Diebenkorn-inspired drawing with Procreate, Ruthie V.
Today my art buddy Lendy and I took some photos to practice for our “Draw like Diebenkorn” workshop this weekend. We set up some still lifes, and I took some selfies. I don’t have a camera with a tripod in my apartment so I used my laptop’s Photo Booth feature. For anyone who has used this before, you know that you have exactly 2.9 seconds after you press the button to sprint to the other side of the room, hit a pose, and attempt to look relaxed. I took 32 photos, and most of them are of me trying to rapidly adjust myself. I finally got a couple Diebenkorn-similar poses that were good enough for practice. This was a relief. My legs couldn’t have done another sprint across the room.
Now with some images, I realized I hadn’t prepared myself with standard drawing supplies, so I decided to see what I could do with my new Procreate digital painting tools.
With the figurative drawing, I experimented with a couple different pens and pencils on the digital tool. Luckily, scribbling came easy. My rushed pose had an awkwardly high leg, but the digital tool made it easy for me to move it down. With Diebenkorn style, I decided to leave the marks from the previously drawn leg, which helped I think.
Diebenkorn-inspired drawing with Procreate, Ruthie V.
The still life was more difficult. I tried watercolor brush, and that was good, but what really gave me a fun texture was the fresco brush. I altered sizes and opacities as I went. Adding layers made it easy to make changes, and erase parts but not entire areas. I admit I used the undo button quite a bit, but not for the aim of perfection (clearly). I used it more to work with a more relaxed impulsive rhythm, and once I saw my mark was too dark, too big, or in the wrong place I just tapped it out. What a luxury!!! I didn’t have to worry. I just played.
Diebenkorn-inspired drawing with Procreate, Ruthie V.
Poor Lendy. She had to use an eraser for her “real paper” drawing.
Diebenkorn-inspired drawing, charcoal on paper, Lendy Hensley
You can see a very, very large collection of Diebenkorn sketches here and here. Putting together these collections of over 100 sketches, I learned a lot about Diebenkorn’s composition preferences. I’ll talk about those during the workshops.
A lot of V. Note ideas wither because they are just one little thought or artwork, and I don’t have it in me to flush them out into a complete chapter. I’ve been thinking I should post more of these single notes. Here’s one: an automatic writing by Bruno Leyval. Automatic Writing/Drawing: writing or drawing produced without …
Children with jack-o-lanterns, a sketch by Katie Jo Keppinger, in Thursday’s class for drawing and painting. I love Keppinger’s marks, bold and sensitive like Kathe Kollwitz, moody as Edvard Monk. This drawing uses a variety of edges and plenty of dark values and contrast to produce the sensation of glow. Organic circles, strong angles, and …
Take a class with SAL – anywhere! A while back I was Looking Closely at JS Sargent’s Portrait of Henry James. In the post I guessed at Sargent’s palette, his brushes, and a bit about his process. After I wrote that post I continued thinking about his process, did more research and more thinking, and …
You are invited to contribute to the 2nd annual Seattle Artist League Portrait Awards! 1st Prize: $1,000 cash2nd Prize: $500 SAL Gift Certificate3rd Prize: $300 SAL Gift CertificateHonorable Mentions: $100 SAL Gift Certificates Guest judge: Catherine Lepp Call ends 5/1/2022 @ midnight PST The Seattle Artist League Portrait Awards encourage artists to develop the theme of portraiture in their work. The …
Draw like Diebenkorn …with Procreate
Today my art buddy Lendy and I took some photos to practice for our “Draw like Diebenkorn” workshop this weekend. We set up some still lifes, and I took some selfies. I don’t have a camera with a tripod in my apartment so I used my laptop’s Photo Booth feature. For anyone who has used this before, you know that you have exactly 2.9 seconds after you press the button to sprint to the other side of the room, hit a pose, and attempt to look relaxed. I took 32 photos, and most of them are of me trying to rapidly adjust myself. I finally got a couple Diebenkorn-similar poses that were good enough for practice. This was a relief. My legs couldn’t have done another sprint across the room.
Now with some images, I realized I hadn’t prepared myself with standard drawing supplies, so I decided to see what I could do with my new Procreate digital painting tools.
With the figurative drawing, I experimented with a couple different pens and pencils on the digital tool. Luckily, scribbling came easy. My rushed pose had an awkwardly high leg, but the digital tool made it easy for me to move it down. With Diebenkorn style, I decided to leave the marks from the previously drawn leg, which helped I think.
The still life was more difficult. I tried watercolor brush, and that was good, but what really gave me a fun texture was the fresco brush. I altered sizes and opacities as I went. Adding layers made it easy to make changes, and erase parts but not entire areas. I admit I used the undo button quite a bit, but not for the aim of perfection (clearly). I used it more to work with a more relaxed impulsive rhythm, and once I saw my mark was too dark, too big, or in the wrong place I just tapped it out. What a luxury!!! I didn’t have to worry. I just played.
Poor Lendy. She had to use an eraser for her “real paper” drawing.
You can see a very, very large collection of Diebenkorn sketches here and here. Putting together these collections of over 100 sketches, I learned a lot about Diebenkorn’s composition preferences. I’ll talk about those during the workshops.
Draw like Diebenkorn Workshop, April 11
Paint like Diebenkorn Workshop, May 9/16
Spring classes start this week!
Digital Painting with Procreate, Wednesday Morning (Shortie) $95
Digital Painting with Procreate, Saturday Morning (Shortie) $95
Landscape Painting with Procreate, Wednesday Morning (Shortie) $95
Portrait Painting with Procreate, Saturday Morning (Shortie) $95
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Automatic writing by Bruno Leyval
A lot of V. Note ideas wither because they are just one little thought or artwork, and I don’t have it in me to flush them out into a complete chapter. I’ve been thinking I should post more of these single notes. Here’s one: an automatic writing by Bruno Leyval. Automatic Writing/Drawing: writing or drawing produced without …
Effects of Light: Children with jack-o-lanterns
Children with jack-o-lanterns, a sketch by Katie Jo Keppinger, in Thursday’s class for drawing and painting. I love Keppinger’s marks, bold and sensitive like Kathe Kollwitz, moody as Edvard Monk. This drawing uses a variety of edges and plenty of dark values and contrast to produce the sensation of glow. Organic circles, strong angles, and …
Notes on Sargent: Brushes
Take a class with SAL – anywhere! A while back I was Looking Closely at JS Sargent’s Portrait of Henry James. In the post I guessed at Sargent’s palette, his brushes, and a bit about his process. After I wrote that post I continued thinking about his process, did more research and more thinking, and …
Seattle Artist League 2nd Annual Portrait Awards, 2022
You are invited to contribute to the 2nd annual Seattle Artist League Portrait Awards! 1st Prize: $1,000 cash2nd Prize: $500 SAL Gift Certificate3rd Prize: $300 SAL Gift CertificateHonorable Mentions: $100 SAL Gift Certificates Guest judge: Catherine Lepp Call ends 5/1/2022 @ midnight PST The Seattle Artist League Portrait Awards encourage artists to develop the theme of portraiture in their work. The …