I was looking for an artwork to include in a newsletter. I wanted something to talk about friendship, while also giving a reference to social distancing and connections from afar. I found this 1937 painting by Dora Maar that seemed just right…. and then I didn’t end up needing the image. I thought it was so appropriate for expressing some of the strangeness of these days that I wanted to share.
Stop touching your face, AJ.
All of our classes are now online, and I am profoundly happy to be a part of them. I admire all of your tenacious dedication to your creativity. Through this, I feel connected to you.
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”7670″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”][vc_column_text]Find a stone you can comfortably hold in your hand. Without looking at it, spend a few minutes exploring it with your hands. Close your eyes. Feel the weight of the stone, the …
Today’s TRANSCRIPTION Challenge: Titian’s Bacchus and Ariadne #bacchusandariadne Post it To be eligible for prizes (yes prizes!) at the end of the month, post your work to Instagram with #30sal and #bacchusandariadne so we can find your post. To find more followers for your page, you can cut/paste these to your post: #30sal #bacchusandariadne #titian #transcription #classicalpainting #arthistory #vnotes #creativechallenge …
Bridget Riley’s Op Art When Bridget Riley first exhibited her dizzying black and white abstracts in the 1960s, people were amazed at how the lines and shapes appeared to move and vibrate right off the canvas. It was like she was painting with electricity itself! In 1967, she introduced Seurat-inspired color applications, and her paintings …
The Conversation
I was looking for an artwork to include in a newsletter. I wanted something to talk about friendship, while also giving a reference to social distancing and connections from afar. I found this 1937 painting by Dora Maar that seemed just right…. and then I didn’t end up needing the image. I thought it was so appropriate for expressing some of the strangeness of these days that I wanted to share.
All of our classes are now online, and I am profoundly happy to be a part of them. I admire all of your tenacious dedication to your creativity. Through this, I feel connected to you.
Our Mission: Connect. Create. Be healthy.
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[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”7670″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”][vc_column_text]Find a stone you can comfortably hold in your hand. Without looking at it, spend a few minutes exploring it with your hands. Close your eyes. Feel the weight of the stone, the …
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Today’s TRANSCRIPTION Challenge: Titian’s Bacchus and Ariadne #bacchusandariadne Post it To be eligible for prizes (yes prizes!) at the end of the month, post your work to Instagram with #30sal and #bacchusandariadne so we can find your post. To find more followers for your page, you can cut/paste these to your post: #30sal #bacchusandariadne #titian #transcription #classicalpainting #arthistory #vnotes #creativechallenge …
Day 13: Op Art #30SAL
Bridget Riley’s Op Art When Bridget Riley first exhibited her dizzying black and white abstracts in the 1960s, people were amazed at how the lines and shapes appeared to move and vibrate right off the canvas. It was like she was painting with electricity itself! In 1967, she introduced Seurat-inspired color applications, and her paintings …
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It says Day 7, but it’s really Day 8.