I used to think drawing was something I had to learn so that I could to get to painting. Lately I’ve grown to enjoy drawing for its own expressive abilities. Drawing is a spontaneous and immediate art. It is a direct record of the movement of the artist’s hand, a record of movement in time. Drawing can be quick, agile, and impulsive, but as a drawing progresses, the marks accumulate into something less movable.
Sketched quickly on subways and other New York spaces, these drawings by Gregory Muenzen have in them a quality I often see in blind contour line drawings, in which the hand is encouraged to follow a line made by the eye as it moves across the detailed crevices of a subject, and the artist is “blind” by not looking at their paper while the pencil is in motion. I often find these drawings have in them a special infusion of interest. Placement and proportion is secondary to curiosity. The pencil records the intimate act of looking.
An atelier is a snobby word for an artist’s workshop space. The word studio is from the Italian: studio, and from Latin: studium, from studere, meaning to study or zeal. The word atelier is French for workshop, especially the workroom or studio of a sculptor or painter, 1840, from French atelier, going back to the Old French astelier which was a carpenter’s workshop, woodpile …
Today is Design Friday, so your challenge is something the graphic designers will likely be familiar with: figure/ground reversal. “Figure/ground” is a phrase that came from modern German Gestalt psychology. It refers to how our mind organizes forms, distinguishing an object (figure) from its background (ground). In the early 1900s Danish psychologist Edgar Rubin famously experimented …
December 24, 2008 Heard on All Things Considered JOSHUA BROCKMAN Fritz Scholder broke almost every rule there was for an American Indian artist. He combined pop art with abstract expressionism. He shunned the sentimental portrayal of traditional Indians and in so doing helped pave the way for artists who followed. Scholder was only part American …
My last V. Note proclaimed itself “the first of four posts highlighting black artists with professional careers in both painting and printmaking.” I had done an internet search for black artists, and found a Wiki page with a fantastic list of artists I could research. To narrow down the list, I looked for all the artists …
Gregory Muenzen
I used to think drawing was something I had to learn so that I could to get to painting. Lately I’ve grown to enjoy drawing for its own expressive abilities. Drawing is a spontaneous and immediate art. It is a direct record of the movement of the artist’s hand, a record of movement in time. Drawing can be quick, agile, and impulsive, but as a drawing progresses, the marks accumulate into something less movable.
Sketched quickly on subways and other New York spaces, these drawings by Gregory Muenzen have in them a quality I often see in blind contour line drawings, in which the hand is encouraged to follow a line made by the eye as it moves across the detailed crevices of a subject, and the artist is “blind” by not looking at their paper while the pencil is in motion. I often find these drawings have in them a special infusion of interest. Placement and proportion is secondary to curiosity. The pencil records the intimate act of looking.
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An atelier is a snobby word for an artist’s workshop space. The word studio is from the Italian: studio, and from Latin: studium, from studere, meaning to study or zeal. The word atelier is French for workshop, especially the workroom or studio of a sculptor or painter, 1840, from French atelier, going back to the Old French astelier which was a carpenter’s workshop, woodpile …
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Today is Design Friday, so your challenge is something the graphic designers will likely be familiar with: figure/ground reversal. “Figure/ground” is a phrase that came from modern German Gestalt psychology. It refers to how our mind organizes forms, distinguishing an object (figure) from its background (ground). In the early 1900s Danish psychologist Edgar Rubin famously experimented …
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December 24, 2008 Heard on All Things Considered JOSHUA BROCKMAN Fritz Scholder broke almost every rule there was for an American Indian artist. He combined pop art with abstract expressionism. He shunned the sentimental portrayal of traditional Indians and in so doing helped pave the way for artists who followed. Scholder was only part American …
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My last V. Note proclaimed itself “the first of four posts highlighting black artists with professional careers in both painting and printmaking.” I had done an internet search for black artists, and found a Wiki page with a fantastic list of artists I could research. To narrow down the list, I looked for all the artists …