever you have is fine. Really. You don’t need to feel bad or unprepared if you don’t have a #6 brush. You don’t need it. What you need is around you, at your feet. You need that scrap of paper from the bin, the broken plate, the corner of your dirty shirt, and some beet …
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[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”8555″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text]Yesterday I talked about Joseph Cornell, and how he didn’t consider himself an artist, but felt he was a collector, and a maker of things. I like to think sometimes I make things. Contrary …
Motif & Repetitions in a Diego Rivera
Lately I’ve been noticing how many good paintings and drawings use repeating shapes within them, a motif. This motif seems to carry us through the composition, and give harmony and order to the shapes. I recently stumbled across this original drawing by Diego Rivera, posted on Facebook by Paul Hemminger of Bellingham Frameworks. It’s full of repeating angles and shapes. You can see the repetitions in the colored lines I added here:
I’ve emphasized in orange the curve of the worker’s backs, the hats, the hands. The angle of the legs, the tool, the arms, and again the land, all arching at well placed and graceful intervals are grouped, emphasized here in red, green, and blue. Along the orange arches, the green lines fan out a bit, while the red lines stay exactly parallel. The counterbalancing opposite angle in the upper right keeps us in, and loosely mirrors the lines below the left figure. So many repetitions! Lovely piece.
Next time you see a work by a skilled artist, take a look and see how many repetitions you can find within the composition.
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