Last Saturday was our Draw like Diebenkorn class. Since Diebenkorn himself was unable to join us (technical issues with zoom), I stepped in to facilitate with slide shows and observations about how Diebenkorn uses form and line to lead us around the composition. I set up still lives that were Diebenkorn inspired, and we had a fantastic live model who researched Diebenkorn’s style and turned her living room into a Diebenkorn-esque scene. Fantastic! It was a great day of drawing. Below are some of my favorite moments.
Drawings inspired by Diebenkorn
Anne Walker, portrait of a student
Kate Flores, portrait of a student
We started our warm up by drawing other students in the zoom windows, then studied the wrinkles in our own hands. In setting up the still lives, I made sure to have the lines of each object lead to another object, making pathways in and around the composition. We pretended our drawing tools were ants on their way to get to another edge of the paper.
Anne Walker
We had a fantastic live (online) model who rearranged her living room, assembled the perfect outfit, and set up poses to perfectly reproduce the Diebenkorn angles. She was fantastic!
Choice of outfits!
our fabulous model Kristie
Terry Smith
Ellen BrownElizabeth Mitchell
Thank you for a great day of drawing everyone!
Artists: Cynthia Hartwig, Anne Walker, Elizabeth Mitchell, Alex Walker, Ellen Brown, Stephan Enriquez, Ene Lewis, Terry Smith, Margaret Glesman, Jenna Ashley, Kate Flores, Nora Masters
This post highlights work from the Draw like Diebenkorn workshop. If you would like to try something like this only different, the Paint like Diebenkorn workshop is coming up May 9th and 16th! Beginners welcome, providing you have some experience with your chosen media (charcoal on paper, or paint on canvas). You don’t need much for fancy materials, just some scraps of paper or canvas, a bit of white paint and some charcoal will be plenty. We can do a lot with that! Click here to learn more.
When you think about linear perspective, do you think about this? Search the internet for perspective, and that’s pretty much what you’ll see. Billions of lessons illustrating the importance of one point, two point, and three point perspective. Lessons state that this is something every artist needs to learn in order to correctly render the …
I’ve posted so many thoughts and artists since our visit from Carlos San Millan that you would be reasonable to think I was about finished. This may be difficult to believe, but I still have more to post. Way, way more to post. Many of you who were in the workshops said that you felt …
[image_with_animation image_url=”8958″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Alex Walker, an Especially Enjoyable student in my Intermediate Studio class, decided to work on making his brushwork more direct and decisive by doing a study of John Singer Sargent’s portrait of Henry James. Since his pilgrimage to see it in London brought the sad news that the painting …
[image_with_animation image_url=”6592″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] October Creative Challenge The last 30 day creative challenge was so delightful, I thought it might be time to do another. Today I launch the October Creative Challenge! WANNA DRAW? You can challenge yourself to do all 30 challenges, 5 a week, or whatever floats your boat. I know …
Drawings Inspired by Diebenkorn; Images from the Workshop
Last Saturday was our Draw like Diebenkorn class. Since Diebenkorn himself was unable to join us (technical issues with zoom), I stepped in to facilitate with slide shows and observations about how Diebenkorn uses form and line to lead us around the composition. I set up still lives that were Diebenkorn inspired, and we had a fantastic live model who researched Diebenkorn’s style and turned her living room into a Diebenkorn-esque scene. Fantastic! It was a great day of drawing. Below are some of my favorite moments.
Drawings inspired by Diebenkorn
We started our warm up by drawing other students in the zoom windows, then studied the wrinkles in our own hands. In setting up the still lives, I made sure to have the lines of each object lead to another object, making pathways in and around the composition. We pretended our drawing tools were ants on their way to get to another edge of the paper.
We had a fantastic live (online) model who rearranged her living room, assembled the perfect outfit, and set up poses to perfectly reproduce the Diebenkorn angles. She was fantastic!
Thank you for a great day of drawing everyone!
Artists: Cynthia Hartwig, Anne Walker, Elizabeth Mitchell, Alex Walker, Ellen Brown, Stephan Enriquez, Ene Lewis, Terry Smith, Margaret Glesman, Jenna Ashley, Kate Flores, Nora Masters
This post highlights work from the Draw like Diebenkorn workshop. If you would like to try something like this only different, the Paint like Diebenkorn workshop is coming up May 9th and 16th! Beginners welcome, providing you have some experience with your chosen media (charcoal on paper, or paint on canvas). You don’t need much for fancy materials, just some scraps of paper or canvas, a bit of white paint and some charcoal will be plenty. We can do a lot with that! Click here to learn more.
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Multiple Perspectives
When you think about linear perspective, do you think about this? Search the internet for perspective, and that’s pretty much what you’ll see. Billions of lessons illustrating the importance of one point, two point, and three point perspective. Lessons state that this is something every artist needs to learn in order to correctly render the …
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I’ve posted so many thoughts and artists since our visit from Carlos San Millan that you would be reasonable to think I was about finished. This may be difficult to believe, but I still have more to post. Way, way more to post. Many of you who were in the workshops said that you felt …
Looking Closely at JS Sargent’s Portrait of Henry James
[image_with_animation image_url=”8958″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Alex Walker, an Especially Enjoyable student in my Intermediate Studio class, decided to work on making his brushwork more direct and decisive by doing a study of John Singer Sargent’s portrait of Henry James. Since his pilgrimage to see it in London brought the sad news that the painting …
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