I resisted buying an iPad for years. I didn’t need it. I didn’t want it. I prided myself on using actual materials for actual paintings, and maintaining old style slow time in this instant digital world. The truth is, I don’t actually make many actual paintings. I’m actually very busy. If I were go to the studio to set up for an actual painting, which I wouldn’t, because my to do list is longer than the page I wrote it on, but if I did it would take at least an hour before I was even looking at the thing on my easel, and another thirty minutes to get all the colors out on my palette and get my brushes wet. So on a busy day, which is all days, I just don’t go.
Lately I’ve been teaching online, and now this Christmas present iPad is just sitting on my desk. It’s three inches from my elbow. Know how long it would take for me to start a painting? 19 seconds. I just timed it. 13 more seconds to pull up a reference photo from my files, and I’m in. Know how long it takes to mix a color? 4 seconds. And when I’m ready to stop for a moment or for the day, clean-up takes zero seconds. Zero. If I’m going somewhere I can pop it in my bag. If I’m waiting for an appointment I can pull it out again. I can change paintings, try something, go back. To see my composition, I can zoom out. To change the composition to be better, I can add or cut. To change the colors or values, I can slide a bar. I can mix a color, layer, glaze, and edit faster than you can say “Gamblin.” No need to set aside a project I’m groovin’ on just because it’s wet. This thing is ready to go.
David Hockney, using Procreate on an iPad
Did you know David Hockney uses Procreate? Yes, an 82 year old man was ten years ahead of me.
“I bought an iPad as soon as they were out in 2010. (…) I began drawing on an iPad and I loved it. Of course I love drawing but I thought it was a terrific medium. Everything is at your fingertips, there’s no cleaning up.” – David Hockney Interview 2016
This is not a replacement for real paint. It’s an addition. It’s something I can do that’s easy and interesting. It’ll make me better with color, better with composition. I have no doubt it will make me a better painter, and reward me with creative moments I wouldn’t have had otherwise.
I know I can figure it out on my own, but I’m impatient, so I’m taking Keith’s Digital Painting classes. Care to join me? Spring classes start this week!
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”9675″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”][divider line_type=”No Line” custom_height=”30″][vc_column_text]Topophilia (From Greek topos “place” and -philia, “love of”) is a strong sense of place, which often becomes mixed with the sense of cultural identity among certain people and a love of …
Bridget Riley’s Op Art When Bridget Riley first exhibited her dizzying black and white abstracts in the 1960s, people were amazed at how the lines and shapes appeared to move and vibrate right off the canvas. It was like she was painting with electricity itself! In 1967, she introduced Seurat-inspired color applications, and her paintings …
A lot of V. Note ideas wither because they are just one little thought or artwork, and I don’t have it in me to flush them out into a complete chapter. I’ve been thinking I should post more of these single notes. Here’s one: an automatic writing by Bruno Leyval. Automatic Writing/Drawing: writing or drawing produced without …
Why I want to learn digital painting
I resisted buying an iPad for years. I didn’t need it. I didn’t want it. I prided myself on using actual materials for actual paintings, and maintaining old style slow time in this instant digital world. The truth is, I don’t actually make many actual paintings. I’m actually very busy. If I were go to the studio to set up for an actual painting, which I wouldn’t, because my to do list is longer than the page I wrote it on, but if I did it would take at least an hour before I was even looking at the thing on my easel, and another thirty minutes to get all the colors out on my palette and get my brushes wet. So on a busy day, which is all days, I just don’t go.
Lately I’ve been teaching online, and now this Christmas present iPad is just sitting on my desk. It’s three inches from my elbow. Know how long it would take for me to start a painting? 19 seconds. I just timed it. 13 more seconds to pull up a reference photo from my files, and I’m in. Know how long it takes to mix a color? 4 seconds. And when I’m ready to stop for a moment or for the day, clean-up takes zero seconds. Zero. If I’m going somewhere I can pop it in my bag. If I’m waiting for an appointment I can pull it out again. I can change paintings, try something, go back. To see my composition, I can zoom out. To change the composition to be better, I can add or cut. To change the colors or values, I can slide a bar. I can mix a color, layer, glaze, and edit faster than you can say “Gamblin.” No need to set aside a project I’m groovin’ on just because it’s wet. This thing is ready to go.
Did you know David Hockney uses Procreate? Yes, an 82 year old man was ten years ahead of me.
“I bought an iPad as soon as they were out in 2010. (…) I began drawing on an iPad and I loved it. Of course I love drawing but I thought it was a terrific medium. Everything is at your fingertips, there’s no cleaning up.” – David Hockney Interview 2016
This is not a replacement for real paint. It’s an addition. It’s something I can do that’s easy and interesting. It’ll make me better with color, better with composition. I have no doubt it will make me a better painter, and reward me with creative moments I wouldn’t have had otherwise.
I know I can figure it out on my own, but I’m impatient, so I’m taking Keith’s Digital Painting classes. Care to join me? Spring classes start this week!
Digital Painting with Procreate, Wednesday Morning (Shortie) $95
Digital Painting with Procreate, Saturday Morning (Shortie) $95
Landscape Painting with Procreate, Wednesday Morning (Shortie) $95
Portrait Painting with Procreate, Saturday Morning (Shortie) $95
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