Yesterday I posted my sketches; some fun ideas we are exploring in “Abstracting the Image” on Thursdays. Each week we’re taking a masterwork and exploring it with approaches inspired by contemporary abstract painters. The purpose of this exercise is to be able to lean on, and learn from the composition of the masterwork, while exploring a variety of ways to wonder within it, and make new marks. This is a way to get us off of the impulse to copy a “perfect” image (whether it’s a masterwork or our own photograph), while still benefiting from the structure. It gives us a place to start, and a direction to start walking.
Here are some fabulous studies by some people at the League:
Above: Pontormo’s composition by Lendy Hensley, in the style of Elaine de Kooning (below)
Above: Pontormo’s composition by Hannah DeBerg, in the style of Kandinsky (below)
Above: Pontormo’s composition by Marina Vogman, in the style of Carmen Herrera (below)Above: Pontormo’s composition by Chris Harvey, in the style of Donald Judd (below)
I am thrilled to be showing new work at SAM Gallery! This is a portrait show with six fabulous Seattle artists. I’ll share about the making of these paintings, and post to V. Notes soon. SAM GALLERY PRESENTS: FREE RADICALS JUN 12 – JUL 7 2019 SEATTLE ART MUSEUM SAM GALLERY 10 AM – 5 …
I look at a lot of art, and I don’t tend to see colored pencil drawings popping up in the mix of esteemed or daring artworks. Oils, pastels, graphite, watercolor, ink, even conte is common in museums and galleries, but colored pencils seem to be a material outgrown as soon as any of the others …
People posted hundreds of drawings for our 30 day January challenge, in which artists are invited to respond to a daily prompt posted on our V. Notes blog. Unlike other drawing challenges, these prompts are wildly varied, open to non-typical materials around us, and are designed to feed a broad spectrum of creative skills at …
Pontormo, Student Sketches
Yesterday I posted my sketches; some fun ideas we are exploring in “Abstracting the Image” on Thursdays. Each week we’re taking a masterwork and exploring it with approaches inspired by contemporary abstract painters. The purpose of this exercise is to be able to lean on, and learn from the composition of the masterwork, while exploring a variety of ways to wonder within it, and make new marks. This is a way to get us off of the impulse to copy a “perfect” image (whether it’s a masterwork or our own photograph), while still benefiting from the structure. It gives us a place to start, and a direction to start walking.
Here are some fabulous studies by some people at the League:
We’ve posted an invitation to jump into the Thursday class with us. This 6 week session starts next week. If you register early today, you could even attend today’s session for free! Day or evening classes available.
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Free Radicals Show at SAM Gallery
I am thrilled to be showing new work at SAM Gallery! This is a portrait show with six fabulous Seattle artists. I’ll share about the making of these paintings, and post to V. Notes soon. SAM GALLERY PRESENTS: FREE RADICALS JUN 12 – JUL 7 2019 SEATTLE ART MUSEUM SAM GALLERY 10 AM – 5 …
Colored Pencil Drawings by Amy Erickson
I look at a lot of art, and I don’t tend to see colored pencil drawings popping up in the mix of esteemed or daring artworks. Oils, pastels, graphite, watercolor, ink, even conte is common in museums and galleries, but colored pencils seem to be a material outgrown as soon as any of the others …
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People posted hundreds of drawings for our 30 day January challenge, in which artists are invited to respond to a daily prompt posted on our V. Notes blog. Unlike other drawing challenges, these prompts are wildly varied, open to non-typical materials around us, and are designed to feed a broad spectrum of creative skills at …